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His contemporaries called him Wild Bill, and newspapermen and others made him a legend in his own time. Among western characters only General George Armstrong Custer and Buffalo Bill Cody are as readily recognized by the general public. In writing this biography, Joseph G. Rosa has expressed the hope that "Hickok emerges as a man and not a legend." For this comprehensive revision of his earlier biography of Wild Bill the author was allowed to work from newly available materials in the possession of the Hickok family. He also discovered new material pertaining to Wild Bill’s Civil War exploits and his service as a marshal and found the pardon file of his murderer, John McCall. Additional, rare photographs of Wild Bill are published here for the first time. The results of Rosa’s additional research make this second edition the best biography of Wild Bill likely to be written for years to come.
bibliography, index, eight-page photo essay
"Entertaining history...Donovan was a combination of bold innovator and imprudent rule bender, which made him not only a remarkable wartime leader but also an extraordinary figure in American history" (The New York Times Book Review). He was one of America's most exciting and secretive generals--the man Franklin Roosevelt made his top spy in World War II. A mythic figure whose legacy is still intensely debated, "Wild Bill" Donovan was director of the Office of Strategic Services (the country's first national intelligence agency) and the father of today's CIA. Donovan introduced the nation to the dark arts of covert warfare on a scale it had never seen before. Now, veteran journalist Douglas Waller has mined government and private archives throughout the United States and England, drawn on thousands of pages of recently declassified documents, and interviewed scores of Donovan's relatives, friends, and associates to produce a riveting biography of one of the most powerful men in modern espionage. William Joseph Donovan's life was packed with personal drama. The son of poor Irish Catholic parents, he married into Protestant wealth and fought heroically in World War I, where he earned the nickname "Wild Bill" for his intense leadership and the Medal of Honor for his heroism. After the war he made millions as a Republican lawyer on Wall Street until FDR, a Democrat, tapped him to be his strategic intelligence chief. A charismatic leader, Donovan was revered by his secret agents. Yet at times he was reckless--risking his life unnecessarily in war zones, engaging in extramarital affairs that became fodder for his political enemies--and he endured heartbreaking tragedy when family members died at young ages. Wild Bill Donovan reads like an action-packed spy thriller, with stories of daring young men and women in his OSS sneaking behind enemy lines for sabotage, breaking into Washington embassies to steal secrets, plotting to topple Adolf Hitler, and suffering brutal torture or death when they were captured by the Gestapo. It is also a tale of political intrigue, of infighting at the highest levels of government, of powerful men pitted against one another. Donovan fought enemies at home as often as the Axis abroad. Generals in the Pentagon plotted against him. J. Edgar Hoover had FBI agents dig up dirt on him. Donovan stole secrets from the Soviets before the dawn of the Cold War and had intense battles with Winston Churchill and British spy chiefs over foreign turf. Separating fact from fiction, Waller investigates the successes and the occasional spectacular failures of Donovan's intelligence career. It makes for a gripping and revealing portrait of this most controversial spymaster.
William Orville Douglas was both the most accomplished and the most controversial justice ever to serve on the United States Supreme Court. He emerged from isolated Yakima, Washington, to be dubbed, by the age of thirty, “the most outstanding law professor in the nation”; at age thirty-eight, he was the chairman of the Securities and Exchange Commission, cleaning up a corrupt Wall Street during the Great Depression; by the age of forty, he was the second youngest Supreme Court justice in American history, going on to serve longer—and to write more opinions and dissents—than any other justice. In evolving from a pro-government advocate in the 1940s to an icon of liberalism in the 1960s, Douglas became a champion for the rights of privacy, free speech, and the environment. While doing so, “Wild Bill” lived up to his nickname by racking up more marriages, more divorces, and more impeachment attempts aimed against him than any other member of the Court. But it was what Douglas did not accomplish that haunted him: He never fulfilled his mother’s ambition for him to become president of the United States. Douglas’s life was the stuff of novels, but with his eye on his public image and his potential electability to the White House, the truth was not good enough for him. Using what he called “literary license,” he wrote three memoirs in which the American public was led to believe that he had suffered from polio as an infant and was raised by an impoverished, widowed mother whose life savings were stolen by the family attorney. He further chronicled his time as a poverty-stricken student sleeping in a tent while attending Whitman College, serving as a private in the army during World War I, and “riding the rods” like a hobo to attend Columbia Law School. Relying on fifteen years of exhaustive research in eighty-six manuscript collections, revealing long-hidden documents, and interviews conducted with more than one hundred people, many sharing their recollections for the first time, Bruce Allen Murphy reveals the truth behind Douglas’s carefully constructed image. While William O. Douglas wrote fiction in the form of memoir, Murphy presents the truth with a narrative flair that reads like a novel.
Of all the Old West figures whose images eventually found their way into our popular culture, none was better known than Wild Bill Hickok. This book, a companion volume to Joseph Rosa’s exhaustive biography, They Called Him Wild Bill, reproduces in one volume nearly all the known portraits of Wild Bill, together with photographs of his family, his friends, his foes, and the places that knew him.
Wild Bill’s ever-evolving legend When it came to the Wild West, the nineteenth-century press rarely let truth get in the way of a good story. James Butler “Wild Bill” Hickok’s story was no exception. Mythologized and sensationalized, Hickok was turned into the deadliest gunfighter of all, a so-called moral killer, a national phenomenon even while he was alive. Rather than attempt to tease truth from fiction, coauthors Paul Ashdown and Edward Caudill investigate the ways in which Hickok embodied the culture of glamorized violence Americans embraced after the Civil War and examine the process of how his story emerged, evolved, and turned into a viral multimedia sensation full of the excitement, danger, and romance of the West. Journalists, the coauthors demonstrate, invented “Wild Bill” Hickok, glorifying him as a civilizer. They inflated his body count and constructed his legend in the midst of an emerging celebrity culture that grew up around penny newspapers. His death by treachery, at a relatively young age, made the story tragic, and dime-store novelists took over where the press left off. Reimagined as entertainment, Hickok’s legend continued to enthrall Americans in literature, on radio, on television, and in the movies, and it still draws tourists to notorious Deadwood, South Dakota. American culture often embraces myths that later become accepted as popular history. By investigating the allure and power of Hickok’s myth, Ashdown and Caudill explain how American journalism and popular culture have shaped the way Civil War–era figures are remembered and reveal how Americans have embraced violence as entertainment.
Eulogised and ostracised, James Butler Hickok was alternately labelled courageous, affable, and self-confident; cowardly, cold-blooded, and drunken; a fine specimen of manhood; an overdressed dandy with perfumed hair; an unequaled marksman; and a poor shot. Born in Illinois in 1837, he was shot dead in Deadwood only 39 years later. By then both famous and infamous, he was widely known as Wild Bill.