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His life in Canadian poetry has spanned five decades, and David W. McFadden is still going strong. This selection from his career to date brings back into print many of the greatest poems from nearly two dozen books. Chosen and introduced by fellow poet Stuart Ross, in full collaboration with the author, these poems reaffirm McFadden's status as one of Canada's most gratifying, ineffable, and necessary poets.
A companion volume to Why Are You So Sad? - David W. McFadden's book of selected poems shortlisted for the Griffin Poetry Prize - this book finally brings together, in one place, all of McFadden's masterful long poems. For some poets, the long poem is an occasion to stretch one's lyrical legs, try on different stylistic hats, or work out ideas too complex for shorter poems. For David McFadden, the long poem is much more; here is McFadden's prodigious imagination in overdrive, his language always mischievous and mesmerizing, spinning yarns both comic and cosmic.
from Enormously Sad . . . Sad, so sad-compared to what? To your earlier more oblivious state? It never was oblivious enough- always those presentiments of sadness prickling the limbic. Now a voice says, Get outside yourself, go walk on the flats. The tide's gone out— but your little metal detector will detect little metallic coins of enormous sadness in the teeming wet sand, and then, the tide will come back, erasing, cleansing! And you, standing there in the salty scouring air- will you still be enormously sad, While the other world, outside your tiny purview, struck by iron, reels? World of intentional iron, pure savage organized iron of the world, it hasn't the time that you have for your puny enormous sadness. Widely acclaimed for expanding the stylistic boundaries of both the narrative and meditative lyric, Gail Mazur’s poetry crackles with verbal invention as she confronts the inevitable upheavals of a lived life. Zeppo’s First Wife, which includes excerpts from Mazur’s four previous books, as well as twenty-two new poems, is epitomized by the worldly longing of the title poem, with its searching poignancy and comic bravura. Mazur’s explorations of “this fallen world, this loony world” are deeply moving acts of empathy by a singular moral sensibility—evident from the earliest poem included here, the much-anthologized “Baseball,” a stunning bird’s-eye view of human foibles and passions. Clear-eyed, full of paradoxical griefs and appetites, her poems brave the most urgent subjects—from the fraught luscious Eden of the ballpark, to the fragility of our closest human ties, to the implications for America in a world where power and war are cataclysmic for the strong as well as the weak.
The best books of poetry published in English internationally and in Canada are honoured each year with the Griffin Poetry Prize. The 2008 Griffin Poetry Prize Anthology includes poems from the exceptional books shortlisted by judges George Bowering, James Lasdun, and Pura Lopez Colome. The poems in the 2008 anthology are selected and introduced by Bowering, the Canadian member of the jury. Royalties from the sales of the anthologies are donated to UNESCO's World Poetry Day.
(Soft-Cover Print) A book of selected poems and stories by me, Cliff Rhodes. This is the second edition of my poems and is now finished. This book contains all of the 2007 poems, a few stories, and the writings of 2008. I designed my own cover. It is a copy of a water color painting of one of the aloe vera plants that grow plentifully in my house. I hope you enjoy reading my poems as much as I have enjoyed writing them. Love heals and makes all things new.
In 1910 Lawrence J. Burpee published an anthology of 100 Canadian Sonnets. Poet and critic Zachariah Wells figured it was high time for an update on that dusty tome. In Jailbreaks, Wells has gathered 99 of his favourite sonnets written by Canadians, from the 19th century to the present day.
Named a Best Book of the Month by NYLON, Bustle, Alta, and Pittsburgh City Paper “Each line is a little heartbeat hurling down the abyss.” —Patricia Lockwood Featuring a new introduction from the author, Superdoom: Selected Poems brings together the best of Broder’s three cult out-of-print poetry collections—When You Say One Thing but Mean Your Mother, Meat Heart, and Scarecrone—as well as the best of her fourth collection, Last Sext. Embracing the sacred and the profane, often simultaneously, Broder gazes into the abyss and at the human body, with humor and heartbreak, lust and terror. Broder’s language is entirely her own, marked both by brutal strangeness and raw intimacy. At turns essayistic and surreal, bouncing between the grotesque and the transcendent, Superdoom is a must-have for longtime fans and the perfect introduction to one of our most brilliant and original poets.
"Processing French" presents a groundbreaking empirical study of the processing of morphologically simple and complex French words. Peter Golato's research offers an insightful account of the lexical storage and retrieval of isolated words and words within sentences."Processing French" investigates the native-language processing of French, a language for which findings have not definitively supported a dual-mechanism account of morphological processing. Through word- and sentence-level studies, the book accomplishes two goals. First, it offers behavioral evidence in support of a dual-mechanism processing account at the word level. In contrast to English, however, the evidence with French does not turn upon a contrast in inflectional regularity among verbs but instead hinges upon a diachronic contrast, with synchronic relevance, in the productivity of derivational suffixes among nouns. Second, by incorporating the findings of the word-level studies into sentence-level studies, the book offers a window onto the morphological processing of displaced sentential elements, specifically morphologically simple and complex "wh"-moved nouns and raised lexical verbs.Peter Golato is assistant professor of French at the University of Illinois at Urbana-Champaign.""Processing French" is decidedly original, and it is equally and decidedly sound. This book makes a superb shelf reference for anybody working in psycholinguistics, first- and second-language acquisition, and the syntactic study of French...and draws some fascinating conclusions about what might really be at play in human language acquisition." -Fred Davidson, University of Illinois at Urbana-Champaign
"Unapologetically intimate essays on sex, death, mental illness, and other taboos by poet and writer Melissa Broder, the creator of @sosadtoday."--From cover.