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Why Lazarus Laughed explicates the essential doctrine shared by the traditions of Zen Buddhism, Advaita, and Tantra. Wei Wu Wei has become an underground spiritual favorite whose fans anxiously await each reissued book.
Lazarus Laughed, sub-titled "A Play for Imaginative Theatre," is O'Neill's imaginative speculation as to the remained of Lazarus' life after he was raised from the dead.
An esssential work of this enigmatic sage, draws from the ancient traditions of Buddhism, Taosim, and Advaita Vedanta.
Lazarus Laughed is a play by Eugene O'Neill written in 1925. It is a long philosophical meditation with more than a hundred actors making up a masked chorus. The story features characters and events following the raising of Lazarus of Bethany from the dead by Jesus. As Lazarus is the first man to return from the realm of the dead, the crowd reacts intently to his words.
The story features characters and events following the raising of Lazarus of Bethany from the dead by Jesus. As Lazarus is the first man to return from the realm of the dead, the crowd reacts intently to his words. Over and over again he declares to them that there is no death, only God's eternal laughter. The more Lazarus laughs, the younger and stronger he becomes. The more he laughs, the older and weaker his wife Miriam (who trusts him but does not understand his laughter) becomes. The subsequent scenes portray a series of tests (perhaps similar to those trials of Job) by the Jews, Romans and Greeks to try the faith of Lazarus. Consequently, members of his family are taken from him, but Lazarus continues always to laugh, even as Miriam is poisoned by the Roman Emperor Tiberius and continuing on to the very end, when Tiberius burns him at the stake. --Wikipedia.com.
The first of a series of extraordinary spiritual manifestos written by the anonymous Wei Wu Wei.
‘Prose this powerful could wake the dead’ – Observer Crossing a century of Eastern European history, The Lazarus Project is a profound exploration of alienation and the immigrant experience from Aleksandar Hemon, author of The World and All That It Holds. On 2 March 1908, Lazarus Averbuch, a young Russian Jewish immigrant to Chicago, tried to deliver a letter to the city’s Chief of Police. He was shot dead. After the shooting, it was claimed he was an anarchist assassin and an agent of foreign operatives who wanted to bring the United States to its knees. His sister, Olga, was left alone and bereft in a city seething with tension. A century later, two friends become obsessed with the truth about Lazarus and decide to travel to his birthplace. As the stories intertwine, a world emerges in which everything – and nothing – has changed . . . ‘This is easily Hemon’s best work to date, an intricately tessellated portrait of flight, emigration, and the meaning of home’ – Evening Standard
According to Hebrews, the Son of God appeared to "break the power of him who holds the power of death--that is, the devil--and free those who all their lives were held in slavery by their fear of death." What does it mean to be enslaved, all our lives, to the fear of death? And why is this fear described as "the power of the devil"? And most importantly, how are we--as individuals and as faith communities--to be set free from this slavery to death?In another creative interdisciplinary fusion, Richard Beck blends Eastern Orthodox perspectives, biblical text, existential psychology, and contemporary theology to describe our slavery to the fear of death, a slavery rooted in the basic anxieties of self-preservation and the neurotic anxieties at the root of our self-esteem. Driven by anxiety--enslaved to the fear of death--we are revealed to be morally and spiritually vulnerable as "the sting of death is sin." Beck argues that in the face of this predicament, resurrection is experienced as liberation from the slavery of death in the martyrological, eccentric, cruciform, and communal capacity to overcome fear in living fully and sacrificially for others.
THE STORY: Originally produced on Broadway, revived to sellout houses in 1996 starring Al Pacino, HUGHIE was one of O'Neill's last works. It was originally intended as part of a series of short plays, but it became the lone survivor when O'Neill de
"And then one day I heard the Laughter of God in the midst of me and within the world, and all was suddenly changed. Old patterns and ideas were shattered and passed away-a new loveliness of life was exposed to view ... "How does one hear the Laughter of God? Walter Lanyon has a powerful message to share with the world, a message based firmly on the teachings of the Master, Christ Jesus, and the joy and promise it brings is evident throughout the book. In his unique style of speaking directly to the reader, the author reveals what is needed in order to hear this Laughter: "One thing alone is necessary, and that one all-important point is your willingness to take your attention away from the limited human concept of yourself." The realization that God is not some mysterious power but is the very presence of Life within us and our universe brings instant freedom from the discords of human belief."One moment's recognition that you are the Son of the living God, and you have attuned your ear for the Laughter of God." When we awaken to this truth, we can no longer be limited, any more than the chick can be limited to its shell once it has outgrown it. There comes a New Day; the prisons of thought are opened, and we are set free."And one day you will laugh the Laughter of God, too."