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Could Alexander Hamilton be at the center of a vast murder plot engulfing Old New York? As his widow, Eliza, pieces together the puzzle, she unearths a heartbreaking secret that threatens to tear her family apart. Perfect for fans of Sherry Thomas and Deanna Raybourn, taking us from the city’s gilded mansions to its meanest streets, Mollie Ann Cox’s debut historical mystery transports readers to center stage in a time of grave political danger. New York, 1804. America’s beloved Alexander Hamilton lies dead after a duel with Aaron Burr. Meanwhile, Eliza Hamilton’s eighteen-year-old son, Alexander Jr., was seen fighting with a man in a tavern the night before his father’s duel and quickly comes under suspicion for murder when the man turns up dead. Eliza searches for ways to clear her son’s name, even as she is grieving, but as she combs through her late husband’s papers, she finds evidence of a plot to steal money from the government during his tenure as secretary of state. Hamilton was accused of stealing that money, and it was a scandal that almost broke the family—but is Eliza now holding proof of Alexander’s innocence? Deep in debt and despair, with eight children to support, Eliza turns to selling her handmade lace—and is drawn into a mysterious network of widow lacemakers who are intimately connected to New York’s high-society families. They know their dead husbands’ secrets—and soon, Eliza begins to piece together the truth. There’s a dark plot connected with the duel, as one by one, witnesses to the bout are being killed. Now, Eliza must not only clear her husband’s and son’s names but keep herself out of the killer’s sights.
A World of Widows provides a global overview of the status for widowhood. Neglected by social policy researches, international human rights activists and the women's movement, the status of the world's widows - legal, social, cultural, and economic - is an urgent issue given the extent and the severity of the discrimination against them. Margaret Own explores the process of becoming a widow; poverty and social security in the context of widowhood; differing laws and customs regarding widow's inheritance; the situation of widows who remarry and issues of sexuality and health. She also looks at the needs of specific groups of widows - refugees, older widows, child widows - and widowhood in the context of AIDS. Throughout, she shows the prevalence of discrimination against widows in inheritance rights, land ownership, custody of children, security of home and shelter, nutrition and health. The book concludes with a summary of widowhood as a human rights issues and an overview of widows themselves organising for change.
How do peasants, producing mainly for themselves, become capitalist farmers, producing largely for sale? What happens to farm sizes, farming practices, and the relationships between cultivators and others in the process of this transition? How far does it vary from region to region? Is it inherent in the peasantry, or must it be instigated by landlord, townsfolk or the state? These are some of the questions addressed by Göran Hoppe and John Langton in this 1995 study of rural change in Sweden. Eschewing both traditional narrow empiricism, and the recent trend to over-employ modern social theory, the authors have carefully combined theories about the transition from peasantry to capitalism with meticulous analysis of the abundant Swedish records. In doing so, they reveal the wide geographical variety and rich socioeconomic complexity of the changes which occurred in the process of modernization in the nineteenth century.
Engendered Death: Pennsylvania Women Who Kill is an historical and interdisciplinary study of women who kill in Pennsylvania from the 18th century to the present. It is not an examination of what motivates women to kill, although the reader may deduce that from the case studies included. Instead, it is an examination of how society perceives women who kill and how the gender-lens is applied to them throughout the legal process in the media and in the courtroom. What makes this work particularly unique is its combination of both scholarly analysis and narrative case studies. As such, it will appeal to both the scholar and the reader of true-crime non-fiction. If we are to recognize the complex variables at play in all criminal offenses, we will need to understand that the laws of a community, its social values, its politics, economics, and even geography play a factor in what laws are enforced and against whom they are enforced. The decision to define and label certain behaviors and certain people was based on social, political, and economic considerations of each community. Thus, the commission of murder by a woman in Arizona may have a variety of factors associated with it that are not present in the case of a woman who murdered her husband in Maine. This study, in part because of the volume of cases and in part to limit the variables affecting the cases, has limited its scope of women killers to the state of Pennsylvania. Pennsylvania is the ideal state to study because of its long and stable legal and political traditions, its historically diverse population, and the large number of newspapers that will help us gauge the public's view of women and women who kill. By limiting our scope to one state, we know that the legal definitions are fairly consistent for all of the women during a certain period and we can more easily identify the shifts in social values regarding women and homicide.
In early American society, one’s identity was determined in large part by gender. The ways in which men and women engaged with their communities were generally not equal: married women fell under the legal control of their husbands, who handled all negotiations with the outside world, as well as many domestic interactions. The death of a husband enabled women to transcend this strict gender divide. Yet, as a widow, a woman occupied a third, liminal gender in early America, performing an unusual mix of male and female roles in both public and private life. With shrewd analysis of widows’ wills as well as prescriptive literature, court appearances, newspaper advertisements, and letters, The Widows’ Might explores how widows were portrayed in early American culture, and how widows themselves responded to their unique role. Using a comparative approach, Vivian Bruce Conger deftly analyzes how widows in colonial Massachusetts, South Carolina, and Maryland navigated their domestic, legal, economic, and community roles in early American society.
Alice Morse Earle's 'Two Centuries of Costume in America, Volume 1 (1620-1820)' provides a comprehensive and detailed examination of the evolution of fashion in early America. Focusing on the period from 1620 to 1820, Earle meticulously describes the clothing styles, fabrics, and accessories worn by men, women, and children during this time. The book is filled with rich historical references, illustrations, and primary source materials, offering a valuable insight into the social and cultural significance of fashion in colonial and early America. Earle's writing style is engaging and informative, making this book a must-read for anyone interested in the history of fashion in America. Alice Morse Earle, a renowned historian and author, drew on her extensive knowledge of American history and material culture to write 'Two Centuries of Costume in America.' Her passion for preserving and documenting historical customs and traditions shines through in this work, making it a valuable resource for scholars, students, and history enthusiasts alike. I highly recommend this book to anyone interested in gaining a deeper understanding of the role of fashion in shaping American identity and culture.
Reproduction of the original: Two Centuries of Costume in America by Alice Morse Earle
Women were key to the changes in the European economy between 1600 and 1800 that led the way to industrialization. But we still know little about this female 'shadow economy' - and nothing quantitative or systematic. This text aims to illuminate women's contribution to the pre-industrial economy.
Features garments made by the designer throughout his career, accompanied by quotes from the designer, an essay about his fashion career, and an interview with his long-time design assistant.