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Oliver Dobbs was a writer first, and a man second. To him other people were tools. Even though he had broken Victoria Bradshaw's heart once, when he arrived on her doorstep with a two-year-old son, she found she could not refuse him, and the three of them set out for a castle in Scotland. There, Victoria meets the new laird and finds her crushed spirit awakening. When you read a novel like Wild Mountain Thyme by Rosamunde Pilcher you enter a special world where emotions sing from the heart. A world that lovingly captures the ties that bind us to one another-the joys and sorrows, heartbreaks and misunderstandings, and glad, perfect moments when we are in true harmony. A world filled with evocative, engrossing, and above all, enjoyable portraits of people's lives and loves, tenderly laid open for us...
Rosamunde Pilcher's worldwide best-sellers, The Shell Seekers, September, and Coming Home, enchanted millions with their beguiling descriptions of the coasts of Cornwall, the Highlands of Scotland, and the society of London. Now, in this lavishly illustrated, full-color book, Rosamunde Pilcher invites people to share with her the breathtaking views and tranquil places that have inspired her writing. Rosamunde Pilcher's journey begins in Cornwall where she grew up. The dreamy villages, stout cottages, and beautiful gardens of her childhood stand out amidst the artists' studios, galleries, and cafes. This is the landscape that readers of the Shell Seekers, The Empty House, and Coming Home know and love. Then there is the world of September and Wild Mountain Thyme--Rosamunde Pilcher's Scotland. Her home after marriage, the Scottish hills overflow with heather and clear streams running with trout. It's a place of country houses and annual balls that preserve the warmth of family and a stately pace of life. London has always been a welcome contrast to Rosamunde Pilcher's peaceful country life: socializing in the elegant Kensington town houses, afternoon tea at the Ritz, and parties in Chelsea are all familiar rituals that evoke the mood of a time now past. With an introduction by the author, snapshots from family albums, mouth-watering recipes from her own kitchen, and extracts from her unforgettable novels and short stories, the World of Rosamunde Pilcher will be treasured by her millions of loyal fans. Moreover, as with Rosamunde Pilcher's novels, the beautiful places within these covers are testaments to the gorgeous landscape and glorious cultural heritage of Britain.
An unabridged omnibus edition of two of Rosamunde Pilcher's novels.
Contains three complete books, featuring two novels and sixteen short stories, by Rosamunde Pilcher, including "Snow in April," "Wild Mountain Thyme," and "Flowers in the Rain and Other Stories."
Guitar arrangements transcribed by the artists themselves, in standard notation and tab. Each edition includes a masterclass-style CD in which the artist walks you through the key aspects and techniques for each arrangement. Ten of Ed Gerhard's most beautiful solo guitar pieces transcribed in full notation and tablature. On the accompanying master class-style CD, Ed carefully describes and demonstrates all the key passages for each song. Titles are: Blue Highway * Crow * Duet * Farther Along * Homage * Promised Land * Shallow Brown * Si Bhig, Si Mhor * The Water Is Wide * Wild Mountain Thyme.
Whenever Selina asked about her late father, the grandmother who raised her changed the subject. The chance discovery of a photograph gave Selina hope that he was still alive and sent her searching for him on a small Spanish island. In this lush paradise, Selina found George Dyer, a writer who would help her solve the mystery of her past...and might hold the key to her future. When you read a novel like Sleeping Tiger by Rosamunde Pilcher you enter a special world where emotions sing from the heart. A world that lovingly captures the ties that bind us to one another-the joys and sorrows, heartbreaks and misunderstandings, and glad, perfect moments when we are in true harmony. A world filled with evocative, engrossing, and above all, enjoyable portraits of people's lives and loves, tenderly laid open for us...
After years in the United States, Jane returns to the tranquil Scottish estate, Elvie, where she spent a magical childhood. Memories of Elvie had always summoned the image of Sinclair, the rakish man Jane had once dreamed of marrying, but now that she is home, she finds Sinclair a different man. His charm has a purpose, and Jane can no longer trust him...or herself, in The End of Summer. When you read a novel by Rosamunde Pilcher you enter a special world where emotions sing from the heart. A world that lovingly captures the ties that bind us to one another-the joys and sorrows, heartbreaks and misunderstandings, and glad, perfect moments when we are in true harmony. A world filled with evocative, engrossing, and above all, enjoyable portraits of people's lives and loves, tenderly laid open for us... "Her genius is to create characters you really care for" - Daily Express
An in-depth celebration of the romantic comedy’s modern golden era and its role in our culture, tracking the genre from its heyday in the ’80s and the ’90s, its unfortunate decline in the 2000s, and its explosive reemergence in the age of streaming, featuring exclusive interviews with the directors, writers, and stars of the iconic films that defined the genre. No Hollywood genre has been more misunderstood—or more unfairly under-appreciated—than the romantic comedy. Funny, charming, and reliably crowd-pleasing, rom-coms were the essential backbone of the Hollywood landscape, launching the careers of many of Hollywood’s most talented actors and filmmakers, such as Julia Roberts and Matthew McConaughey, and providing many of the yet limited creative opportunities women had in Hollywood. But despite—or perhaps because of—all that, the rom-com has routinely been overlooked by the Academy Awards or snobbishly dismissed by critics. In From Hollywood with Love, culture writer and GQ contributor Scott Meslow seeks to right this wrong, celebrating and analyzing rom-coms with the appreciative, insightful critical lens they’ve always deserved. Beginning with the golden era of the romantic comedy—spanning from the late ’80s to the mid-’00s with the breakthrough of films such as When Harry Met Sally—to the rise of streaming and the long-overdue push for diversity setting the course for films such as the groundbreaking, franchise-spawning Crazy Rich Asians, Meslow examines the evolution of the genre through its many iterations, from its establishment of new tropes, the Austen and Shakespeare rewrites, the many love triangles, and even the occasional brave decision to do away with the happily ever after. Featuring original black-and-white sketches of iconic movie scenes and exclusive interviews with the actors and filmmakers behind our most beloved rom-coms, From Hollywood with Love constructs oral histories of our most celebrated romantic comedies, for an informed and entertaining look at Hollywood’s beloved yet most under-appreciated genre.
THE STORY: When aspiring novelist Wanda seeks the advice of successful writer Brutus, she gets more than she bargained for. Of the manuscript she sent him, he tells her, It was wretched, it was ignominious. It takes seventeen trees to make one ton
The Pulitzer Prize–winning film critics offers up more reviews of horrible films. Roger Ebert awards at least two out of four stars to most of the more than 150 movies he reviews each year. But when the noted film critic does pan a movie, the result is a humorous, scathing critique far more entertaining than the movie itself. I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert’s most biting and entertaining reviews of films receiving a mere star or less from the only film critic to win the Pulitzer Prize. Ebert has no patience for these atrocious movies and minces no words in skewering the offenders. Witness: Armageddon * (1998)—The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they’re charging to get in, it’s worth more to get out. The Beverly Hillbillies * (1993)—Imagine the dumbest half-hour sitcom you’ve ever seen, spin it out to ninety-three minutes by making it even more thin and shallow, and you have this movie. It’s appalling. North no stars (1994)—I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it. Police Academy no stars (1984)—It’s so bad, maybe you should pool your money and draw straws and send one of the guys off to rent it so that in the future, whenever you think you’re sitting through a bad comedy, he could shake his head, chuckle tolerantly, and explain that you don't know what bad is. Dear God * (1996)—Dear God is the kind of movie where you walk out repeating the title, but not with a smile. The movies reviewed within I Hated, Hated, Hated This Movie are motion pictures you’ll want to distance yourself from, but Roger Ebert’s creative and comical musings on those films make for a book no movie fan should miss.