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Llama Llama loses his loose tooth in this new hardcover adventure, part of Anna Dewdney's New York Times bestselling series! Llama Llama's tooth is wiggling! Is it time for his first tooth to come out? He's excited, but anxious. Who is this tooth fairy everyone talks about? Mama Llama reassures him; the tooth will come out when it's good and ready. But no one is ready for what happens next...Suddenly, the tooth is GONE! Where did it go? And will the tooth fairy come at all, now? Anna Dewdney's fun-to-read rhyme is full of humor and comfort, and of course, a very happy ending.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Rock & roll was one of the most important cultural developments in post–World War II America, yet its origins are shrouded in myth and legend. Let’s Rock! reclaims the lost history of rock & roll. Based on years of research, as well as interviews with Bo Diddley, Pat Boone, and other rock & roll pioneers, the book offers new information and fresh perspectives about Elvis, the rise of rock & roll, and 1950s America. Rock & roll is intertwined with the rise of a post–World War II youth culture, the emergence of African Americans in society, the growth of consumer culture, technological change, the expansion of mass media, and the rise of a Cold War culture that endorsed traditional values to guard against communism. Richard Aquila’s book demonstrates that early rock & roll was not as rebellious as common wisdom has it. The new sound reflected the conservatism and conformity of the 1950s as much as it did the era’s conflict. Rock & roll supported centrist politics, traditional values, and mainstream attitudes toward race, gender, class, and ethnicity. The musical evidence proves that most teenagers of the 1950s were not that different from their parents and grandparents when it came to basic beliefs, interests, and pastimes. Young and old alike were preoccupied by the same concerns, tensions, and insecurities. Rock & roll continues to permeate the fabric of modern life, and understanding the music’s origins reminds us of the common history we all share. Music lovers who grew up during rock & roll’s early years as well as those who have come to it more recently will find Let’s Rock an exciting historical and musical adventure.
In July 1956, Marilyn Monroe arrived in London—on honeymoon with her husband Arthur Miller—to make The Prince and the Showgirl with Sir Laurence Olivier. It was meant to be a happy time . . . "I am dying to walk bare-headed in the rain. I think England sounds adorable.”—Marilyn Monroe Marilyn would work during the day at Pinewood Studios, in Iver Heath, while Arthur would write. Then, in the evening, the couple would be able to relax together in their private English country cottage. But the cottage was a mansion, in Englefield Green, and Marilyn, used to living in tiny hotel rooms and apartments, felt herself being watched. She was, by several of owner Lord Drogheda's servants, who were selling stories to the papers. And when filming began, all did not go as hoped. Over time, Marilyn grew to hate Olivier; the feeling was mutual. Marilyn found herself a curiosity for the frequently hostile British press. She took solace in bike rides in Windsor Great Park, in small acts of kindness from members of the public, and in a growing fascination with Queen Elizabeth, whom she longed to meet—and eventually did.
Unprintable Ozark Folksongs and Folklore, Volume II, Folk Rhymes and Other Lore