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Humankind has the capacity and know-how to create Earth-honoring cultures in a new way for new times. Through tapping into ancestral memories, taking what's best from the human potential movement, and collaborating with present day indigenous peoples we can find our way home. Practicing the key ingredients of a lasting culture is an ecstatic way to live. This book shows you how. ,
In this, her third collection of poems, Eleanor Wilner revises a number of our culture's central myths; invoking figures as diverse as Briar Rose and Miriam the Prophet, she casts upon their stories, and choices, an enlivening feminist perspective. "There is so much that is impressive in Wilner's mature poems. In an era which has been labelled 'The End of History,' she examines history's less obvious lessons. If the past is to teach us, she seems to say, then we must re-invent and re-shape it."—Poetry
In 1969, poet and revolutionary Margaret Randall was forced underground when the Mexican government cracked down on all those who took part in the 1968 student movement. Needing to leave the country, she sent her four young children alone to Cuba while she scrambled to find safe passage out of Mexico. In I Never Left Home, Randall recounts her harrowing escape and the other extraordinary stories from her life and career. From living among New York's abstract expressionists in the mid-1950s as a young woman to working in the Nicaraguan Ministry of Culture to instill revolutionary values in the media during the Sandinista movement, the story of Randall's life reads like a Hollywood production. Along the way, she edited a bilingual literary journal in Mexico City, befriended Cuban revolutionaries, raised a family, came out as a lesbian, taught college, and wrote over 150 books. Throughout it all, Randall never wavered from her devotion to social justice. When she returned to the United States in 1984 after living in Latin America for twenty-three years, the U.S. Immigration and Naturalization Service ordered her to be deported for her “subversive writing.” Over the next five years, and with the support of writers, entertainers, and ordinary people across the country, Randall fought to regain her citizenship, which she won in court in 1989. As much as I Never Left Home is Randall's story, it is also the story of the communities of artists, writers, and radicals she belonged to. Randall brings to life scores of creative and courageous people on the front lines of creating a more just world. She also weaves political and social analyses and poetry into the narrative of her life. Moving, captivating, and astonishing, I Never Left Home is a remarkable story of a remarkable woman.
Roz the robot discovers that she is alone on a remote, wild island with no memory of where she is from or why she is there, and her only hope of survival is to try to learn about her new environment from the island's hostile inhabitants.
Selections from the work of the poets who have been members of the MacDowell colony.
If you want a better understanding of what happened in the wake of George Floyd's unnecessary death, take a look at Deborah Turner's unflinching debut collection of poems, Sweating It Out. In Sweating, Turner shows us the work behind discovering and breaking the rules of engagement, whether in community, family, love, or sports. Each poem, at face value, plays in a different arena--basketball, softball, tennis. Yet collectively, they stand as evidence revealing how the strength needed for real life has its roots in play. Hallowed traditions like call and response ("Double Dutch") and the blues ("Coming Down") score throughout Sweating. The mid-way poem, "Time Out," offers a thought-provoking break. But in the end, the triumphant "When I Rise" gives hope to anyone still struggling and a testament to those whose early struggles to cultivate change ("Juneteenth") make it possible to keep playing. Early praise for this original and fresh collection of sports poetry describes Turner's work as a model and mentor text, and true to form you can find her own reading and discussion guide and more about her and her works at www.deborahturner.online. Poetry readers are alert for ways to make the complex and distressing accessible and understandable. 2020 is awash with questions, uncertainty, and change. Let Sweating It Out help you work through your questions.
Undrowned is a book-length meditation for social movements and our whole species based on the subversive and transformative guidance of marine mammals. Our aquatic cousins are queer, fierce, protective of each other, complex, shaped by conflict, and struggling to survive the extractive and militarized conditions our species has imposed on the ocean. Gumbs employs a brilliant mix of poetic sensibility and naturalist observation to show what they might teach us, producing not a specific agenda but an unfolding space for wondering and questioning. From the relationship between the endangered North Atlantic Right Whale and Gumbs’s Shinnecock and enslaved ancestors to the ways echolocation changes our understandings of “vision” and visionary action, this is a masterful use of metaphor and natural models in the service of social justice.
Reflections on a lost poem and its rediscovery by contemporary poets Gilgamesh is the most ancient long poem known to exist. It is also the newest classic in the canon of world literature. Lost for centuries to the sands of the Middle East but found again in the 1850s, it tells the story of a great king, his heroism, and his eventual defeat. It is a story of monsters, gods, and cataclysms, and of intimate friendship and love. Acclaimed literary historian Michael Schmidt provides a unique meditation on the rediscovery of Gilgamesh and its profound influence on poets today. Schmidt describes how the poem is a work in progress even now, an undertaking that has drawn on the talents and obsessions of an unlikely cast of characters, from archaeologists and museum curators to tomb raiders and jihadis. Fragments of the poem, incised on clay tablets, were scattered across a huge expanse of desert when it was recovered in the nineteenth century. The poem had to be reassembled, its languages deciphered. The discovery of a pre-Noah flood story was front-page news on both sides of the Atlantic, and the poem's allure only continues to grow as additional cuneiform tablets come to light. Its translation, interpretation, and integration are ongoing. In this illuminating book, Schmidt discusses the special fascination Gilgamesh holds for contemporary poets, arguing that part of its appeal is its captivating otherness. He reflects on the work of leading poets such as Charles Olson, Louis Zukofsky, and Yusef Komunyakaa, whose own encounters with the poem are revelatory, and he reads its many translations and editions to bring it vividly to life for readers.