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When the “Times of India” of July 11, 1936 reported of man-eating Hyenas at large in a U.P. district, the entire district administration were taken aback and went all- out finding them. Could the beasts be found? In the jungles of Himalayan foot-hills a British hunter-photographer goes after a tigress, which had successfully dodged many of her pursuers, for a snapshot. Was he successful? What are the commonalties between the mythological “Unicorn” and the present day Rhinoceros? What “Maharajah”, the elephant, did do when in 1815 the British retire him from active service and drive the pachyderm to jungle? Read ‘Wild Anecdotes from the Shadow of Time’ for many such wonderful and captivating true wild accounts from the era of Raj, each sure to leave reader spell-bound.
One of the feature stories of the Cthulhu Mythos, "The Shadow Out of Time" is the tale of a professor of political economics that is thrown into a mind-shattering journey through time and space, while his body is held hostage by an alien mind. Horrified and panic-stricken by the implications of his experiences, he hopes against all reason and evidence that he has merely lost his mind.
Deluxe, expanded edition of an out-of-print early novel from Africanfuturist luminary Nnedi Okorafor, with a brand-new introduction from the author. Niger, West Africa, 2074 It is an era of tainted technology and mysterious mysticism. A great change has happened all over the planet, and the laws of physics aren’t what they used to be. Within all this, I introduce you to Ejii Ugabe, a child of the worst type of politician. Back when she was nine years old, she was there as her father met his end. Don’t waste your tears on him: this girl’s father would throw anyone under a bus to gain power. He was a cruel, cruel man, but even so, Ejii did not rejoice at his departure from the world. Children are still learning that some people don’t deserve their love. Now 15 years old and manifesting the abilities given to her by the strange Earth, Ejii decides to go after the killer of her father. Is it for revenge or something else? You will have to find out by reading this book. I am the Desert Magician, and this is a novel I have conjured for you, so I’m certainly not going to just tell you here.
For animal lovers and fans of The One and Only Ivan and Hoot, this is the uplifting story of a girl who discovers a family of panthers that were thought to be extinct, and her journey to save the species. Eleven-year-old Kiri has a secret: wild things call to her. More than anyone else, she’s always had a special connection to animals. But when Kiri has an encounter with the last known Florida panther, her life is quickly turned on end. Caught between her conservationist father, who wants to send the panther to a zoo, and the village poachers, who want to sell it to feed their families, Kiri must embark on a journey that will take her deep into the wilderness. There has to be some way to save the panther, and for her dad and the villagers to understand each other. If Kiri can’t figure out what it is, she’ll lose far more than the panthers—she’ll lose the only home she’s ever known, and the only family she has left. 2018 Green Earth Book Award Honor 2018 Colorado Book Award Winner CAL Book Award Winner Green Prize for Sustainable Literature Award Winner A Bank Street "Best Children's Book of the Year" A National Geographic Giant Traveling Map of Florida Selection "A powerful tale of a future to be avoided." —Kirkus Reviews "An eerie cautionary tale about the dangers of not protecting the environment, tackles an important theme in a compelling way...a fantastical tale with roots in real-world issues." —Booklist "Earnest, heartfelt, and passionate, this book will likely inspire new environmentalists." —Bulletin "A boldly original, profoundly wise, deeply moving book. It’s a rare gift to any reader, as well as to our planet.” —T. A. Barron, best-selling author of the Merlin Saga
Hunter S. Thompson, “smart hillbilly,” boy of the South, born and bred in Louisville, Kentucky, son of an insurance salesman and a stay-at-home mom, public school-educated, jailed at seventeen on a bogus petty robbery charge, member of the U.S. Air Force (Airmen Second Class), copy boy for Time, writer for The National Observer, et cetera. From the outset he was the Wild Man of American journalism with a journalistic appetite that touched on subjects that drove his sense of justice and intrigue, from biker gangs and 1960s counterculture to presidential campaigns and psychedelic drugs. He lived larger than life and pulled it up around him in a mad effort to make it as electric, anger-ridden, and drug-fueled as possible. Now Juan Thompson tells the story of his father and of their getting to know each other during their forty-one fraught years together. He writes of the many dark times, of how far they ricocheted away from each other, and of how they found their way back before it was too late. He writes of growing up in an old farmhouse in a narrow mountain valley outside of Aspen—Woody Creek, Colorado, a ranching community with Hereford cattle and clover fields . . . of the presence of guns in the house, the boxes of ammo on the kitchen shelves behind the glass doors of the country cabinets, where others might have placed china and knickknacks . . . of climbing on the back of Hunter’s Bultaco Matador trail motorcycle as a young boy, and father and son roaring up the dirt road, trailing a cloud of dust . . . of being taken to bars in town as a small boy, Hunter holding court while Juan crawled around under the bar stools, picking up change and taking his found loot to Carl’s Pharmacy to buy Archie comic books . . . of going with his parents as a baby to a Ken Kesey/Hells Angels party with dozens of people wandering around the forest in various stages of undress, stoned on pot, tripping on LSD . . . He writes of his growing fear of his father; of the arguments between his parents reaching frightening levels; and of his finally fighting back, trying to protect his mother as the state troopers are called in to separate father and son. And of the inevitable—of mother and son driving west in their Datsun to make a new home, a new life, away from Hunter; of Juan’s first taste of what “normal” could feel like . . . We see Juan going to Concord Academy, a stranger in a strange land, coming from a school that was a log cabin in the middle of hay fields, Juan without manners or socialization . . . going on to college at Tufts; spending a crucial week with his father; Hunter asking for Juan’s opinion of his writing; and he writes of their dirt biking on a hilltop overlooking Woody Creek Valley, acting as if all the horrible things that had happened between them had never taken place, and of being there, together, side by side . . . And finally, movingly, he writes of their long, slow pull toward reconciliation . . . of Juan’s marriage and the birth of his own son; of watching Hunter love his grandson and Juan’s coming to understand how Hunter loved him; of Hunter’s growing illness, and Juan’s becoming both son and father to his father . . .
As a child I was called Tiger because I was always into things. As a teenager the death of my father died and we began to move around. I became angry; a SRebel. I had conflicts with religion. When my children were four and six I became a single parent. I learned a lot from them. I hope my stories will keep you laughing. Some that are sad, but that is life.
“We walked toward the part of the library where the air smelled as if it had been interred for years….. Finally, we got to the hallway where the wooden floor was the creakiest, and we sensed a strange whiff of excitement and fear. It smelled like a creature from a bygone time. It smelled like a dragon.” Thirteen-year-old Juan’s favorite things in the world are koalas, eating roast chicken, and the summer-time. This summer, though, is off to a terrible start. First, Juan’s parents separate and his dad goes to Paris. Then, as if that wasn’t horrible enough, Juan is sent away to his strange Uncle Tito’s house for the entire break! Uncle Tito is really odd: he has zigzag eyebrows; drinks ten cups of smoky tea a day; and lives inside a huge, mysterious library. One day, while Juan is exploring the library, he notices something inexplicable and rushes to tell Uncle Tito. “The books moved!” His uncle drinks all his tea in one gulp and, sputtering, lets his nephew in on a secret: Juan is a Princeps Reader––which means books respond magically to him––and he’s the only person capable of finding the elusive, never-before-read Wild Book. Juan teams up with his new friend Catalina and his little sister, and together they delve through books that scuttle from one shelf to the next, topple over unexpectedly, or even disappear altogether to find The Wild Book and discover its secret. But will they find it before the wicked, story-stealing Pirate Book does?
For the past decade, Men’s Journal has set the standard for travel and adventure writing by publishing the work of America’s finest authors and literary journalists. Wild Stories collects thirty-two of the best pieces to appear in the magazine, written by its most esteemed contributors, including Jim Harrison, Sebastian Junger, P. J. O’Rourke, Rick Bass, Thomas McGuane, George Plimpton, Hampton Sides, Doug Stanton, Tim Cahill, and Mark Bowden. Each of the four chapters in Wild Stories showcases Men’s Journal’s diversity and taut storytelling power. “The Adventures” is a series of razor-sharp travel narratives, from a road trip across India on the perilous Grand Trunk Road to a search for grizzlies in Romania. “The Sporting Life” is a look into obscure corners of the sports world, where golf’s bush-league wannabes try to make it to the PGA and a group of cyclists out-suffer one another in pursuit of the mythic Hour Record. “Men’s Lives” includes profiles of singular adventurers such as Yvon Chouinard and Ned Gillette, and captures the rewards of such quintessentially male traditions as building a cabin on your own plot of land. And “The Reporting” collects definitive accounts of the most newsworthy disasters, as well as riveting dispatches from war zones in Somalia, Sudan, and Colombia, and from environmental hot spots in Alaska and Montana. Commemorating Men’s Journal’s tenth anniversary, Wild Stories is a diverse and entertaining anthology that explores the magazine’s basic creed: Life is an adventure. From the first page to the last, these are stories you’ll never forget. From the Hardcover edition.
The National Book Critics Circle Award–winning author delivers a collection of essays that serve as the perfect “antidote to mansplaining” (The Stranger). In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters. She ends on a serious note— because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!” This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women. “In this series of personal but unsentimental essays, Solnit gives succinct shorthand to a familiar female experience that before had gone unarticulated, perhaps even unrecognized.” —The New York Times “Essential feminist reading.” —The New Republic “This slim book hums with power and wit.” —Boston Globe “Solnit tackles big themes of gender and power in these accessible essays. Honest and full of wit, this is an integral read that furthers the conversation on feminism and contemporary society.” —San Francisco Chronicle “Essential.” —Marketplace “Feminist, frequently funny, unflinchingly honest and often scathing in its conclusions.” —Salon
Most of these stories are based on actual accounts. They all focus on a dark epoch in Germany's history: World War II. The central figure is most often a child or adolescent trying to make sense of the behavior of adults in the midst of frightening changes in everyday life. These stories are about intolerance, ignorance, cowardice and moral failure. They also depict small acts of humanity, of humor and love, flashes of light which stood out in that time of shadows.