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In 2010, Sarah Marquis embarked on a perilous journey: alone and on foot, she walked ten thousand miles across the Gobi Desert, from Siberia, through Thailand, to the Australian outback. Relying on hunting and her own wits, she traversed fever-haunted jungles and scorching deserts, braved harassment from drug dealers, the Mafia, and camp raids from thieves on horseback. Surviving dehydration, dengue fever delirium and crippling infection, Sarah experienced a raw and spiritual communion after three years of walking at the base of a tree in the plains of Australia. Through an inspirational journey, Wild by Nature explores what it is to adventure as a woman in the most dangerous of circumstances, and what it is to be truly alone in the wild.
"Wild by Nature answers the question: how did indigenous animals shape the course of colonization in English America? The book argues that animals acted as obstacles to colonization because their wildness was at odds with Anglo-American legal assertions of possession. Animals and their pursuers transgressed the legal lines officials drew to demarcate colonizers' sovereignty and control over the landscape. Consequently, wild creatures became legal actors in the colonizing process--the subjects of statutes, the issues in court cases, and the parties to treaties--as authorities struggled to both contain and preserve the wildness that made those animals so valuable to English settler societies in North America in the first place. Only after wild creatures were brought under the state's legal ownership and control could the land be rationally organized and possessed. The book examines the colonization of American animals as a separate strand interwoven into a larger story of English colonizing in North America. As such, it proceeds along a different and longer timeline than other colonial histories, tracing a path through various wild animal frontiers from the seventeenth-century Chesapeake into the southern backcountry in the eighteenth century and across the Appalachians in the early nineteenth to end in the southern plains in the decades after the Civil War. Along the way, it maps out an argumentative arc that describes three manifestations of colonization as it variously applied to beavers, wolves, fish, deer, and bison. Wild by Nature engages broad questions about the environment, law, and society in early America"--
How did efforts to control wild animals affect colonization? Winner of the CHOICE Outstanding Academic Title of the Choice ACRL From the time Europeans first came to the New World until the closing of the frontier, the benefits of abundant wild animals—from beavers and wolves to fish, deer, and bison—appeared as a recurring theme in colonizing discourses. Explorers, travelers, surveyors, naturalists, and other promoters routinely advertised the richness of the American faunal environment and speculated about the ways in which animals could be made to serve their colonial projects. In practice, however, American animals proved far less malleable to colonizers’ designs. Their behaviors constrained an English colonial vision of a reinvented and rationalized American landscape. In Wild by Nature, Andrea L. Smalley argues that Anglo-American authorities’ unceasing efforts to convert indigenous beasts into colonized creatures frequently produced unsettling results that threatened colonizers’ control over the land and the people. Not simply acted upon by being commodified, harvested, and exterminated, wild animals were active subjects in the colonial story, altering its outcome in unanticipated ways. These creatures became legal actors—subjects of statutes, issues in court cases, and parties to treaties—in a centuries-long colonizing process that was reenacted on successive wild animal frontiers. Following a trail of human–animal encounters from the seventeenth-century Chesapeake to the Civil War–era southern plains, Smalley shows how wild beasts and their human pursuers repeatedly transgressed the lines lawmakers drew to demarcate colonial sovereignty and control, confounding attempts to enclose both people and animals inside a legal frame. She also explores how, to possess the land, colonizers had to find new ways to contain animals without destroying the wildness that made those creatures valuable to English settler societies in the first place. Offering fresh perspectives on colonial, legal, environmental, and Native American history, Wild by Nature reenvisions the familiar stories of early America as animal tales.
This is a book for those who love adventure and who are driven to explore the earth God has created. The author draws from his own experiences in the world of sports to offer insight into the thoughts and reflections of athletes as they encounter a world of high drama and, at times, unanticipated beauty. While testing his determination and skill in mountain climbing or deep sea diving, for example, the author observes how biblical truths are as applicable in the wilds of nature as they are in a serene church setting on Sunday morning. No matter how extreme our lifestyle, God is there with those who honor him.
In this inspiring manifesto, an internationally renowned ecologist makes a clear case for why protecting nature is our best health insurance, and why it makes economic sense.
Laura J. Martin examines ecological restoration’s long history. Since the early 1900s, restorationists have confronted vexing philosophical questions: Which states of nature should be restored? Who should choose? Is human-designed wilderness really wild? Restoration work leads us to reimagine nature and the nature of environmental justice.
In Wild Design, environmental designer and scientist Alan Marshall presents a manifesto on nature-inspired designs, including visionary concepts as well as exhibits of actual products, landscapes, and artwork from around the world. With elegant photographs and drawings, the book incorporates the ethos of sustainability by documenting many of the results of the Ecomimicry Project, an international experiment in ecodesign that marries the skills of local artists and ecologists from Western Australia and the Carpathian mountains in Eastern Europe. All the designs treat nature as an inspiration for ecofriendly innovations. Among the fascinating possibilities: a bike helmet based on the crustacean exoskeleton, a heliotropic house, and a car fueled by algae. Marshall argues that design should be the responsibility of all, not just a technological elite, and it is in this spirit that he offers this timely, important book.
A brief foray into a moral thicket, exploring why we should protect nature despite tsunamis, malaria, bird flu, cancer, killer asteroids, and tofu. Most of us think that in order to be environmentalists, we have to love nature. Essentially, we should be tree huggers—embracing majestic redwoods, mighty oaks, graceful birches, etc. We ought to eat granola, drive hybrids, cook tofu, and write our appointments in Sierra Club calendars. Nature's splendor, in other words, justifies our protection of it. But, asks Benjamin Hale in this provocative book, what about tsunamis, earthquakes, cancer, bird flu, killer asteroids? They are nature, too. For years, environmentalists have insisted that nature is fundamentally good. In The Wild and the Wicked, Benjamin Hale adopts the opposite position—that much of the time nature can be bad—in order to show that even if nature is cruel, we still need to be environmentally conscientious. Hale argues that environmentalists needn't feel compelled to defend the value of nature, or even to adopt the attitudes of tree-hugging nature lovers. We can acknowledge nature's indifference and periodic hostility. Deftly weaving anecdote and philosophy, he shows that we don't need to love nature to be green. What really ought to be driving our environmentalism is our humanity, not nature's value. Hale argues that our unique burden as human beings is that we can act for reasons, good or bad. He claims that we should be environmentalists because environmentalism is right, because we humans have the capacity to be better than nature. As humans, we fail to live up to our moral potential if we act as brutally as nature. Hale argues that despite nature's indifference to the plight of humanity, humanity cannot be indifferent to the plight of nature.
In Beauty of the Wild, Darrel Morrison shares six decades of experience as a teacher and a designer of nature-inspired landscapes. In native plant gardens at the University of Wisconsin Arboretum, New York Botanical Garden, and Brooklyn Botanic Garden, as well as at the Storm King Art Center, Morrison's ever-evolving compositions were designed to reintroduce ecological diversity, natural processes, and naturally occurring patterns--the "beauty of the wild"--into the landscape.
A collection of captivatingly meditative essays that display a deep understanding of Buddhist belief, wildness, wildlife, and the world from an American cultural force. With thoughts ranging from political and spiritual matters to those regarding the environment and the art of becoming native to this continent, the nine essays in The Practice of the Wild display the deep understanding and wide erudition of Gary Snyder. These essays, first published in 1990, stand as the mature centerpiece of Snyder's work and thought, and this profound collection is widely accepted as one of the central texts on wilderness and the interaction of nature and culture.