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2004 Silver Award Winner for Best Instructional Materials by Acoustic Guitar Magazine.Correct Practice is what all good players do, whether they know they are doing it or not! That's how they get to be good players. Whether you are a beginner or a player with the usual problems, here is your Foundation book, "The Principles of Correct Practice for Guitar!"- for ALL styles and ALL levels. "The Principles of Correct Practice for Guitar" is composed of three elements:Understandings: Concepts which you must understand in order to begin to practice effectivelyTools: Practice Approaches to be used to solve problems in playing. These approaches are based on certain key Understandings, such as Muscle Memory and Sympathetic Tension, as well as Attention and Awareness.Exercises: Specific routines to be done during practice, that will build technique, (playing ability) in a step by step fashion, each step building on the previous one, and preparing for the next.
Here's a book intended to challenge you. Here’s a book meant to inspire you. This book is a wake-up call to the global problems and roadblocks for you as a guitarist. This book is meant to be a reality check. Even if guitar playing is a hobby for you, your level of enjoyment and satisfaction will increase exponentially if you get better, start to like your playing and sound, and then continue to move forward. But if you aspire to be a part-time gigging and recording musician or full-time musician/guitarist, this book is filled with the ten reasons that are seriously holding you back. (It might even give you enough clues to help you teach guitar lessons for years to come!) I want you to attack any or all of these problems that apply to you, and get your momentum back as a guitarist. I’ve always believed that the expression “momentum builds motivation” is the key to developing as a musician. Once you’re truly excited about your playing, your creativity, and your growth, amazing things can happen with your music. If you’re here reading a book called “Why You Suck at Guitar” then it means that you’re finally ready to deal with those issues that plague aspiring musicians everywhere. It means that you’re brave. Brave enough to face the facts. I wrote this to help you, and not to make you feel bad — or worse — about your music. This is your wake-up call — a musician-to-musician intervention — with the goal of helping you get back on the right path. Music should be fun, and it’s always fun to get better. I wrote this to help all guitarists because I know that if we don’t like our sound, our abilities, or our playing, then music isn’t fun at all. It’s an annoying feeling. By the way, if you’re just looking for a book of guitar exercises, that’s not what you’ll find here. If you wanted to buy another book of riffs that some random musician-author thinks every guitarist in the world should know, that’s fine -- but maybe you don’t understand what being a real musician means. What you need is clear. You need a personal sound — and that takes a very personal, grounded approach. That means that you need to deal with some big, global issues in your music-making and not worry about which new lick or riff will suddenly transform your playing. On the other hand, if you’ve already totally decided what you — as a guitarist — need to do to get better, but you’re kind of pissy and stubborn about it, then may I suggest that you just go and do that thing. Don’t read this book to see if I can or will change your mind. Do what you want! Follow your musician instincts. If you pretty much know what you want as a musician, and you already have a sense about what you need to work on, seriously, just practice that! But if you do need some more input, some more ideas, some feedback, and a dose of outside inspiration, then you are my ideal reader because: 1) You want to get better now and 2) You admit that you don’t have all the answers 3) You have enough of an open mind to check out what I’m going to say and work on removing those roadblocks that apply to you.
Guitarskole.
Sitting at the piano is like staring into the gaping jaws of a great white shark. Terrifying. Beautiful. Sensual, even. Will you stand there, frozen? Or run away like a coward? Or will you jump in, head first, all the while trying to punch that shark in the face? I'm Dr. Joel Pierson, author of the new book You Suck at Piano. Have you spent your life searching for a piano method book that mocks you relentlessly and laughs at you from afar? You Suck at Piano does all these things. It also teaches you to play the piano - it just takes a less than traditional approach to doing so. You Suck at Piano makes a great gift for that person who needs just a little musical discouragement in their life. So pick up a few copies and let's make the world a little more ridiculous.
Unleash the song of your soul with Zen Guitar, a contemplative handbook that draws on ancient Eastern wisdom and applies it to music and performance. Each of us carries a song inside us, the song that makes us human. Zen Guitar provides the key to unlocking this song—a series of life lessons presented through the metaphor of music. Philip Sudo offers his own experiences with music to enable us to rediscover the harmony in each of our lives and open ourselves to Zen awareness uniquely suited to the Western Mind. Through fifty-eight lessons that provide focus and a guide, the reader is led through to Zen awareness. This harmony is further illuminated through quotes from sources ranging from Eric Clapton and Jimi Hendrix to Miles Davis. From those who have never strummed a guitar to the more experienced, Zen Guitar shows how the path of music offers fulfillment in all aspects of life—a winning idea and an instant classic.
Here's a book intended to challenge you. Here's a book meant to inspire you. This book is a wake-up call to the global problems and roadblocks for you as a guitarist. This book is meant to be a reality check. Even if guitar playing is a hobby for you, your level of enjoyment and satisfaction will increase exponentially if you get better, start to like your playing and sound, and then continue to move forward. But if you aspire to be a part-time gigging and recording musician or full-time musician/guitarist, this book is filled with the ten reasons that are seriously holding you back. (It might even give you enough clues to help you teach guitar lessons for years to come!) I want you to attack any or all of these problems that apply to you, and get your momentum back as a guitarist. I've always believed that the expression "momentum builds motivation" is the key to developing as a musician. Once you're truly excited about your playing, your creativity, and your growth, amazing things can happen with your music. If you're here even reading about a book called "Why You Suck at Guitar" then it means that you're finally ready to deal with those issues that plague aspiring musicians everywhere. It means that you're brave. Brave enough to face the facts. Get your copy today!
talent means almost nothing when it comes to getting better at anything, especially music. Practice is everything. This book covers essential practice strategies and mindsets you won't find in any other book. You'll learn the What, Why, When, Where, Who, and especially the How of great music practice. You'll learn what research tells us about practice, but more importantly, you'll learn how the best musicians in many genres of music think about practice, and you'll learn the strategies and techniques they use to improve. This book will help you get better faster, whether you play rock, Bach, or any other kind of music.
(Guitar Method). A thorough presentation of rhythms commonly found in contemporary music, including 68 harmonized melodies and 42 rhythm exercises. This highly respected and popular book is also an excellent source for duets, sight-reading and chord studies.
"Jon Fine spent nearly thirty years performing and recording with bands that played various forms of aggressive and challenging underground rock music, and, as he writes in this memoir, at no point were any of those bands 'ever threatened, even distantly, by actual fame.' Yet when members of his first band, Bitch Magnet, reunited after twenty-one years to tour ... diehard longtime fans traveled from far and wide to attend those shows, despite creeping middle-age obligations of parenthood and 9-to-5 jobs, testament to the remarkable staying power of the indie culture that the bands predating the likes of Bitch Magnet--among them Black Flag, Mission of Burma, and Sonic Youth --willed into existence through sheer determination and a shared disdain for the mediocrity of contemporary popular music"--Amazon.com.