Download Free Whose Body Is It Book in PDF and EPUB Free Download. You can read online Whose Body Is It and write the review.

In the prevailing liberal ethos, if there is one thing that is beyond the reach of others, it is our body in particular, and our person in general: our legal and political tradition is such that we have the right to deny others access to our person and body, even though doing so would harm those who need personal services from us, or body parts. However, we lack the right to use ourselves as we wish in order to raise income, even though we do not necessarily harm others by doingso---even though we might in fact benefit them by doing so.Cécile Fabre's aim in this book is to show that, according to the principles of distributive justice which inform most liberal democracies, both in practice and in theory, it should be exactly the other way around: that is, if it is true that we lack the right to withhold access to material resources from those who need them, we also lack the right to withhold access to our body from those who need it; but we do, under some circumstances, have the right to decide how to use it in orderto raise income. More specifically, she argues in favour of the confiscation of body parts and personal services, as well as of the commercialization of organs, sex, and reproductive capacities.
Whose Body? is a 1923 mystery novel by Dorothy L. Sayers, in which she introduced the character of Lord Peter Wimsey.
There is a widespread interest in wellbeing, the healthy body and public health. However, there are also many simplistic and uncritical interpretations of what wellbeing or a healthy body should ‘look like’. By focusing upon wellbeing through examples taken from fitness-related activities, which are often considered unproblematic routes to achieving wellbeing and greater public health, this book explores contemporary understandings of the body and the conflicting ways in which it is considered, in different contexts, times and spaces, either as the possession of the individual or that of society (or both). Whose Body Is It Anyway? adopts an embodied approach, employing sociological theory along with examples drawn from empirical research collected through participation (by the author) in an intense period of physical training. The intention is to explore the embodied experiences of ‘doing’ an intensive period of physical activity and, subsequently, attempt to understand, in more depth, the range of personal, social, psychological and physical factors that undoubtedly contribute to engaging in such an activity. The emerging story reveals much about the physical and emotional experience of a body being put through intensive exercise, not only in terms of contrasting forms of pleasure and pain, but also various socio-cultural ‘issues’ relating to relationships of power, trust and the role of ‘expert’ health advisor. Written in a clear and engaging style, the book provides an accessible introduction of more complex theoretical explanations which will appeal to academics and practitioners involved in broad aspects of sport, physical activity, health and wellbeing.
An argument against treating our bodies as commodities No one wants to be treated like an object, regarded as an item of property, or put up for sale. Yet many people frame personal autonomy in terms of self-ownership, representing themselves as property owners with the right to do as they wish with their bodies. Others do not use the language of property, but are similarly insistent on the rights of free individuals to decide for themselves whether to engage in commercial transactions for sex, reproduction, or organ sales. Drawing on analyses of rape, surrogacy, and markets in human organs, Our Bodies, Whose Property? challenges notions of freedom based on ownership of our bodies and argues against the normalization of markets in bodily services and parts. Anne Phillips explores the risks associated with metaphors of property and the reasons why the commodification of the body remains problematic. What, she asks, is wrong with thinking of oneself as the owner of one's body? What is wrong with making our bodies available for rent or sale? What, if anything, is the difference between markets in sex, reproduction, or human body parts, and the other markets we commonly applaud? Phillips contends that body markets occupy the outer edges of a continuum that is, in some way, a feature of all labor markets. But she also emphasizes that we all have bodies, and considers the implications of this otherwise banal fact for equality. Bodies remind us of shared vulnerability, alerting us to the common experience of living as embodied beings in the same world. Examining the complex issue of body exceptionalism, Our Bodies, Whose Property? demonstrates that treating the body as property makes human equality harder to comprehend.
In the prevailing liberal ethos, if there is one thing that is beyond the reach of others, it is our body in particular, and our person in general: our legal and political tradition is such that we have the right to deny others access to our person and body, even though doing so would harm those who need personal services from us, or body parts. However, we lack the right to use ourselves as we wish in order to raise income, even though we do not necessarily harm others by doing so—-even though we might in fact benefit them by doing so. Cécile Fabre's aim in this book is to show that, according to the principles of distributive justice which inform most liberal democracies, both in practice and in theory, it should be exactly the other way around: that is, if it is true that we lack the right to withhold access to material resources from those who need them, we also lack the right to withhold access to our body from those who need it; but we do, under some circumstances, have the right to decide how to use it in order to raise income. More specifically, she argues in favour of the confiscation of body parts and personal services, as well as of the commercialization of organs, sex, and reproductive capacities.
Whose Body?, published in 1923, is the first in a long and very popular series of mystery novels written by Dorothy L. Sayers and featuring her aristocratic detective Lord Peter Wimsey. In this novel we are introduced to Wimsey, his imperturbable and multi-skilled butler Bunter, and his close friend Charles Parker of Scotland Yard as they come together to investigate an extremely mysterious incident: the naked body of a man, wearing a golden pince-nez, has been discovered in the bath of a bewildered tenant of a flat in Battersea. There’s a good deal of humor in the book, carefully balanced against the grim reality of murder. Whose Body? was well-received on first publication, and provided a basis for Sayer’s successful career as a novelist. In sum, she wrote some eleven Wimsey novels as well as several short stories featuring the characters. Nevertheless, it appears that she herself felt that her translation of Dante’s Divine Comedy was her greatest literary work. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Thipps, an architect, finds a dead body wearing nothing but a pair of pince-nez in the bath of his London flat. Lord Peter Wimsey—a nobleman who has recently developed an interest in criminal investigation as a hobby—resolves to investigate the matter privately. Leading the official investigation is Inspector Sugg, who suggests that the body may be that of the famous financier Sir Reuben Levy, who disappeared from his bedroom in mysterious circumstances the night before. Sir Reuben's disappearance is in the hands of Inspector Charles Parker, a friend of Wimsey's. Although the body in the bath superficially resembles that of Sir Reuben, it quickly becomes clear that it is not him, and it appears that the cases may be unconnected! So whose body is it anyway? Read on!
We’ve Got A Body In The Bath This is the 2nd edition of the fully annotated “The Complete, Annotated Whose Body?” with revised and added footnotes and essays, a gallery of book covers, and more contemporary reviews. This fully annotated edition of “The Complete, Annotated Whose Body?” includes: * More than 600 footnotes (32,000 words) on English history, aristocracy, religion, society and literature. * Essays about the Argentina economic boom, Adolf Beck, English anti-semitism, William Palmer, Edmond De La Pommerais, the Brides in the Bath, and how Sayers invented Lord Peter Wimsey. * Three maps of London showing locations important to the novel. * Contemporary reviews from U.S. and British newspapers, and judgments from critics and even Sayers herself! * A gallery of book covers from Britain, the U.S., France, Netherlands, and other nations. * Timelines of the life of Dorothy L. Sayers and Lord Peter Wimsey's cases. When a church architect finds a naked man in his Battersea bathroom, Lord Peter Wimsey is on the case! The aristocratic amateur detective, accompanied by his camera-bearing manservant Bunter, follows a trail of blood as he pursues stock market manipulation, medical malpractice, and Lord Brocklebury’s edition of Dante. But the curious case of the bathing body turns darker and deadlier as Lord Peter uncovers a ghastly crime. Published in 1923, Whose Body? was Dorothy L. Sayers’ debut novel. Bill Peschel provided hundreds of footnotes to guide the reader through Lord Peter's world, describing words, objects and ideas that were familiar to Sayers' readers but obscure or unknown today.
Whose Body? A Lord Peter Wimsey Novel by Dorothy L. Sayers is an excellent example of classic detective fiction. The novel follows Lord Peter Wimsey, a nobleman and amateur detective, as he investigates the mysterious death of an unknown man whose body is found in a London flat. The mystery deepens when Wimsey discovers that the man was wearing a pair of pajamas belonging to a wealthy financier who has recently gone missing. As Wimsey delves deeper into the case, he is forced to confront his own personal demons and reconcile his past. The novel is full of clever puzzles and red herrings that keep the reader guessing until the very end. Sayers' writing style is engaging and witty, and her characters are well-developed and believable. The novel is also full of interesting social commentary, as Wimsey's investigation takes him into the world of high society and exposes the hypocrisy and corruption of the upper classes. Whose Body? is a must-read for fans of classic detective fiction. It is a well-crafted mystery that will keep readers guessing until the very end. The novel is a great example of how detective fiction can be used to explore complex social issues and provide thought-provoking commentary.