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These newly reissued notebooks, among the very few personal writings of Weil's that still survive today, contain her thoughts on art, love, science and the meaning of life.
As a result of the author’s own spiritual and intellectual journey he came to believe that there was something missing in our traditional understanding of the nature of God. In the Scriptures God is presented as clothed with real emotions and feelings such as anger, jealousy, love, compassion, and even a change of purpose and heart. In short, God is presented there as really being influenced and affected by our actions and by the events of history. This book traces this teaching on the feelings of God from the Scriptures to the third century. It tries to show that the gradual loss of these feelings of God in Christian teaching was due to an overemphasis on rational, philosophical knowledge. Certain trends in psychology, the study of language, and philosophy call for a reexamination of this question. The author believes that a clarification of this aspect of God is extremely important and significant for our spiritual life.
Strangers to that Land, subtitled 'British Perceptions of Ireland from the Reformation to the Famine', is a critical anthology of English, Scottish and Welsh colonists' and travellers' accounts of Ireland and the Irish from the sixteenth to the nineteenth centuries. It consists exclusively of eyewitness descriptions of Ireland given by writers using the English language who had never been to Ireland before and were seeing the country for the first time. Each extract, where necessary, is set in context and briefly explained. The result is a vivid, continuous record of Ireland as defined and judged by the British over a period of four centuries. In their general introduction the editors discuss the significance of these changing historical perceptions, as well as the impact upon them of literary conventions which played a part in shaping the emerging texts. It is argued that the relationship between Ireland and England within a British context constitutes a unique case study in the procedures of racial stereotyping and colonial representation, the exploration of cultural conflict and the aesthetics of travel writing. There are twenty-one contemporary illustrations
An authentic collection of historical information on the early civilization of the descendents of Ham, the son of Noah.