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In English and Italian, with special t.p. in Italian: Perche l'Italia e entrata nell grande guerra ...
This is an important reassessment of British and Italian grand strategies during the First World War. Stefano Marcuzzi sheds new light on a hitherto overlooked but central aspect of Britain and Italy's war experiences: the uneasy and only partial overlap between Britain's strategy for imperial defence and Italy's ambition for imperial expansion. Taking Anglo-Italian bilateral relations as a special lens through which to understand the workings of the Entente in World War I, he reveals how the ups-and-downs of that relationship influenced and shaped Allied grand strategy. Marcuzzi considers three main issues – war aims, war strategy and peace-making – and examines how, under the pressure of divergent interests and wartime events, the Anglo-Italian 'traditional friendship' turned increasingly into competition by the end of the war, casting a shadow on Anglo-Italian relations both at the Peace Conference and in the interwar period.
In Italy in the Era of the Great War, Vanda Wilcox brings together nineteen Italian and international scholars to analyse the political, military, social and cultural history of Italy in the country’s decade of conflict from 1911 to 1922. Starting with the invasion of Libya in 1911 and concluding with the rise of post-war social and political unrest, the volume traces domestic and foreign policy, the economics of the war effort, the history of military innovation, and social changes including the war’s impact on religion and women, along with major cultural and artistic developments of the period. Each chapter provides a concise and effective overview of the field as it currently stands as well as introducing readers to the latest research. Contributors are Giulia Albanese, Claudia Baldoli, Allison Scardino Belzer, Francesco Caccamo, Filippo Cappellano, Selena Daly, Fabio Degli Esposti, Spencer Di Scala, Douglas J. Forsyth, Irene Guerrini, Oliver Janz, Irene Lottini, Stefano Marcuzzi, Valerie McGuire, Marco Pluviano, Paul O’Brien, Carlo Stiaccini, Andrea Ungari, and Bruce Vandervort. See inside the book.
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Excerpt from Why Italy Entered Into the Great War II. The dismembering and repartition of Italy in 1815. The lion's share to Austria. The Carbonari. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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In the heart of Rome beside the Capitol, confronting the Piazza Venezia, stands the Victor Emmanuel monument. In Rome, which until 1945 was so often accorded the adjectives 'eternal' or 'imperial', the monumentissimo (as sardonic socialists labelled it) is the most public, most theatrical and most excessive architectural celebration of post-Risorgimento Italian patriotism, nationalism and perhaps imperialism. This book asks why the Victor Emmanuel monument, planned after 1878 and opened in 1911, was a structure raised by Liberal and not Fascist Italy. Through a detailed study of diplomacy, of policy-making, of policy-makers, and of the distribution of real power in pre-First World War Italy, it demonstrates how important foreign policy, and a foreign policy of greatness, was to Liberal Italy. Weakened by economic backwardness, regional diversity, and the gulf between the legal-political world and 'real' society, Liberal Italy was nonetheless ambitious to be a Great Power. This monograph contributes to a number of major historiographical debates. It produces evidence which casts doubts on the thesis that fascism was a parenthesis in Italian history.