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A new series of colorful, imaginative, magical adventures with Wallace The Brave, recently awarded the Reuben Award for Best Newspaper Comic Strip by the National Cartoonist Society. The world of Wallace The Brave is one of imagination, discovery, and wonder, as Wallace and his friends explore the coastal surroundings of Snug Harbor, Rhode Island, uncovering new mysteries, adventure, and mischief wherever they turn. Brought to life by the wonderfully detailed ink-and-watercolor art of Will Henry, Wallace The Brave (named the 2018 Newspaper Comic Strip of the Year) will delight young readers as well as their parents, who will recognize a camaraderie and heart similar to classic strips like Calvin & Hobbes.
Welcome to Snug Harbor! Will Henry's Wallace the Brave is a whimsical comic strip that centers around a bold and curious little boy named Wallace, his best friend Spud and the new girl in town, Amelia. Wallace lives in the quaint and funky town of Snug Harbor with his fisherman father, plant loving mother and feral little brother, Sterling.
Think "Peanuts" if Charlie Brown were less of a mope or "Calvin & Hobbes" if Calvin weren't a bit of a psychopath. "Wallace The Brave" is about a family. There's Dad, a fisherman, Mom, a gardener, their almost feral young son Sterling, who never met a bug he wouldn't eat, and his older brother Wallace, a rambunctious, imaginative kid big on exploring. Mostly we see the world of the strip through Wallace's eyes, a sleepy East Coast beach town called Snug Harbor where the streets are lined with ice cream shops and the beaches are dotted with rocky tide pools ... The world of childhood depicted in the strip is a timeless, outdoorsy one reminiscent of strips like "Calvin & Hobbes" and "Cul De Sac," both of which Henry cites as influences. — NPR's Glen Weldon
Star radio-host Rich Terfry presents the amazing tales of his alter ego, musician Buck 65, in this rollicking account of growing up poor, talented, baseball-obsessed, music-mad and girl-smitten. With wit, style and a born writer's knack for telling detail, Rich Terfry gives us the wildly entertaining story of his unusual life through the eyes of his shy but brilliant and preternaturally observant alter-ego, Buck. Born in a small town in Nova Scotia to a mother who begins yelling at him the moment he is born and a father who keeps his own counsel, Buck imbibes fear and insecurity like other kids guzzle milk. Hobbled by his fears and demons, Buck almost disappears into the “evil in the woods” that lurks just beyond the town's border . . . until he is saved by three gifts: baseball, romantic love and music. His epic journey­­—full of diversions, coincidences, and larger-than-life characters—out of the darkness of his suicide-plagued childhood and into the bright wide world begins with a killer pitching arm (Buck almost makes it to the pros) and continues with his transformation into hip hop artist Buck 65. Along the way, Buck develops into a hopeless romantic and an obsessively creative, shape-shifting man who both fears life and dives into it with abandon. Wicked and Weird is a lively, sometimes shocking portrait of a life lived on the edge, by turns funny and heartbreaking.
Some will try to trap her in hopes of harnessing her dark power. Others will seek to end her, deeming it too terrible to risk. In the end, he will destroy them all-because Quinn is his weapon, and he plans to keep it that way. Lazarus was warned that Quinn's power might be too great, even for him, but nothing prepared him for the truth of it until she held a dagger over him, and he was powerless to stop it. Now at odds with himself, the future king of Norcasta must find a way to regain control of his house and secure an alliance with the Pirate Queen...before fate tips its hand once more, and his carefully laid plans are led astray. Quinn's loyalty is not easily won, but Lazarus has managed to do it. Now the vassal and right-hand of Lord Fierté, Quinn seeks to gain him an alliance with Ilvas all the while challenging him at every turn. With the Cisean tribes won over, and the blood heirs behind them, Quinn expects this to be an easy task, but soon finds herself entangled in a web of lies. Forced to gamble with her life-and the lives of her comrades-Quinn must make a choice that will either save or doom them all.
A new series of colorful, imaginative, magical adventures with Wallace The Brave, recently awarded the Reuben Award for Best Newspaper Comic Strip by the National Cartoonist Society. The world of Wallace The Brave is one of imagination, discovery, and wonder, as Wallace and his friends explore the coastal surroundings of Snug Harbor, Rhode Island, uncovering new mysteries, adventure, and mischief wherever they turn. Brought to life by the wonderfully detailed ink-and-watercolor art of Will Henry, Wallace The Brave (named the 2018 Newspaper Comic Strip of the Year) will delight young readers as well as their parents, who will recognize a camaraderie and heart similar to classic strips like Calvin & Hobbes.
Get ready to meet new friends in Book 4 of the beautifully illustrated escapades of Wallace the Brave. Readers will be delighted with tales of friendship, discovery, and adventure. School is out for the year, and young Wallace has flung his shoes into Snug Harbor, signaling the official start of summer and kicking off a new series of childhood adventures, pranks, and discoveries. Joining Wallace are friends Spud, Amelia, and newcomer Rose. Together they prowl the forests, coves, and streets of their charming coastal town, mounting a daring rescue of Spud after a confused animal control worker mistakes him for a stinky raccoon, and trying in vain to stop Amelia from launching a pumpkin off the school roof. Will Henry’s dazzling illustrations and imaginative storytelling in Wallace The Brave have earned comparisons to Calvin and Hobbes, and Are We Lost Yet? is sure to delight young readers and comic fans everywhere.
Soon to be an animated series with Paramount+ and Nickelodeon! The latest installment in the thrilling, bestselling Big Nate series by Lincoln Peirce. Aloha can mean hello or goodbye—which makes it the perfect word for sixth grader Nate Wright. Why? Because Nate doesn't know whether he's coming or going. Will his romance with Daisy sizzle or fizzle? Will his hair survive Teddy's cut-rate barber skills? And when Nate spots a crime in progress at Klassic Komix, can he find his inner superhero? In this latest Big Nate collection, all your favorite characters are back with brand-new adventures: Sumo-grams, (almost) no-hitters, and even a sidewalk concert featuring Enslave The Mollusk. Say goodbye to boredom and hello to hilarity with Big Nate: Aloha!
In this new collection of Wallace The Brave comics, Wallace and friends Spud, Sterling, Amelia, and Rose, get in all kinds of trouble as they explore Snug Harbor in search of sea monsters, fun, and adventure. For years, Wallace and his friend Spud have dreamed of sharpening the giant pencil known as "Big Betty." With their teacher, Mrs. Macintosh, getting a new sharpener, this dream may finally come true—but not without some perilous twists and turns. Among many other adventures, Wallace and friends explore the caves of Snug Harbor in search of sea monsters, make a fort in a cornfield, and try to evade the school's ban on pizza delivery during class. Award-winning cartoonist Will Henry's beautiful watercolor comics and storytelling will entertain reluctant readers—and bold explorers—of all ages, especially fans of classic comics like Peanuts and Calvin and Hobbes.
Soon after film came into existence, the term epic was used to describe productions that were lengthy, spectacular, live with action, and often filmed in exotic locales with large casts and staggering budgets. The effort and extravagance needed to mount an epic film paid off handsomely at the box office, for the genre became an immediate favorite with audiences. Epic films survived the tribulations of two world wars and the Depression and have retained the basic characteristics of size and glamour for more than a hundred years. Length was, and still is, one of the traits of the epic, though monolithic three- to four-hour spectacles like Gone with the Wind (1939) and Lawrence of Arabia (1962) have been replaced today by such franchises as the Harry Potter films and the Lord of the Rings trilogy. Although the form has evolved during many decades of existence, its central elements have been retained, refined, and modernized to suit the tastes of every new generation. The Encyclopedia of Epic Films identifies, describes, and analyzes those films that meet the criteria of the epic—sweeping drama, panoramic landscapes, lengthy adventure sequences, and, in many cases, casts of thousands. This volume looks at the wide variety of epics produced over the last century—from the silent spectacles of D. W. Griffith and biblical melodramas of Cecil B. DeMille to the historical dramas of David Lean and rollercoaster thrillers of Steven Spielberg. Each entry contains: Major personnel behind the camera, including directors and screenwriters Cast and character listings Plot summary Analysis Academy Award wins and nominations DVD and Blu-ray availability Resources for further study This volume also includes appendixes of foreign epics, superhero spectaculars, and epics produced for television, along with a list of all the directors in the book. Despite a lack of overall critical recognition and respect as a genre, the epic remains a favorite of audiences, and this book pays homage to a form of mass entertainment that continues to fill movie theaters. The Encyclopedia of Epic Films will be of interest to academics and scholars, as well as any fan of films made on a grand scale.