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In the eighteenth century, when the definition of marriage was shifting from one based on an hierarchical model to one based on notions of love and mutuality, marital life came under a more intense cultural scrutiny. This led to paradoxical forms of representation of marriage as simultaneously ideal and unlivable. Chris Roulston analyzes how, as representations of married life increased, they challenged the traditional courtship model, offering narratives based on repetition rather than progression. Beginning with English and French marital advice literature, which appropriated novelistic conventions at the same time that it cautioned readers about the dangers of novel reading, she looks at representations of ideal marriages in Pamela II and The New Heloise. Moving on from these ideal domestic spaces, bourgeois marriage is then problematized by the discourse of empire in Sir George Ellison and Letters of Mistress Henley, by troublesome wives in works by Richardson and Samuel de Constant, and by abusive husbands in works by Haywood, Edgeworth, Genlis and Restif de la Bretonne. Finally, the alternative marriage narrative, in which the adultery motif is incorporated into the marriage itself, redefines the function of heteronormativity. In exploring the theoretical issues that arise during this transitional period for married life and the marriage plot, Roulston expands the debates around the evolution of the modern couple.
Recent archival research has focussed on the material conditions of marriage in eighteenth-century France, providing new insight into the social and judicial contexts of marital violence. Mary Trouille builds on these findings to write the first book on spousal abuse during this period. Through close examination of a wide range of texts, Trouille shows how lawyers and novelists adopted each other's rhetorical strategies to present competing versions of the truth. Male voices - those of husbands, lawyers, editors, and moralists - are analysed in accounts of separation cases presented in Des Essarts's influential Causes célèbres, in moral and legal treatises, and in legal briefs by well-known lawyers of the period. Female voices, both real and imagined, are explored through court testimony and novels based on actual events by Sade, Genlis, and Rétif de la Bretonne. By bringing the traditionally private matter of spousal abuse into the public arena, these texts had a significant impact on public opinion and served as an impetus for legal reform in the early years of the French Revolution. Trouille's interdisciplinary study makes a significant contribution to our understanding of attitudes towards women in eighteenth-century society, and provides a historical context for debates about domestic violence that are very much alive today.
Drawing on a wide range of English and French fiction and advice literature, this study analyzes the problems of representation that emerge in light of the changing definition of marriage from one of hierarchy to companionship in the eighteenth century. Ranging from representations of ideal domesticity to the problems of intimacy and marital discontent, Roulston explores the paradox of the modern marriage as both utopian and unlivable, and expands the debate around its evolution.
The seventeenth and eighteenth centuries are the gateway between the medieval world and the modern, centuries when the western societies moved from an age governed principally by religion and superstition to an age directed principally by reason and understanding. Although the worlds of science and philosophy took giant strides away from the medieval view of the world, attitudes to women did not change from those that had pertained for centuries. Girls were largely barred from education - only around 14% of women could read and write by 1700 - and the few educated women were not permitted to enter the professions. As a result women, especially if single, were employed in menial jobs or were forced into a life of petty crime. Many survived by entering the 'oldest profession in the world'. The social turbulence of the first half of the seventeenth century afforded women new opportunities and new religious freedoms and women were attracted into the many new sects where they were afforded a voice in preaching and teaching. In a time of unprecedented and unbridled political discussion, many better educated women saw no reason why they should not enter the debate and began to voice their opinions alongside those of men, publishing their own books and pamphlets. These new and unprecedented liberties thus gained by women were perceived as a threat by the leaders of society, and thus arose an unlikely masculine alliance against the new feminine assertions, across all sections of society from Puritan preachers to court judges, from husbands to court rakes. This reaction often found expression in the violent and brutal treatment of women who were seen to have stepped out of line, whether legally, socially or domestically. Often beaten and abused at home by husbands exercising their legal right, they were whipped, branded, exiled and burnt alive by the courts, from which their sex had no recourse to protection, justice or restitution. Many of the most brutal forms of punishment were reserved exclusively for women, and even where the same, they were more savagely applied than would be the case for similar crimes committed by men. This work records the many kinds of violent physical and verbal abuse perpetrated against women in Britain and her colonies, both domestically and under the law, during two centuries when huge strides in human knowledge and civilisation were being made in every other sphere of human activity, but social and legal attitudes to women and their punishment remained firmly embedded in the medieval.
This book examines the intersections between the ways that marriage was represented in eighteenth-century writing and art, experienced in society, and regulated by law. The interdisciplinary and comparative essays explore the marital experience beyond the ‘matrimonial barrier’ to encompass representations of married life including issues of spousal abuse, parenting, incest, infidelity and the period after the end of marriage, to include annulment, widowhood and divorce. The chapters range from these focuses on legal and social histories of marriage to treatments of marriage in eighteenth-century periodicals, to depictions of married couples and families in eighteenth-century art, to parallels in French literature and diaries, to representations of violence and marriage in Gothic novels, and to surveys of same-sex partnerships. The volume is aimed towards students and scholars working in the long eighteenth century, gender studies, women’s writing, publishing history, and art and legal historians.
In this innovative study, the author carves out a new field, a sociology of literature in which he offers insightful commentary about the nexus of literature and society. Calling on history, sociology, and psychology as well as literature as points of reference, Allan Pasco examines the conceptual shift in the ideal of love in eighteenth-century France. Pasco explores the radical, though gradual, changes that occurred during the Enlightenment with respect to how the emotion of love was viewed. Earlier, love had been subordinate to the demands of family, king, and deity; passion was dangerous, and to be avoided. But over time, individual happiness became the "greatest good," and passion the measure of love. Authors as diverse as Marivaux, Marmontel, Rousseau, Baculard d'Arnaud, Pigault-Lebrun and Madame de Staël make it clear that the ideal of rapturous love did not live up to its billing: it did not last, and it brought destructive fantasies, an epidemic of disease, the "scourge" of divorce, and considerable anguish. Still, as Pasco points out, passion became and remained the ideal, and the Romantics were left to plumb its nature.
The resurgence of marriage as a transnational institution, same-sex or otherwise, draws upon as much as it departs from enlightenment ideologies of sex, gender, and sexuality which this collection aims to investigate, interrogate, and conceptualize anew. Coming to terms with heteronormativity is imperative for appreciating the literature and culture of the eighteenth century writ large, as well as the myriad imaginaries of sex and sexuality that the period bequeaths to the present. This collection foregrounds British, European, and, to a lesser extent, transatlantic heteronormativities in order to pose vital if vexing questions about the degree of continuity subsisting between heteronormativities of the past and present, questions compounded by the aura of transhistoricity lying at the heart of heteronormativity as an ideology. Contributors attend to the fissures and failures of heteronormativity even as they stress the resilience of its hegemony: reconfiguring our sense of how gender and sexuality came to be mapped onto space; how public and private spheres were carved up, or gendered and sexual bodies socially sanctioned; and finally how literary traditions, scholarly criticisms, and pedagogical practices have served to buttress or contest the legacy of heteronormativity.
Bad Books reconstructs how the eighteenth-century French author Nicolas-Edme R tif de la Bretonne and his writings were at the forefront of the development of modern conceptions of sexuality and pornography. Although certain details are well known (for example, that R tif's 1769 treatise on prostitution, Le Pornographe, is the work from which the term pornography is derived, or that he was an avid foot and shoe fetishist), much of this story has been obscured and even forgotten including how the author actively worked to define the category of obscenity and the modern pornographic genre, and how he coined the psycho-sexual term "fetish" and played a central role in the formation of theories of sexual fetishism in the late nineteenth and early twentieth centuries. Thus this book is also about literary history and how it is written: it explores how R tif, perceived as a bad author in both senses of the term, and his contributions were glossed over or condemned, such that the originality of his texts has still not been fully established. Placing R tif's novels and short stories in dialogue with his autobiographical writings as well as with contemporary and modern critical commentaries, the various chapters of the book examine the author's repeated testing of the limits of censorship to define and redefine the boundaries of obscenity; his advancement of the modern form and definition of pornography through a focus on intimacy and (female) pleasure; his detailed narrative explorations of foot and shoe fetishisms that were later appropriated by the sexologists; and his development of theories of eugenics and reproduction in his utopian science fiction. The history of R tif's texts and their reception reveals an evolution in the criteria of what is considered to be "good" or "worthy" literature--a category once defined purely on moral grounds that is increasingly seen in cultural terms. Bad Books corroborates the recent resurgence of interest in the author by showing the import of his texts, which not only designate a number of firsts in the histories of sexuality and pornography, but which also illuminate some of the defining moments in the history of French literary studies.
The eighteenth century looms large in the Scottish imagination. It is a century that saw the doubling of the population, rapid urbanisation, industrial growth, the political Union of 1707, the Jacobite Rebellions and the Enlightenment - events that were intrinsic to the creation of the modern nation and to putting Scotland on the international map. The impact of the era on modern Scotland can be seen in the numerous buildings named after the luminaries of the period - Adam Smith, David Hume, William Robertson - the endorsement of Robert Burns as the national poet/hero, the preservation of the Culloden battlefield as a tourist attraction, and the physical geographies of its major towns. Yet, while it is a century that remains central to modern constructions of national identity, it is a period associated with men. Until recently, the history of women in eighteenth-century Scotland, with perhaps the honourable exception of Flora McDonald, remained unwritten. Over the last decade however, research on women and gender in Scotland has flourished and we have an increasingly full picture of women's lives at all social levels across the century. As a result, this is an appropriate moment to reflect on what we know about Scottish women during the eighteenth century, to ask how their history affects the traditional narratives of the period, and to reflect on the implications for a national history of Scotland and Scottish identity. Divided into three sections, covering women's intimate, intellectual and public lives, this interdisciplinary volume offers articles on women's work, criminal activity, clothing, family, education, writing, travel and more. Applying tools from history, art anthropology, cultural studies, and English literature, it draws on a wide-range of sources, from the written to the visual, to highlight the diversity of women's experiences and to challenge current male-centric historiographies.
Parricide and Violence Against Parents takes a historical and criminological approach to the research on parricide and violence against parents, placing the research in the context of social development from the 1500s to contemporary society, and giving a global overview and comparison. The book examines parricide and violence against parents as historically and culturally sensitive phenomena. It offers evidence on a seemingly rare subject from different eras, areas, and cultures, and then uses the cross-disciplinary data to produce a new, systematic insight for the reader. Case studies shift the discussion from the contemporary focus on adolescent to parent abuse, to examining the sources of conflict during life cycles of parents and their offspring. A historical approach illuminates the variations in conflicts between parents and their offspring that are shaped by the life stages of the victims and offenders themselves across time. The book argues that parental authority has been marked by property ownership and tax paying responsibilities throughout history. The continued possession of property resulted in power, the reluctance to part with it, becoming a notable source of conflict across generations within families. Parental authority was protected by means of heavy penalties and punishments and didactic teachings in almost every society at every stage of historical development. It was also challenged constantly by children as a part of their coming into adulthood. The abuse of parents has often been connected to situations where adult children were prevented from gaining the amount of independence appropriate to their position in life. This led to disputes over authority and the legitimate grounds for that authority. Offering an insight into complicated and interconnected histories of generational conflicts and how they affect modern families in different parts of the world, this book will be of great interest to students and scholars of criminology, history of crime, history of the family, family violence, homicide studies, gender studies, history of emotions, political violence, and social work.