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Wifework is a fiercely argued, in-depth look at the inequitable division of labor between husbands and wives. Bolstering her own personal experience as a twice-married mother of three with substantial research and broad statistical evidence, Susan Maushart explores the theoretical and evolutionary reasons behind marriage inequality. She forces us to consider why 50 per cent of marriages end in divorce, and why women are responsible for initiating three-quarters of them. If family life is worth saving, and Maushart passionately believes it is, the job description for wives will have to be rewritten. Susan Maushart was born in New York and has lived in Australia since 1985. Her first book, Sort of a Place Like Home, won a Festival Award for Literature at the Adelaide Festival in 1994, and her second, The Mask of Motherhood, was published to international acclaim. She is a senior research associate at Curtin University, a columnist for the Australian Magazine and lives in Perth with her three children. 'An often funny dissection of modern marriage...100 percent honest. [A] smart and witty book.' -Publishers Weekly 'With good-humored aplomb, Maushart makes clear she doesn't think marriage or men are "rotten", but that "the way we typically divide up the business-and the pleasure, too-of our adult relationships is inefficient, maladaptive, and unfair.'-Bookpage 'Maushart assembles an overwhelming amount of data documenting how marriage has perpetuated inequities between husband and wife.'-Christian Science Monitor Daily 'Susan Maushart's heartfelt and incendiary Wifework is a brief against traditional marriage that took me back to the galvanizing effect of reading Friedan.' -Salon.com 'A wake-up call for women feeling trapped by marriage.'-Booklist
The life and times of the Smart Wife--feminized digital assistants who are friendly and sometimes flirty, occasionally glitchy but perpetually available. Meet the Smart Wife--at your service, an eclectic collection of feminized AI, robotic, and smart devices. This digital assistant is friendly and sometimes flirty, docile and efficient, occasionally glitchy but perpetually available. She might go by Siri, or Alexa, or inhabit Google Home. She can keep us company, order groceries, vacuum the floor, turn out the lights. A Japanese digital voice assistant--a virtual anime hologram named Hikari Azuma--sends her "master" helpful messages during the day; an American sexbot named Roxxxy takes on other kinds of household chores. In The Smart Wife, Yolande Strengers and Jenny Kennedy examine the emergence of digital devices that carry out "wifework"--domestic responsibilities that have traditionally fallen to (human) wives. They show that the principal prototype for these virtual helpers--designed in male-dominated industries--is the 1950s housewife: white, middle class, heteronormative, and nurturing, with a spick-and-span home. It's time, they say, to give the Smart Wife a reboot. What's wrong with preferring domestic assistants with feminine personalities? We like our assistants to conform to gender stereotypes--so what? For one thing, Strengers and Kennedy remind us, the design of gendered devices re-inscribes those outdated and unfounded stereotypes. Advanced technology is taking us backwards on gender equity. Strengers and Kennedy offer a Smart Wife "manifesta," proposing a rebooted Smart Wife that would promote a revaluing of femininity in society in all her glorious diversity.
"What allowed a small group of remarkable twentieth-century women to pursue, against all odds, exceptionally rich lives of both work and marriage? Inspired by her generation's experiences juggling career and home life, journalist Andrea Gabor set out to define the unique stuff of which great women are made and chart the often tangled territory in which love and ambition intersect. In intimate portraits we meet: Mileva Maric Einstein, the scientist whose marriage to Einstein began with a shared passion for physics and ended in tragedy; Lee Krasner, a gifted artist who helped cement the reputation of her husband, Jackson Pollock, before making her own mark; Maria Goeppert Mayer, who raised two children while doing landmark scientific research, but couldn't get a paying job until shortly before winning the Nobel Prize; Renowned architect and urban planner Denise Scott Brown, who has struggled for years to emerge from the shadow of her famous husband, the architect Robert Venturi; Supreme Court Justice Sandra Day O'Connor, who describes, in a series of unprecedentedly personal interviews, her commitment to family life as she rose in politics and the judiciary."--Back cover.
It is widely held today that classical Islamic law frees wives from any obligation to do housework. Wives’ purported exemption from domestic labor became a talking point among Muslims responding to Orientalist stereotypes of the “oppressed Muslim woman” by the late nineteenth century, and it has been a prominent motif in writings by Muslim feminists in the United States since the 1980s. In Wives and Work, Marion Holmes Katz offers a new account of debates on wives’ domestic labor that recasts the historical relationship between Islamic law and ethics. She reconstructs a complex discussion among Sunni legal scholars of the ninth to fourteenth centuries CE and examines its wide-ranging implications. As early as the ninth century, the prevalent doctrine that wives had no legal duty to do housework stood in conflict with what most scholars understood to be morally and religiously right. Scholars’ efforts to resolve this tension ranged widely, from drawing a clear distinction between legal claims and ethical ideals to seeking a synthesis of the two. Katz positions legal discussion within a larger landscape of Islamic normative discourse, emphasizing how legal models diverge from, but can sometimes be informed by, philosophical ethics. Through the lens of wives’ domestic labor, this book sheds new light on notions of family, labor, and gendered personhood as well as the interplay between legal and ethical doctrines in Islamic thought.
This interdisciplinary volume opens an innovative space for critical discussion, and production of new imaginaries within, feminist scholarship, analysis and feminist politics, about what is and has been meant by, involved in, required of, and what it means to be, a “wife.” Contributions within this volume together critically explore and tease out, intersections, overlaps, and distinctions between the social categories of wife and mother, and the link, and separate, labours of wife-work and maternal caregiving labour. This volume brings together diverse critical perspectives through creative contributions, personal narratives, and scholarly works. Chapters discuss critical theorizing about roles, representations, identities, and work associated with being a “wife.”
In this engaging analysis of the contribution of working women to Upper Canadian Society, Jane Errington argues that the role of Upper Canadian women in the overall economy of the early colonial society has been greatly undervalued by contemporary historians.
This book is about the women who serve the military as wives and those who serve as soldiers, sailors, and flyers. Comparing wives and warriors in the U.S. and Canada, it examines how the military in both countries constructs gender to exclude women from being respected as equals to men. Written by a wide range of scholars and military personnel, the book covers such contemporary issues as the opening of military academies to women, the opening of combat posts to women, the experience of being a wife in the two-person career of an officer-husband, sexual harassment, turnover of women in the armed services, and U.S. and Canadian policies allowing gays and lesbians to serve in the military. Part of an emerging feminist scholarship in military studies, this work also explores how gender has been constructed to maintain the status quo and women's narrowly defined roles as the dependent helpmates of men.
A boxset of the Jilted Wives Club, Books 1-3, by Bethany Lopez, including Starter Wife, Trophy Wife, and Work Wife. Starter Wife - Divorced and jobless at forty-something, Whitney never thought she’d be starting over and nothing has prepared her for Luca. Trophy Wife - Summer wants to prove she’s more than a Trophy Wife. Sure, she’s sexy, sweet, and has a body that won’t quit, but she’s so much more, and she’ll do whatever it takes to prove it to Noah. Work Wife - Margo will never be a Work Wife again, but there’s something about Aiden that makes her want to let down some walls and see what happens.