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Many cultures have myths about self-imitation, stories about people who pretend to be someone else pretending to be them, in effect masquerading as themselves. This great theme, in literature and in life, tells us that people put on masks to discover who they really are under the masks they usually wear, so that the mask reveals rather than conceals the self beneath the self. In this book, noted scholar of Hinduism and mythology Wendy Doniger offers a cross-cultural exploration of the theme of self-impersonation, whose widespread occurrence argues for both its literary power and its human value. The stories she considers range from ancient Indian literature through medieval European courtly literature and Shakespeare to Hollywood and Bollywood. They illuminate a basic human way of negotiating reality, illusion, identity, and authenticity, not to mention memory, amnesia, and the process of aging. Many of them involve marriage and adultery, for tales of sexual betrayal cut to the heart of the crisis of identity. These stories are extreme examples of what we common folk do, unconsciously, every day. Few of us actually put on masks that replicate our faces, but it is not uncommon for us to become travesties of ourselves, particularly as we age and change. We often slip carelessly across the permeable boundary between the un-self-conscious self-indulgence of our most idiosyncratic mannerisms and the conscious attempt to give the people who know us, personally or publicly, the version of ourselves that they expect. Myths of self-imitation open up for us the possibility of multiple selves and the infinite regress of self-discovery. Drawing on a dizzying array of tales-some fact, some fiction-The Woman Who Pretended to Be Who She Was is a fascinating and learned trip through centuries of culture, guided by a scholar of incomparable wit and erudition.
In the tradition of Daniel Wallace’s Big Fish and Eowyn Ivey’s The Snow Child, a gorgeously written and fable-like novel recasting Noah’s Ark as a story of relationships, courage, resilience, and hope. “Variously romantic, symbolic, philosophical, feminist, and fanciful, this is an atmospheric tale that meanders to a sweetly rousing conclusion. . . . Forget the ark, forget the patriarch. It's the women who tend to triumph in this modern take on an Old Testament parable.” – Kirkus Reviews In loving Noah, his wife never imagined she’d end up in this gray and wet little town where it’s been raining for as long as anyone can remember. Newly appointed as pastor, Noah is determined to bring the eccentric townspeople back to the church, but the members of his congregation only want to keep their homes afloat. As the water swallows up the houses, the renowned zoo, and the single highway out of town, Noah, his wife, and their new neighbors must confront not only the savage forces of nature but also the fragile ties that bind them to one another. Poignant and whimsical, playful and wise, Noah’s Wife challenges our expectations of love, commitment, and redemption. By reimagining this classic story in a new and modern light, the novel asks: how do we know when to stay and when it’s time to go?
In this study the author analyses similarities, differences and contradictions in the cultural norms about gender expressed in proverbs she has found in oral and written sources from over 150 countries. Grouping the proverbs into categories as the female body, love, sex, childbirth and the female power, the author examines shared patterns in ideas about women and how men see them.

Hearings

United States. Congress. House. Committee on Military Affairs

Published: 1943

Total Pages: 810


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