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"An emblem of the American West and once numbering in the millions, the wild horse is considered by some today as a resource to be exploited or a pest to be eliminated. Now the wild horse is on the verge of being removed entirely from our nation's public lands. Wild hoofbeats takes us deep into Adobe Town in Wyoming's Red Desert and one of the largest remaining wild herds in America. In passionate prose, but above all in stunning photographs that are both intimate and grand, Carol Walker convinces us to take the future of these elegant, exceptional animals to heart"--P. [4] of cover.
Join award-winning author and photographer Carol Walker as she tells the story, in words and photographs, of the wild horses of Adobe Town herd of Wyoming, and the dramatic fight to protect these magnificent and endangered animals. Protective. Dignified. Elegant and affectionate. Certainly beautiful. Above all else, loyal. These are the horses of Wyoming's famed Adobe Town herd, their stunning images caught in the wild by award-winning photographer Carol Walker. Especially remarkable are the snowcapped stallion that Walker thinks of as Bronze Warrior and his band of Appaloosa-marked mares and offspring. But their freedom was to be curtailed. In the fall of 2014, the Adobe Town horses were rounded up, their bands divided. Bronze Warrior and his sons were shipped to Colorado, their mares to a holding facility in Wyoming, and their young sent to Carson City, Nevada. Moved by the horse's strong family bonds in the wild, Walker joined with other advocates to intercede. This is the story, captured in Walker's signature dramatic images, of searching out, gathering together, and ultimately reuniting Bronze Warrior's extended family at the Black Hills Wild Horse Sanctuary. Galloping to Freedom will engage your heart and forever change your view of America's wild horses.
Why photograph horses? Because, in the words of author Carol Walker, they "fill our hearts", and capturing them on film or in digital images expresses that relationship. We want to catch and hold -- and show -- their spirit, their tremendous joy in living, their unique personalities, and of course, their incomparable beauty. And we want the quality of our images to honour our glorious subjects. Photographing horses presents a double challenge, the first being the technical aspects -- the lenses, the setting, the light and speed, and how all those relate to the subject. The second element is more elusive; it is horse knowledge -- the educated ability to see how a horse moves, sense its moods, and understand its psychology as a prey animal. This book presents the tools to master both technique and subject matter. More than that, the book will stir your creativity and inspire you to spend more time focusing on these animals you admire. Carol Walker has travelled the world photographing animals for almost 30 years, and since 2000 has concentrated on horses, including the object of her greatest passion, America's wild horses. Carol's stunning images illuminate the relationship between horses and their people, as well as showcase the beauty of horses at liberty. She teaches equine photography workshops for amateurs, and her commercial work includes fine art, magazine covers, and calendars. Her first book, "Wild Hoofbeats: America's Vanishing Wild Horses" is in its second printing and has won numerous awards for the quality of images and evocative writing. This book will be the reference of choice for any photographer aspiring to do justice to that most appealing of animals, the horse.
Loosely autobiographical, thirty vignettes make up this collection that features a wide range of equine stories, each sharing a sense of love, loss, and survival.
The horses that captured the moviegoers’ hearts are the common denominator in Hollywood Hoofbeats. As author Petrine Day Mitchum writes, “the movies as we know them would be vastly different without horses. There would be no Westerns—no cowboy named John Wayne—no Gone with the Wind, no Ben Hur, no Dances with Wolves…” no War Horse, no True Grit, no Avatar! Those last three 21st-century Hollywood creations are among the new films covered in this expanded second edition of Hollywood Hoofbeats written by the daughter of movie star Robert Mitchum, who himself appeared on the silver screen atop a handsome chestnut gelding. Having grown up around movie stars and horses, Petrine Day Mitchum is the ideal author to pay tribute to the thousands of equine actors that have entertained the world since the inception of the film medium. From the early days of D.W. Griffith’s The Great Train Robbery to Quentin Tarantino’s Django Unchained, this celebration of movies promises something for every Hollywood fan… the raucous comedy of Abbot and Costello (and “Teabiscuit”) in It Ain’t Hay, a classic sports films like National Velvet starring Elizabeth Taylor, a timeless epic with Errol Flynn, and films featuring guitar-strumming cowboys like Gene Autry and Roy Rogers. INSIDE HOLLYWOOD HOOFBEATS Movie trivia and fascinating anecdotes about the stars of yesterday and today An inside look at the stunts horses performed in motion pictures and the lingering controversies Hundreds of illustrations, including rare movie posters, movie stills, and film clips Updated, expanded text including coverage of new movies and photographs Chapters devoted to action films, Westerns, comedies, musicals, child stars, and more Famous TV programs and their horses including Mr. Ed and Silver (Lone Ranger)
This stirring book fully justifies America's magnificent wild horses and burros while countering the biased machinations against them. Written by an ecologist who grew up observing these animals in the West, it presents new evidence concerning their history and evolution in North America then describes their many positive contributions to soils, plants, animals and people. Though true restorers of this continent's ecosystem, they have been unfairly targeted for elimination. Over the centuries, they have borne our burdens and helped us along life's way--which makes it doubly unfair that they should be blamed for what we humans have done. As always, they stand ready to help us do the hard work now so desperately needed to restore our shared home. Many of the author's personal experiences with these animals, their diverse herd areas, and the multicolored people involved with them are herein vividly shared. Urgently required now at the 40th anniversary of the Wild Free-Roaming Horses and Burros Act is a strategy to reverse the negative schemes that are causing their demise in the wild. As described, Reserve Design provides a way for establishing self-stabilizing populations through intelligent and caring programs executed with enthusiasm. Their lesson for humanity concerns how to share freedom and the land with such paragons of nature. Soaring beyond mundane pettiness and with an inspired vision for the future of all life, the elevated perspective and compassionate spirit of this book will prove key to accomplishing its critical goal. In the wild the vigor of any kind is preserved. And the entire horse family--as the Earth itself--needs America's wild horses and burros to continue at vital levels into the future here in their evolutionary cradle and worldwide.
“A fascinating narrative with all the grace and power embodied in the wild horses that once populated the Western range . . . [A] magnificently told saga.” —Albuquerque Journal A Los Angeles Times Best Nonfiction Book of the Year Mustang is the sweeping story of the wild horse in the culture, history, and popular imagination of the American West. It follows the wild horse across time, from its evolutionary origins on this continent to its return with the conquistadors, its bloody battles on the old frontier, its iconic status in Buffalo Bill shows and early westerns, and its plight today as it makes its last stand on the vanishing range. With the Bureau of Land Management proposing to euthanize thousands of horses and ever-encroaching development threatening the land, the mustang’s position has never been more perilous. But as Stillman reveals, the horses are still running wild despite all the obstacles, with spirit unbroken. Hailed by critics nationwide, Mustang is “brisk, smart, thorough, and surprising” (Atlantic Monthly). “Like the best nonfiction writers of our time (Jon Krakauer and Bruce Chatwin come to mind), Stillman’s prose is inviting, her voice authoritative and her vision imaginative and impressively broad.” —Los Angeles Times “Powerful . . . Stillman’s talent as a writer makes this impossible [to stop reading], to the mustang’s benefit.” —Orion “A circumspect writer passionate about her purpose can produce a significant gift for readers. Stillman’s wonderful chronicle of America’s mustangs is an excellent example.” —The Seattle Times
Now available in paperback, founder of the Black Hills Wild Horse Sanctuary and a lifelong rancher, Dayton O. Hyde acts as a guide to the natural history, behavior, and future chances of the wild horses that survive across the United States, from the mustangs of the West to the ponies of Assoteague and Chincoteague islands. He writes as well of his personal experiences with wild horses around the globe, from the ghostly white horses of the French Camargue to zebras in Africa. Beautifully illustrated with the work of Rita and Charles Summers, renowned photographers of the world's wild horses, this arresting book truly conveys the nature, and the plight, of these splendid animals.
Life in Iran as an artist under the Shah and during the Iranian Revolution A Man of the Theater tells the personal story of a theater artist caught between the two great upheavals of Iranian history in the 20th century. One is the White Revolution of the 1960s, the incomplete and uneven modernization imposed from the top by the dictatorial regime of the Shah, coming in the wake of the overthrow of the popular Mosaddegh government with the help of the CIA. The other one is the Iranian Revolution of 1979, a great rising of Iranian society against the rule of the Shah in which Khomeini’s Islamist faction ends up taking power. Written in a simple direct style, Rahmaninejad’s memoir describes his fraught creative life in Tehran during these decades, founding a theater company and directing plays under the increasing pressure of the censorship authorities and the Shah’s secret police. After being arrested and tortured by the SAVAK and after spending years in Tehran’s infamous Evin prison and being a cause célèbre of Amnesty International, Rahmaninejad is freed by the Revolution of 1979. But his new-found freedom is short-lived; the progressive intellectuals and artists find themselves overpowered and outmaneuvered by the better organized Islamists, leading to renewed terror and to exile. In Western perception, the Iranian Revolution, which this year has its 40th anniversary, often overshadows the decades of Iran’s modern history that preceded it. A Man of the Theater fills this gap. The title derives from a time of torture in prison when interrogators ordered him to write everything about his activities. To avoid revealing anything incriminating he took pen in hand and wrote and wrote about all his artistic passions, beginning, "Here it is—this is my life! I am an artist! A man of the theater!"