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Wicked Bozeman delves into a dangerous and dark past The Gallatin History Museum, housed in the old Gallatin County Jail, holds many secrets. From the house of ill repute on Mendenhall Street to the earliest jail break in 1873, the historic crimes are replete with con artists, forgers, robbers and the insane each leaving a trail of deceit and mystery. There is laughter, shock and the hard reality of a life lost to time behind bars. Using the original jail ledgers as a jumping off point, Museum Curator Kelly Suzanne Hartman takes the reader along on an investigative journey through Bozeman's seedier past.

Wicked Bozeman

Kelly Suzanne Hartman with contributions by the Gallatin Historical Society and Gallatin History Museum

Published: 2022-06

Total Pages: 144


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Wicked Bozeman delves into a dangerous and dark past The Gallatin History Museum, housed in the old Gallatin County Jail, holds many secrets. From the house of ill repute on Mendenhall Street to the earliest jail break in 1873, the historic crimes are replete with con artists, forgers, robbers and the insane each leaving a trail of deceit and mystery. There is laughter, shock and the hard reality of a life lost to time behind bars. Using the original jail ledgers as a jumping off point, Museum Curator Kelly Suzanne Hartman takes the reader along on an investigative journey through Bozeman's seedier past.
Quiet fields broken by gunfire, the splash of a body dropping into the Madison River, cries for help cut off into silence and the grim last words spoken on the gallows all color the bloody history of Gallatin County. Cut-and-dried murder charges, unsolved cases and questionable accusations all paint the picture of law enforcement in and around early Bozeman. From the gruesome to the mysterious, sordid accounts of robbery, crimes of passion and fatal self-defense fill the annals of the historic county jail. Gallatin History Museum curator Kelly Suzanne Hartman chronicles each tale, allowing the reader to follow along the path of the investigations and the pursuit for justice.
"Enormously personal and perceptive." —BOOKLIST Commemorating the twentieth anniversary of the reintroduction of wolves to the American West, Howl follows Susan Imhoff Bird's exploration into the passions and controversies surrounding nature's most fascinating predator. At a crossroads in her own life, Bird travels around the West, talking with wolf watchers, landowners, wildlife managers, conservationists, and hunters about their understandings of what matters most, which almost always is their connection with the natural world. However, the often–conflicting issues raised by hunters, ranchers, and politicians prompt Bird's personal examination of wolf science, myths, and ethics, culminating in her conviction that wolves must be allowed to recover and thrive on our lands. Along the way, Bird begins to unleash her own wild nature, learning to howl and inviting us to do the same. SUSAN IMHOFF BIRD finds inspiration in Utah's canyons, valleys, and water–sculpted rock. She can often be found on her bicycle or snowshoes, absorbing the wisdom of the natural world. Bird lives in Salt Lake City, Utah.
Out of the crises of American higher education emerges a new class of large-scale public universities designed to accelerate social change through broad access to world-class knowledge production and cutting-edge technological innovation. America's research universities lead the world in discovery, creativity, and innovation—but are captive to a set of design constraints that no longer aligns with the changing needs of society. Their commitment to discovery and innovation, which is carried out largely in isolation from the socioeconomic challenges faced by most Americans, threatens to impede the capacity of these institutions to contribute decisively and consistently to the collective good. The global preeminence of our leading institutions, moreover, does not correlate with overall excellence in American higher education. Sadly, admissions practices that flatly exclude the majority of academically qualified applicants are now the norm in our leading universities, both public and private. In The Fifth Wave, Michael M. Crow and William B. Dabars argue that colleges and universities need to be comprehensively redesigned in order to educate millions more qualified students while leveraging the complementarities between discovery and accessibility. Building on the themes of their prior collaboration, Designing the New American University, this book examines the historical development of American higher education—the first four waves—and describes the emerging standard of institutions that will transform the field. What must emerge in this Fifth Wave of universities, Crow and Dabars posit, are institutions that are responsive to the needs of students, focused on access, embedded in their regions, and committed to solving global problems. The Fifth Wave in American higher education, Crow and Dabars write, comprises an emerging league of colleges and universities that aspires to accelerate positive social outcomes through the seamless integration of world-class knowledge production with cutting-edge technological innovation. This set of institutions is dedicated to the advancement of accessibility to the broadest possible demographic that is representative of the socioeconomic and intellectual diversity of our nation. Recognizing the fact that both cooperation and competition between universities is essential if higher education hopes to truly serve the needs of the nation, Fifth Wave schools like Arizona State University are already beginning to spearhead a network spanning academia, business and industry, government agencies and laboratories, and civil society organizations. Drawing from a variety of disciplines, including design, economics, public policy, organizational theory, science and technology studies, sociology, and even cognitive psychology and epistemology, The Fifth Wave is a must-read for anyone concerned with the future of higher education in our society.
Typescript, dated Rehearsal Draft April 7, 2018. Without music. Unmarked typescript of a musical that opened April 8, 2018, at the August Wilson Theatre, New York, N.Y., directed by Casy Nicholaw.
An evocative, gorgeous four-season look at cooking in Maine, with 100 recipes No one can bring small-town America to life better than a native. Erin French grew up in Freedom, Maine (population 719), helping her father at the griddle in his diner. An entirely self-taught cook who used cookbooks to form her culinary education, she now helms her restaurant, The Lost Kitchen, in a historic mill in the same town, creating meals that draw locals and visitors from around the world to a dining room that feels like an extension of her home kitchen. The food has been called “brilliant in its simplicity and honesty” by Food & Wine, and it is exactly this pure approach that makes Erin’s cooking so appealing—and so easy to embrace at home. This stunning giftable package features a vellum jacket over a printed cover.
Adopting an integrated approach, this Handbook examines the design, organization, implementation and evaluation of public service delivery. Emphasizing the complex and dynamic nature of public services, it draws on cutting-edge research to identify responses to the unique challenges of the field.