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Called a “remarkable story” by John Greenleaf Whittier and described by John Keats as “very powerful,” Wieland, Charles Brockden Brown’s disturbing 1798 tale of terror, is a masterpiece involving spontaneous combustion, disembodied voices, religious mania, and a gruesome murder based on a real-life incident. This Modern Library Paperback Classic includes Wieland’s fragmentary sequel, Memoirs of Carwin the Biloquist, as well as several other important but hard-to-find Brockden Brown short stories, including “Thessalonica,” “Walstein’s School of History,” and “Death of Cicero.” This collection also reproduces the newspaper account of the murder that inspired Wieland.
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.
Imagine being able to perfectly imitate the voice of any man, woman or child. That's the remarkable talent that the young Carwin discovers and cultivates in himself. For the most part, Carwin uses his skills for noble ends. Will he be tempted to talk his way into a life of crime? Read Memoirs of Carwin, the Biloquist to find out.