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This book of essays takes an informal and, I hope, gentle look into South Asian homes, hearts, and homeland in an attempt to help mental health practitioners have a more complete understanding of their Indian clients. My aim is that these stories, anecdotes, and social and psychological sketches open the door to more pertinent clinical conversations. Just as there is no mother without a child, there is no Indian individual without the family. The focus of western psychotherapy has been on the individual and individuation. My book expands the picture to include the importance of Indian society, family, and culture as an equally, if not more important, path to helping Indian immigrant patients get more clarity from helping professionals.
Biblical stories of eighteen New Testament womenwho Jesus encouraged, empowered and loved. How could a Man who had no wife, no children, no home, no job, no money and wandered the hills of Judea with twelve men relate to women He knew, much less women in the 21st century? Thats the question that led author Dorothy Valca'cel to search for biblical women whose lives intersected with Jesus and as she discovered every woman Jesus met, faced many of the same challenges women encounter today. In The Man Who Loved Women youll meet Mary, trying to raise a perfect child in an imperfect worldJoanna, whose Mr. Right and his money could not buy her health or happinessMartha, whose busywork distracted her from lifes most meaningful momentsand many more.
BACHELOR BATTALION ASSIGNMENT: FATHERHOOD! Captain Jeff Ryan fought a lot of battles as a marine. But daddy duty was his toughest assignment ever! When an infant was left on his doorstep, Jeff called in reinforcements—and temporary nanny Laura Morgan marched into his life. Suddenly, lovely Laura was giving the orders, and Jeff was under siege. Then baby Miranda captured Laura's heart and was ready to commandeer Jeff's. But he had never planned on being a career father—or husband! Was it only a matter of time before Jeff's reserve would weaken—and he'd forever surrender his heart? BACHELOR BATTALION: Defending their country is their duty; love and marriage is their reward! Don't miss the next irresistible military bachelor in The Oldest Living Married Virgin, in November.
Adam is on a mission to find a new planet for the human race, and instead, he stumbles into an extraordinary new universe where the sky and sun are of different colours and the moon and oceans are nonexistent. He is rescued and cared for by a family from the planet Xoor, a planet of superpowerful beings. Adam, of course, finds it hard to believe at first, but with time, he learns to accept it. Now, he wants to repay these people for their hospitality; he wants to make a contribution, and he wants to integrate socially into their way of life, their habits, and their customs. The truth is, he is enticing them to his. The Xoorians are about to find out about the superhuman race.
From the author of How Should a Person Be? (“one of the most talked-about books of the year”—Time Magazine) and the New York Times Bestseller Women in Clothes comes a daring novel about whether to have children. In Motherhood, Sheila Heti asks what is gained and what is lost when a woman becomes a mother, treating the most consequential decision of early adulthood with the candor, originality, and humor that have won Heti international acclaim and made How Should A Person Be? required reading for a generation. In her late thirties, when her friends are asking when they will become mothers, the narrator of Heti’s intimate and urgent novel considers whether she will do so at all. In a narrative spanning several years, casting among the influence of her peers, partner, and her duties to her forbearers, she struggles to make a wise and moral choice. After seeking guidance from philosophy, her body, mysticism, and chance, she discovers her answer much closer to home. Motherhood is a courageous, keenly felt, and starkly original novel that will surely spark lively conversations about womanhood, parenthood, and about how—and for whom—to live.
Just like us, the women of New Testament times were ambitious, worried, broken, lonely, insecure, and unfulfilled. Discover the powerful stories of their encounters with the perfect, unconditional love of the Savior. Rather than trivializing their problems or ignoring women, Jesus responded to their deepest needs with compassion, reminding them of their value and transforming their past, present, and future. Let this engaging book introduce you to the man who loves women like no other.
Signs of Life: Medicine and Cinema is the first single volume to consider the cinematic representation of medicine, medical science and the medical profession, and explores the political implications of the representations of doctors, nurses, patients, diseases and disabilities. The essays in this collection, from a wide range of film scholars and medical practitioners, also consider how formal qualities of cinema such as empirical observation, mise-en-sc'ne, propaganda and education, melodrama, documentary and narrative construction impact on our understanding of medical procedures and the public image of medicine.
With an Expanded Appendix on the Current Legal Status of Surrogacy Arrangements A practice known since Biblical times, surrogate motherhood has only recently leaped to prominence as a way of providing babies for childless couples—and leaped to notoriety through the dramatic case of Baby M. Contract surrogacy is officially little more than ten years old, but by 1986 five hundred babies had been born to mothers who gave them up to sperm donor fathers for a fee, and the practice is growing rapidly. Martha Field examines the myriad legal complexities that today enmesh surrogate motherhood, and also looks beyond existing legal rules to ask what society wants from surrogacy. A man’s desire to be a “biological” parent even when his wife is infertile—the father’s wife usually adopts the child—has led to this new kind of family, and modern technology could further extend surrogacy’s appeal by making gestational surrogates available to couples who provide both egg and sperm. But is surrogacy a form of babyselling? Is the practice a private matter covered by contract law, or does adoption law govern? Is it good or bad social and public policy to leave surrogacy unregulated? Should the law allow, encourage, discourage, or prohibit surrogate motherhood? Ultimately the answers will depend on what the American public wants. In the difficult process of sorting out such vexing questions, Martha Field has written a landmark book. Showing that the problem is rather too much applicable law than too little, she discusses contract law and constitutional law, custody and adoption law, and the rights of biological fathers as well as the laws governing sperm donation. Competing values are involved all along the legal and social spectrum. Field suggests that a federal prohibition would be most effective if banning surrogacy is the aim, but federal prohibition might not be chosen for a variety of reasons: a preference for regulating surrogacy instead of driving it underground; a preference for allowing regulation and variation by state; or a respect for the interests of people who want to enter surrogacy arrangements. Since the law can support a wide variety of positions, Field offers one that seems best to reconcile the competing values at stake. Whether or not paid surrogacy is made illegal, she suggests that a surrogate mother retain the option of abiding by or canceling the contract up to the time she freely gives the child to the adopting couple. And if she cancels the contract, she should be entitled to custody without having to prove in court that she would be a better parent than the father.
Noting that motherhood is a common metaphor for film production, Lucy Fischer undertakes the first investigation of how the topic of motherhood presents itself throughout a wide range of film genres. Until now discussions of maternity have focused mainly on melodramas, which, along with musicals and screwball comedies, have traditionally been viewed as "women's" cinema. Fischer defies gender-based classifications to show how motherhood has played a fundamental role in the overall cinematic experience. She argues that motherhood is often treated as a site of crisis--for example, the mother being blamed for the ills afflicting her offspring--then shows the tendency of certain genres to specialize in representing a particular social or psychological dimension in the thematics of maternity. Drawing on social history and various cultural theories, Fischer first looks at Rosemary's Baby to show the prevalence of childbirth themes in horror films. In crime films (White Heat), she sees the linkage of male deviance and mothering. The Hand That Rocks the Cradle and The Guardian, both occult thrillers, uncover cultural anxieties about working mothers. Her discussion covers burlesques of male mothering, feminist documentaries on the mother-daughter relationship, trick films dealing with procreative metaphors, and postmodern films like High Heels, where fluid sexuality is the theme. These films tend to treat motherhood as a locus of irredeemable conflict, whereas History and Memory and High Tide propose a more sanguine, dynamic, and enabling view. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
After the tragic death of Kaitlyn’s husband while on deployment, she moves home to live with her father. Jason Devereux is now a retired detective. Kaitlyn becomes the obsession of an unknown stalker. Amid the reconnection of Jason and Rachel, then their ultimate marriage, Kaitlyn goes from one nightmare to another. Kaitlyn starts to feel safe again after the arrest of her stalker. During the celebration of Jason and Rachel’s marriage and the birth of Kaitlyn’s baby, her baby is kidnapped. Jake, Rachel’s Down syndrome son, again helps solve the mystery.