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Dee Brown reintroduces the familiar yet compelling social issue with his sophomore effort. Why do I have to be your Nigger? “Theories In Niggativity”, questions diverse correlations between African-Americans and the word nigger. Dee explores cultures, gender gaps, racism, class-status, stereotypes, along with various philosophies in order to present understanding concerning his people’s overwhelming kinship with one word. Why do we love the word? Why do we hate the word? Dee Brown presents readers an introspective view of African-American pioneers whose legacy unfortunately failed to outlast one word. WHY?
Randall Kennedy takes on not just a word, but our laws, attitudes, and culture with bracing courage and intelligence—with a range of reference that extends from the Jim Crow south to Chris Rock routines and the O. J. Simpson trial. It’s “the nuclear bomb of racial epithets,” a word that whites have employed to wound and degrade African Americans for three centuries. Paradoxically, among many Black people it has become a term of affection and even empowerment. The word, of course, is nigger, and in this candid, lucidly argued book the distinguished legal scholar Randall Kennedy traces its origins, maps its multifarious connotations, and explores the controversies that rage around it. Should Blacks be able to use nigger in ways forbidden to others? Should the law treat it as a provocation that reduces the culpability of those who respond to it violently? Should it cost a person his job, or a book like Huckleberry Finn its place on library shelves?
An engrossing autobiographical exploration of black masculinity as a mode of racial and verbal performance. In Your Average Nigga, Vershawn Ashanti Young disputes the belief that speaking Standard English and giving up Black English Vernacular helps black students succeed academically. Young argues that this assumption not only exaggerates the differences between two compatible varieties of English but forces black males to choose between an education and their masculinity, by choosing to act either white or black. As one would expect from a scholar who is subject to the very circumstances he studies, Young shares his own experiences as he exposes the factors that make black racial identity irreconcilable with literacy for blacks, especially black males. Drawing on a range of interdisciplinary scholarship in performance theory and African American literary and cultural studies, Young shows that the linguistic conflict that exists between black and white language styles harms black students from the inner city the most. If these students choose to speak Standard English they risk alienating themselves from their families and communities, and if they choose to retain their customary speech and behavior they may isolate themselves from mainstream society. Young argues that this conflict leaves blacks in the impossible position of either trying to be white or forever struggling to prove that they are black enough. For men, this also becomes an endless struggle to prove that they are masculine enough. Young calls this constant effort to display proper masculine and racial identity the burden of racial performance. Ultimately, Young argues that racial and verbal performances are a burden because they cannot reduce the causes or effects of racism, nor can they denaturalize supposedly fixed identity categories, as many theorists contend. On the contrary, racial and verbal performances only reinscribe the essentialism that they are believed to subvert. Scholars and teachers of rhetoric, performance studies, and African American studies will enjoy this insightful volume.
Revolutionary, reflective and romantic, I Am Nobody's Nigger is the powerful debut collection by one of the UK's finest emerging poets. Exploring race, identity and sexuality, Dean Atta shares his perspective on family, friendship, relationships and London life, from riots to one-night stands. Longlisted for the Polari First Book Prize 2014'Go Dean Atta. Speak the truth. Tweet the truth. Upload it. Let it ring out over the digital domain and strike at the heart of the offline wireless and disconnected.' Lemn Sissay 'Dean Atta's poetry is as honest as truth itself. He follows no trend; he seeks no favours ... Beyond black, beyond white, beyond straight, beyond gay, so I say. Love your eyes over these words of truth. You will be uplifted.' Benjamin Zephaniah 'Righteous and forceful' Peter Tatchell'I can do nothing but take my hat off to Dean Atta for speaking out, saying what he believed, and doing it so effectively and powerfully that countless people heard it who would never normally have done so. Poetry is a powerful tool, and I Am Nobody's Nigger is a perfect example of when that tool shows its full strength.' Huffington Post' Huffington Post 'Raconteur Dean Atta doing what he does best; articulating London's dark, deep-rooted social cancers through a beautiful and intricately personal narrative.' Clash
A renowned cultural critic untangles the twisted history and future of racism through its most volatile word. The N Word reveals how the term “nigger” has both reflected and spread the scourge of bigotry in America over the four hundred years since it was first spoken on our shores. Jabari Asim pinpoints Thomas Jefferson as the source of our enduring image of the “nigger.” In a seminal but now obscure essay, Jefferson marshaled a welter of pseudoscience to define the stereotype of a shiftless child-man with huge appetites and stunted self-control. Asim reveals how nineteenth-century “science” then colluded with popular culture to amplify this slander. What began as false generalizations became institutionalized in every corner of our society: the arts and sciences, sports, the law, and on the streets. Asim’s conclusion is as original as his premise. He argues that even when uttered with the opposite intent by hipsters and hip-hop icons, the slur helps keep blacks at the bottom of America’s socioeconomic ladder. But Asim also proves there is a place for the word in the mouths and on the pens of those who truly understand its twisted history—from Mark Twain to Dave Chappelle to Mos Def. Only when we know its legacy can we loosen this slur’s grip on our national psyche.
Fatal Promises is a ficticious story with real-life overtones that allude to the ills of society in the historical South. An 18-year-old colored boy becomes despondent with the lack of opportunities in a small South Georgia town, so he migrates to New York, hoping for a better life. A six-year-old colored boy is emotionally wounded when his father abandons his mother with no means of support. He vows always to care for his family, if he ever has one. A young, rich southern belle becomes intimate with her employee, whom she vows to love forever, but fate intervenes. A wealthy elderly lady, the sole survivor of her family, hires two young mulattos, promising to defray the cost of their education if they will work in her home for a year. She is very fond of them, but her reward is much greater than her promise. Fatal Promises is about love, hate, wealth, poverty, good, evil, commitment and success. It is a story that will capture your attention and your heart.
The story of Dick Greagory, welfare case, star athelete, hit comedian, and front-line participant in the battle for Civil Rights.
A picture book biography of African-American baseball player Hank Aaron.
A celebration of African American life and culture brings together four hundred years of folklore, traditional tales, recipes, proverbs, legends, folk songs, and folk art.