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Photographer Boza Ivanovic artfully transforms the traditional animal-visitor dynamic in Out of the Wild. These animals are at once as terrifying as they are hauntingly beautiful. - Special interest for environmentalists, conservationists, animal enthusiasts, and photography fans; Ivanovic has worked for numerous publications, such as National Geographic. Zoos work to preserve nature, protecting animals from the encroaching human presence in their native environments. Cages and glass - these barriers exist to protect both the animals and the visitors. Photographer Boza Ivanovic, however, artfully transforms this dynamic in his latest book, Out of the Wild: Zoo Portraits. His photographs pull viewers past protective boundaries, reinstating a sensation of awe and even fear. Here, zoo animals appear as they do in nature - without the perceived safety of barriers. As a result of his careful presentation, Ivanovic inspires a tension in his viewers. These animals are at once as terrifying as they are hauntingly beautiful. They emerge from the darkness or swoop gracefully toward the lens. Ivanovic's carefully crafted images restore the majesty of these creatures, revealing that there is still a wild spirit in these animals' hearts - whether in the wild or out.
By raising public awareness of what we stand to lose through inattention, acclaimed photographers like Thorsten Milse have long played a critical role in the effort to preserve wild spaces and species. In this book, Milse brings you face to face with some of our planet’s threatened and endangered animals, presenting captivating portraits that can’t help but tug at your emotions. Readers of all ages will enjoy exploring these breathtaking animal photos and learning about what can be done to help protect the creatures and their life zones. Perusing images from around the globe, you will gain added appreciation for the incredible range of species and habitats on our planet—and perhaps be moved to help bring about positive change.
Join fabric collage artist Barbara Yates Beasley as she takes a Walk on the Wild Side with this vibrant, full-color collection of some of her favorite animal portraits. In this book, which showcases the works appearing in her 2021 solo exhibition Walk on the Wild Side at the Rocky Mountain Quilt Museum in Golden, Colorado, you'll discover portraits of animals both familiar and exotic. Beasley captures the mesmerizing gaze of a resting leopard, the winsome playfulness of a wolf pup, the majesty of a roaring African lion, and the earnest, hard-working spirit of a border collie herding his sheep. Her attention to accuracy in the physical details combines with unexpected color and pattern choices to create a work that is both realism and fantasy: a regal zebra is draped in stripes of blues from sky to indigo, and a gentle-eyed young elephant emerges in florals and polka-dots. Beasley's lifelong fascination with studying and enjoying the animal world became a full-time career after she took a class in animal portraiture from a local quilter in 2005. Since that first portrait of her dog Drew, the Colorado native has expanded her artistic vision to capture the distinct personalities of wild and domestic animals from around the world.
The spectacular sequel to Brad Wilson's bestselling Wild Life: studio portraits of animals Featuring new photographs by Brad Wilson in a stunning landscape format design, plus an introduction by Wilson about his philosophy and process, and an essay by Dan Flores, author of the New York Timesbestseller Coyote America, The Other World: Animal Portraitsis a dazzling work of wildlife photography. Although he shoots in the studio, Wilson is inspired by the notion of the "authentic encounter," that is, allowing the animal to reveal itself to us rather than imposing our subjective notions on it or on the portrait. Wilson works in cooperation with zoos and wildlife sanctuaries who bring the animals into a studio, where he photographs them against a black background. This makes the animals appear grounded and three-dimensional--magnificent, approachable, yet inherently mysterious. He describes the situation as a kind of "controlled chaos," but in the end it allows him to create images that show each animal as an individual being with its own personality and dignity. There is no anthropomorphism here, but rather a wise and respectful approach to these creatures with whom we share the earth. The photographs of Brad Wilson(born 1963) have appeared in media ranging from CBS News to Audobon and the magazine of the World Wildlife Fund. He is currently represented by Doinel Gallery in London, Surround Art Gallery in Moscow, Artistics Gallery in Paris and PhotoEye Gallery in Santa Fe. Wilson is based in Santa Fe, New Mexico.
Wild animals make exciting and dynamic art subjects. Now anyone can bring realistic animals to life in vibrant color with this delightful trace-and-color guide. Inside, six detailed templates are provided to help the beginning artist get started with a line drawing that they can color or paint in the medium of their choice. Artists can simply transfer the template line drawings to paper or canvas with the included graphite paper. Then, using the color references and tips in the book, they can add color and create their own wild animal masterpiece! The book includes 32 pages of instruction and inspiration, providing basic information about color theory, as well as an introduction to several different color mediums - colored pencil, oil, acrylic, watercolor, pastel, and marker. The overview for each medium covers the essential tools and materials an artist may need, including what types of paper or canvas can be used and any other special materials, as well as how to use various techniques to achieve effects. With a variety of wild animals and settings, you'll find everything you need to create your own lifelike animal portraits. Includes six removable templates featuring detailed animal artwork and four reusable sheets of graphite paper for transferring.
Two acclaimed illustrators have created this collection of intricately designed animal headshots for keen colorists the world over. From mighty bears to awe-inspiring tigers, each illustration is printed on perforated paper, so it's easily pulled out and available for display.
Thirty-one exquisitely detailed portraits of creatures of the jungle, desert, forest, rivers, and oceans include a lion, wolf, otter, chimpanzee, and many others. Perforated pages, printed on one side only.
What did the 13th Earl of Derby, his twenty-two-year-old niece, Manchester’s Belle Vue Zoo, and even some ordinary laborers all have in common? All were avid collectors and exhibitors of exotic, and frequently unruly, specimens. In her study of Britain’s craze for natural history collecting, Ann C. Colley makes extensive use of archival materials to examine the challenges, preoccupations, and disordered circumstances that attended the amassing of specimens from faraway places only vaguely known to the British public. As scientific institutions sent collectors to bring back exotic animals and birds for study and classification by anatomists and zoologist, it soon became apparent that collecting skins rather than live animals or birds was a relatively more manageable endeavor. Colley looks at the collecting, exhibiting, and portraying of animal skins to show their importance as trophies of empire and representations of identity. While a zoo might display skins to promote and glorify Britain’s colonial achievements, Colley suggests that the reality of collecting was characterized more by chaos than imperial order. For example, Edward Lear’s commissioned illustrations of the Earl of Derby’s extensive collection challenge the colonial’s or collector’s commanding gaze, while the Victorian public demonstrated a yearning to connect with their own wildness by touching the skins of animals. Colley concludes with a discussion of the metaphorical uses of wild skins by Gerard Manley Hopkins and other writers, exploring the idea of skin as a locus of memory and touch where one’s past can be traced in the same way that nineteenth-century mapmakers charted a landscape. Throughout the book Colley calls upon recent theories about the nature and function of skin and touch to structure her discussion of the Victorian fascination with wild animal skins.
This book has over 100 captivating photos with some of the information such as ISO, shutter speed, and aperture settings under each image. There will be a little dialog once in a while about a certain lens, filter, or technique, but most of the book is a chance to look at the images and decide what kind of composition you would like to experiment with on your on own. Incorporated in the collection is different lighting, color, and field of depth combinations so you can decide what kind of shots you'd like to play with. Above all else, if you enjoy animals and wild life, you'll probably love this book. It's geared towards people transitioning from a point and shoot to a DSLR camera, but is useful at all levels.