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Wig is a tooth fairy who excels at adventurous jobs. But when the lead reindeer in Christmas Tree Forest gets a bad toothache, Wig worries whether she will be able to retrieve the tooth in time to save Christmas. Wiggly McGee is a chapter book series for kids ages 6-8. 15 chapters. 17,000 words.
Wig is a monsters' tooth fairy who likes the adventurous jobs. But when a horrid English boy traps her friend, the task of freeing her by sunrise may provide Wig with way too much adventure. Wiggly McGee is a chapter book series for kids ages 6-8. 12 chapters. 12,000 words.
Butterflies Don't Chew Bubblegum is an imaginative, interactive, children's picture book. Kids will giggle at the fun, creative things bugs do with bubblegum. For example, worms jump from the trees on bubblegum parachutes and ladybugs host an upside-down tea party on gum furniture. But you'll never catch a butterfly being silly because... butterflies don't chew bubblegum!Revised edition has simplified language for children 2-4.
Did you have a lonely or scary first period? Do you want something different for your daughter? Unsatisfied with her own first period, the author of On The Day I Got My Period sent a request to her friends around the world to share stories about their first periods. She asked them to focus on the emotions of menstruation and not sexuality. In response, she got unique, interesting stories with many common threads that show us woman everywhere go through the same experience -- and they need to share their stories to support and educate future generations. On The Day I Got My Period is about sharing stories and starting conversations. The crowning chapter is the last one, which was left blank for mothers to share the stories of their first period.
The Monsters Midnight Feast is a wild celebration for all the monsters of the world. This year it is hosted by two lovably hilarious brothers, Roink and Groondba. They have planned every detail of the big night from the Hubbawallow fish to snail slime pastries -- but they didn't count on a human being accidentally invited! Lizzie's a seven-year-old girl who never misses a chance for adventure. How will she sneak into a party filled with monsters without getting caught? Monsters Midnight Feast is a short chapter book for children ages 5-8 who like adventure, monsters and comedy. 7k words, 15 chapters.
A collection of jokes, knock-knocks, and riddles about dinosaurs.
Open this book to any page to begin your exploration. Here are poems about things that you may never have thought about before. You'll be introduced to jellyfish stew, a bouncing mouse, a ridiculous dog, and a boneless chicken. You'll learn why you shouldn't argue with a shark, eat a dinosaur, or have an alligator for a pet. You'll meet the world's worst singer and the greatest video game player in history. You'll even find an invitation to a dragon's birthday party....Your friends are invited too. Over 100 hilarious poems about strange creatures and people--from jellyfish stew to a bouncing mouse, and a boneless chicken. "The illustrations bring the frivolity to a fever pitch."--School Library Journal. Index.
Many kinds of equine characters grace these pages, from magnificent war horses to cowboys' trusty steeds, from broken-down nags to playful colts, from wild horses to dream horses. We encounter the famous Trojan horse in Virgil's Aeneid, only to see it from a quite different perspective in Matthea Harvey's whimsical 'Inside the Good Idea'. Longfellow shows us Paul Revere defying an empire from the back of a horse, while Shakespeare's Richard III vainly offers his kingdom for one. Robert Burns's 'Auld Farmer' dotes affectionately on his ageing mare, while Paul Muldoon's 'Glaucus' is devoured by his fierce young fillies. Robert Frost's little horse stopping by the woods is gently puzzled by human behaviour, while Ted Hughes is dazzled by a stunning vision of horses at dawn, 'grey silent fragments/Of a grey silent world'.Mythical and metaphorical horses cavort alongside vividly real ones in these poems, whether they be humble servants, noble companions, beloved friends or emblems of the wild beauty of the world beyond our grasp.
Recent research in the cognitive sciences gives us a new perspective on the cognitive and sensory landscape. In The Multisensory Museum: Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space,museum expert Nina Levent and Alvaro Pascual-Leone, professor of neurology at Harvard Medical School bring together scholars and museum practitioners from around the world to highlight new trends and untapped opportunities for using such modalities as scent, sound, and touch in museums to offer more immersive experiences and diverse sensory engagement for visually- and otherwise-impaired patrons. Visitor studies describe how different personal and group identities color our cultural consumption and might serve as a compass on museum journeys. Psychologists and educators look at the creation of memories through different types of sensory engagement with objects, and how these memories in turn affect our next cultural experience. An anthropological perspective on the history of our multisensory engagement with ritual and art objects, especially in cultures that did not privilege sight over other senses, allows us a glimpse of what museums might become in the future. Education researchers discover museums as unique educational playgrounds that allow for a variety of learning styles, active and passive exploration, and participatory learning. Designers and architects suggest a framework for thinking about design solutions for a museum environment that invites an intuitive, multisensory and flexible exploration, as well as minimizes physical hurdles. While attention has been paid to accessibility for the physically-impaired since passage of the Americans with Disabilities Act, making buildings accessible is only the first small step in elevating museums to be centers of learning and culture for all members of their communities. This landmark book will help all museums go much further.
"I'd rather have one or two of his whiplashing essays in my hands than almost any tome of philosophy". -- Thomas Moore