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Wider Bagan: Ancient and Living Buddhist Traditions is the first book to define the area outside the renowned Buddhist capital where vestiges of Bagan era cultural traditions can be found. From nearly six hundred attributes inventoried in Wider Bagan, thematic and geographical analysis of the Wider Bagan data reveals a related but different trajectory from that of the capital. The Sasanā of the court was honoured, and though its economy profited many places across Wider Bagan, local resilience was foremost. While the capital and Wider Bagan existed in relation to each other, their aims and narratives differed. Much has been written about Bagan, but little attention on the ground has been devoted to areas beyond the capital. These places have stories to tell—ones of the past and of the present—that are narrated in this book. "Wider Bagan is the most important recent publication on Myanmar’s past. Tracing Bagan’s ideational and material legacies, it recovers how this kingdom’s successors related to their heritages. Meticulously researched, beautifully illustrated, studded with clear maps, tables and outlines—Wider Bagan reveals these legacies’ custodians—inhabiting territories stretching as far as Yunnan and Bengal. Multiple topics are examined also in light of local scholarship, often ignored due to linguistic limitations. The resulting evocations of times and places make Wider Bagan an enduring guide to people’s lives—also in the larger scheme of things—like the community tracing its founding to the Buddha Gotama’s grandfather. No one interested in Myanmar’s complex past and fractious present can ignore the author’s conclusions."—Lilian Handlin, Member of the Harvard Faculty of Arts and Sciences CAMLab. "In her detailed survey of hundreds of sites in the Ayeyarwady River basin, Moore and her collaborators have revealed a long-suspected, but hitherto undocumented, rural cultural landscape with origins well before and persisting long after the political heyday of metropolitan Bagan in the eleventh through thirteenth centuries. During their investigations, the authors had numerous encounters with local scholar-archaeologists who identified frequently overlooked physical attributes that define the local cultural landscape. In mapping these attributes, the authors reconstructed a narrative of local resilience that speaks to a long local history of diversity and adaptability over an extensive region, where other scholars—working mainly from historical chronicles—had observed only a rigid hegemony emanating from the political centre at Bagan. Moore’s innovative methodology breaks new ground for the study of early urban formations, not only in Myanmar but throughout mainland Southeast Asia. This research contributes to a building body of evidence that suggests a fresh paradigm to replace the long-standing concentric circle model most often used to explain state formation throughout the region. In this new paradigm, the contradiction between urban and rural settlements is dismantled as the stories of the smaller villages and towns re-enact the iterative process between places, communities of users, and social memory of Wider Bagan, demonstrating, in the process, an ecology of resilient settlement that has endured through generations of political, social and economic upheaval."—Richard A. Engelhardt, UNESCO Chair Professor of Cultural Heritage Management and Regional Advisor for Culture in Asia and the Pacific
The archaeological site of Bagan and the kingdom which bore its name contains one of the greatest concentrations of ancient architecture and art in Asia. Much of what is visible today consists of ruins of Buddhist monasteries. While these monuments are a major tourist attraction, recent advances in archaeology and textual history have added considerable new understanding of this kingdom, which flourished between the 11th and 14th centuries. Bagan was not an isolated monastic site; its inhabitants participated actively in networks of Buddhist religious activity and commerce, abetted by the site’s location near the junction where South Asia, China and Southeast Asia meet. This volume presents the result of recent research by scholars from around the world, including indigenous Myanmar people, whose work deserves to be known among the international community. The perspective on Myanmar’s role as an integral part of the intellectual, artistic and economic framework found in this volume yields a glimpse of new themes which future studies of Asian history will no doubt explore. span, SPAN { background-color:inherit; text-decoration:inherit; white-space:pre-wrap }
Ever since the East Asian financial crisis it has been recognized that emerging market economies are vulnerable to both excessive inflows of capital and sudden outflows. This book presents new research on the determinants and effects of capital flows as well as the effectiveness of capital control policies in dealing with volatile capital flows in emerging Asian countries. It examine three issues related to capital movements in Asia: (1) the key factors determining such mobility; (2) the impact of capital movements in a home country, especially on real exchange rates; and (3) the effectiveness of capital account policies.
Details the history of the city of Pagan.
A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.
The Routledge Handbook of Cultural Landscape Heritage in the Asia-Pacific revisits the use, growth, and potential of the cultural landscape methodology in the conservation and management of culture-nature heritage in the Asia-Pacific region. Taking both a retrospective and prospective view of the management of cultural heritage in the region, this volume argues that the plurality and complexity of heritage in the region cannot be comprehensively understood and effectively managed without a broader conceptual framework like the cultural landscape approach. The book also demonstrates that such an approach facilitates the development of a flexible strategy for heritage conservation. Acknowledging the effects of rapid socio-economic development, globalization, and climate change, contributors examine the pressure these issues place on the sustenance of cultural heritage. Including chapters from more than 20 countries across the Asia-Pacific region, the volume reviews the effectiveness of theoretical and practical potentials afforded by the cultural landscape approach and examines how they have been utilized in the Asia-Pacific context for the last three decades. The Routledge Handbook of Cultural Landscape Heritage in the Asia-Pacific provides a comprehensive analysis of the processes of cultural landscape heritage conservation and management. As a result, it will be of interest to academics, students, and professionals who are based in the fields of cultural heritage management, architecture, urban planning, landscape architecture, and landscape management.
Archaeology in Malay Archipelago and Beyond In Archaeology in Malay Archipelago and Beyond, researchers from various fields incorporate key research findings to examine archaeology in the region of Malay Archipelago and her surroundings. Drawing on works from rock art researches, historical seaport, latest archaeological sciences, cultural study and contemporary heritage management issues, this book provides illuminating insights into contemporary archaeological topics and issues in recent years.
"This lavishly illustrated book investigates an outstanding eighteenth-century example of a samut khoi, a type of beautiful folding book found in Southeast Asia, which became particularly popular as a repository for the Buddha's teachings. Written in Pali and produced in the Kingdom of Siam, its finely executed pictures, painted on khoi paper, show key incidents from stories of the past lives of the Buddha as he prepares for Buddhahood. These tales, historically one of the principal means whereby Buddhist teachings were communicated, known as Jatakas, are a favourite theme for manuscript art. Uniquely for such manuscripts, however, this samut khoi also offers an extensive series of scenes from the last life of the Buddha, including his final awakening and teaching, which is distinctive to the region. These related narratives all contribute to a superb example of eighteenth-century manuscript and calligraphic art. As well as affording great artistic opportunities for expressing the beauty of the Buddha's words and achievements, samut khois are repositories for popular chants and short distillations of doctrine. This book describes the context to this unusually rich expression of Thai Buddhist creativity and, in retelling the stories depicted, reveals the continued appeal of its closely related art and narrative traditions." -- Publisher's description.
Buddhism, often described as an austere religion that condemns desire, promotes denial, and idealizes the contemplative life, actually has a thriving leisure culture in Asia. Creative religious improvisations designed by Buddhists have been produced both within and outside of monasteries across the region—in Nepal, Japan, Korea, Macau, Hong Kong, Singapore, Laos, Thailand, and Vietnam. Justin McDaniel looks at the growth of Asia’s culture of Buddhist leisure—what he calls “socially disengaged Buddhism”—through a study of architects responsible for monuments, museums, amusement parks, and other sites. In conversation with noted theorists of material and visual culture and anthropologists of art, McDaniel argues that such sites highlight the importance of public, leisure, and spectacle culture from a Buddhist perspective and illustrate how “secular” and “religious,” “public” and “private,” are in many ways false binaries. Moreover, places like Lek Wiriyaphan’s Sanctuary of Truth in Thailand, Suối Tiên Amusement Park in Saigon, and Shi Fa Zhao’s multilevel museum/ritual space/tea house in Singapore reflect a growing Buddhist ecumenism built through repetitive affective encounters instead of didactic sermons and sectarian developments. They present different Buddhist traditions, images, and aesthetic expressions as united but not uniform, collected but not concise: Together they form a gathering, not a movement. Despite the ingenuity of lay and ordained visionaries like Wiriyaphan and Zhao and their colleagues Kenzo Tange, Chan-soo Park, Tadao Ando, and others discussed in this book, creators of Buddhist leisure sites often face problems along the way. Parks and museums are complex adaptive systems that are changed and influenced by budgets, available materials, local and global economic conditions, and visitors. Architects must often compromise and settle at local optima, and no matter what they intend, their buildings will develop lives of their own. Provocative and theoretically innovative, Architects of Buddhist Leisure asks readers to question the very category of “religious” architecture. It challenges current methodological approaches in religious studies and speaks to a broad audience interested in modern art, architecture, religion, anthropology, and material culture.