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First Published in 2016. Why do statues weep? Did Nostradamus really predict 9/11? Is it true that we only use 10% of our brain power? Does quantum theory explain the mystery of consciousness? For 21 years, questions like these have been posed, and answered, in the pages of The Skeptic magazine, Britain's foremost and longest-running sceptical magazine, dedicated to the examination of science, scepticism, psychology, secularism, critical thinking, and claims of the paranormal – in short, the pursuit of truth through reason and evidence. This collection brings together the best articles from the magazine's archive in one myth-busting volume. It covers a wide range of topics such as psychic fraudsters, claims of psychic healing and alien abduction, near-death experiences, false memories, and much more. Contributors include Susan Blackmore, Richard Wiseman, John Diamond, Edzard Ernst, plus interviews with Paul Daniels and Stephen Fry. With a foreword by Simon Hoggart, this collection will simultaneously provide you with food for thought and keep you entertained.
A Powerful book of adventure and faith" - FRANK SCHAEFFER - New York Times best selling author of fiction and nonfiction. With unexpected turns and a full dose of scholarly intrigue along the way, The Madonna Files is a contemporary religious thriller that explores the hidden secrets of Catholic Church. Five years in the making, The Madonna Files is "The most prophetic book of our times" The Madonna Files has been compared to Da Vinci Code, the historical fiction by Malachi Martin, The Shack, even G.K. Chesterson's Father Brown mysteries. Stephen Ryan's explosive debut novel challenges the prevailing orthodoxies of American history and Christianity, and reveals the dynamic presence of the Virgin Mary throughout the ages. On the quiet campus of M.I.T., a math professor is asked by the Vatican to determine the probability that six children are telling the truth. The children, from a small town in Bosnia, a town filled with sacred drama, say they see the Virgin Mary.
Winner of the ACE / Mercers' Book Award 2014 Spectacular Miracles confronts an enduring Western belief in the supernatural power of images: that a statue or painting of the Madonna can fly through the air, speak, weep, or produce miraculous cures. Although contrary to widely held assumptions, the cults of particular paintings and statues held to be miraculous have persisted beyond the middle ages into the present, even in a modern European city such as Genoa, the primary focus of this book. Drawing upon rich documentation from northwest Italy and elsewhere, Spectacular Miracles shows how these images “work” in a range of historical contexts. Jane Garnett and Gervase Rosser vividly evoke ritual animation of the image and the phenomenology of the beholder’s experience. These images, they demonstrate, have the subversive potential of the miraculous image to bypass clerical and secular authority, a power enhanced by reproducibility—devotion is hard to control when a copy of a venerated image is held to carry the same supernatural potential as the original, even when in a digital form mediated by the Internet. Engaging with the history, anthropology, and visual culture of images and religion, Spectacular Miracles is a convincing study of the continuing power of faith and art.
There is a persistent myth about the British: that we are a nation of stoics, with stiff upper lips, repressed emotions, and inactive lachrymal glands. Weeping Britannia - the first history of crying in Britain - comprehensively debunks this myth. Far from being a persistent element in the 'national character', the notion of the British stiff upper lip was in fact the product of a relatively brief and militaristic period of our past, from about 1870 to 1945. In earlier times we were a nation of proficient, sometimes virtuosic moral weepers. To illustrate this perhaps surprising fact, Thomas Dixon charts six centuries of weeping Britons, and theories about them, from the medieval mystic Margery Kempe in the early fifteenth century, to Paul Gascoigne's famous tears in the semi-finals of the 1990 World Cup. In between, the book includes the tears of some of the most influential figures in British history, from Oliver Cromwell to Margaret Thatcher (not forgetting George III, Queen Victoria, Charles Darwin, and Winston Churchill along the way). But the history of weeping in Britain is not simply one of famous tear-stained individuals. These tearful micro-histories all contribute to a bigger picture of changing emotional ideas and styles over the centuries, touching on many other fascinating areas of our history. For instance, the book also investigates the histories of painting, literature, theatre, music and the cinema to discover how and why people have been moved to tears by the arts, from the sentimental paintings and novels of the eighteenth century and the romantic music of the nineteenth, to Hollywood weepies, expressionist art, and pop music in the twentieth century. Weeping Britannia is simultaneously a museum of tears and a philosophical handbook, using history to shed new light on the changing nature of Britishness over time, as well as the ever-shifting ways in which we express and understand our emotional lives. The story that emerges is one in which a previously rich religious and cultural history of producing and interpreting tears was almost completely erased by the rise of a stoical and repressed British empire in the late nineteenth century. Those forgotten philosophies of tears and feeling can now be rediscovered. In the process, readers might perhaps come to view their own tears in a different light, as something more than mere emotional incontinence.
This volume presents a wide range of contributions that analyse the cultural, sociological and communicative significance of tears and crying in Graeco-Roman antiquity. The papers cover the time from the eighth century BCE until late antiquity and take into account a broad variety of literary genres such as epic, tragedy, historiography, elegy, philosophical texts, epigram and the novel. The collection also contains two papers from modern socio-psychology.
“The process by which these supernatural events are authenticated is expertly told by John Thavis, one of the world’s leading Vaticanologists. In fact, that a book on so secretive and complex a topic is so deeply researched, beautifully written, and artfully told is something of a small miracle itself.”—James Martin, S.J., author of Jesus: A Pilgrimage From the New York Times bestselling author of The Vatican Diaries, a fascinating behind-the-scenes look at how the Vatican investigates claims of miraculous events Apocalyptic prophecies and miraculous apparitions are headline-grabbing events that often put the Catholic Church’s concept of “rational faith” at odds with the passion of its more zealous followers. To some, these claims teeter on the edge of absurdity. Others see them as evidence of a private connection with God. For the Vatican, the issue is much more nuanced as each supposed miraculous event could have serious theological and political consequences. In response, the Vatican has developed a highly secretive and complex evaluation system to judge the authenticity of supernatural phenomena. Former journalist John Thavis uses his thirty years’ experience covering the Vatican to shed light on this little-known process, revealing deep internal debates on the power of religious relics, private revelations, exorcisms, and more. Enlightening and accessible to Catholics and non-Catholics alike, the book illustrates the Church’s struggle to balance the tension between traditional beliefs and contemporary skepticism.
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
Karl Keating defends Catholicism from fundamentalist attacks and explains why fundamentalism has been so successful in converting "Romanists". After showing the origins of fundamentalism, he examines representative anti-Catholic groups and presents their arguments in their own words. His rebuttals are clear, detailed, and charitable. Special emphasis is given to the scriptural basis for Catholic doctrines and beliefs.
This provocative and indispensable book provides a natural and cultural history of our most mysterious and complex human function: our ability to shed tears. All humans, and only humans, weep. Tears are sometimes considered pleasurable, sometimes dangerous, mysterious, deceptive, or profound. Tears of happiness, tears of joy, the proud tears of a parent, tears of mourning, tears of laughter, tears of defeat --what do they have in common? Why is it that at times of victory, success, love, reunion, and celebration the outward signs of our emotions are identical to those of our most profound experiences of loss? Why We Cry looks at the many different ways people have understood weeping, from the earliest known representation of tears in the fourteenth century B.C. through the latest neurophysiological research. Despite our most common romantic assumptions, what this brilliant book tells us is that tears are never pure, they are never simple.
Origen’s On First Principles is a foundational work in the development of Christian thought and doctrine: it is the first attempt in history at a systematic Christian theology. For over a decade it has been out of print with only expensive used copies available; now it is available at an affordable price and in a more accessible format. On First Principles is the most important surviving text written by third-century Church father, Origen. Origen wrote in a time when fundamental doctrines had not yet been fully articulated by the Church, and contributed to the very formation of Christianity. Readers see Origen grappling with the mysteries of salvation and brainstorming how they can be understood. This edition presents G. W. Butterworth’s trusted translation in a new, more readable format, retains the introduction by Henri de Lubac, and includes a new foreword by John C. Cavadini. As St. Gregory of Nazianzus, Doctor of the Church, wrote: “Origen is the stone on which all of us were sharpened.”