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Maureen Swanson is the scourge of the neighborhood. At age nine, she already has a reputation as a hard slapper, a loud laugher, a liar, and a stay-after-schooler. The other kids call her Stinky. So sometimes when Maureen passes the crumbling (and haunted?) Messerman mansion, she imagines that she is Maureen Messerman–rich, privileged, and powerful. Then she finds a way into the forbidden, boarded-up house. In the hall are portraits of seven young women wearing elaborate gowns and haughty expressions. Maureen has something scathing to say to each one, but then she notices that the figures seem to have shifted in their frames. So she reaches out her finger to touch the paint–just to make sure–and touches . . . silk! These seven daughters of privilege are colder and meaner than Maureen ever thought to be. They are wicked, wicked ladies, and Maureen has something they want. . . .
In recent years, much has been published on women, crime and justice in English history. However, for a variety of reasons, particularly the ready availability of source material for the capital, such research has tended to have an overwhelmingly Metropolitan focus. This book aims to redress the balance for the ‘long’ eighteenth century by concentrating on women from outside the London area. Although vitally important to the wider country, the Metropolis always contained a small minority of the country’s female offenders and defendants, albeit a significantly higher percentage of the latter than its share of the national population. The capital also had a rather different criminal justice and policing system to that found in the rest of the country at this time. The book focuses on women’s experiences in provincial England as both the perpetrators of various crimes and as suspects or defendants in the country’s criminal justice system. The areas considered range from the West Country to the Scottish Border, and the offences examined include all of the major crimes, such as murder and theft, as well as some more arcane forms of deviance, including arson and coining. The factors that prompted women to offend, their likelihood of exposure when they did so, and their treatment before the courts and in the penal system are all considered in detail. In particular, the book examines the gendered differences found in female crime when compared to that of their male counterparts, and how women’s experiences of the era’s justice system differed from those of men. It also compares provincial women to those found in the Metropolis in these respects. Extensive use is made of primary sources in portraying the lives of female criminals from Kent to Cumberland, while comparison is also made with women from other parts of the British Isles and beyond, so that the respective roles of structural determinants and national ‘culture’ in crime and justice can be considered.
This collection of short, action-filled stories of the Old West’s most egregiously badly behaved female outlaws, gamblers, soiled-doves, and other wicked women by offers a glimpse into Western Women’s experience that's less sunbonnets and more six-shooters. Pulling together stories of ladies caught in the acts of mayhem, distraction, murder, and highway robbery, it will include famous names like Belle Starr and Big Nose Kate, as well as lesser known characters.
Nine-year-old Maureen is the terror of her neighborhood until the day she begins to explore an old deserted estate and encounters a leprechaun and seven strange ladies.
We're all just one step away from achieving what we want and getting what we deserve out of life. To seize control of her own life and career, Vickie Milazzo, internationally known women's mentor, New York Times bestselling author, Inc. Top 10 Entrepreneur and self-made millionaire, was willing to take a whacking from a Buddhist monk, jump out of an airplane and step out of a comfortable job into the unknown. In Wicked Success Is Inside Every Woman, Vickie shares every success secret she used to grow her career into a $16-million business. Vickie shows you how to get real about achieving wicked success. Not witches and flying broomsticks wicked—but exaggerated wicked. Reading this book, you'll feel like you're sitting with a good friend who inspires you, encourages you and pushes you to think in a more exaggerated and uncommon way. This is a buck-up book with a buck-up plan for any woman ready to take back control of her life and career and unleash the wicked success inside every woman.
Challenges the common stereotypes of African women as either victims or unrestrained resisters.
Lady Sophia Barnes is on a mission to protect the employees of Madame Hartley's brothel, something much easier done dressed as a man. But she needs the help of Damien Beecham, a man who broke her heart long ago, and who still has feelings for Sophia.
'Wicked, wayward or otherwise, Carter's classic collection is a very erudite expression of girl power' MINA HOLLAND, GUARDIAN 'One of the century's greatest writers' SUNDAY TIMES This bestselling collection of stories extols the female virtues of discontent, sexual disruptiveness and bad manners. These are subversive tales by Ama Ata Aidoo, Jane Bowles, Angela Carter, Colette, Bessie Head, Jamaica Kincaid and Katherine Mansfield among others. They all have one thing in common; the wish to restore adventuresses and revolutionaries to their rightful position as models for all women. Reflecting the wide-ranging intelligence and deliciously anarchic taste of Angela Carter, some of these stories celebrate toughness and resilience, some of them low cunning: all of them are about not being nice.
This book traces the history of women in the heavy metal scene from the 1960s to now, starting with Jinx Dawson in 1969 and leading up to the modern-day doom scene, which still has a heavy emphasis on the ethos of the Goddess Tradition. In between are the legacies of many women who have impacted the metal world, and the story of women's inclusion in this rich genre.
New Mexico Territory attracted outlaws and desperados as its remote locations guaranteed non-detection while providing opportunists the perfect setting in which to seize wealth. Many wicked women on the run from their pasts headed there seeking new starts before and after 1912 statehood. Colorful characters such as Bronco Sue, Sadie Orchard and Lizzie McGrath were noted mavens of mayhem, while many other women were notorious gamblers, bawdy madams or confidence tricksters. Some paid the ultimate price for crimes of passion, while others avoided punishment by slyly using their beguiling allure to influence authorities. Follow the raucous tales of these wild women in a collection that proves crime in early New Mexico wasn't only a boys' game.