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Between 1959 and 1965, eight murders were carried out in and around west London. The victims, all of whom were prostitutes, were asphyxiated. The murders were linked: the last six were all carried out in the space of twelve months. The press dubbed the murderer 'Jack the Stripper' on account of the fact that the victims were all stripped naked. The legendary Scotland Yard investigator Detective Chief Superintendent John Du Rose was brought in to orchestrate the inquiry. Du Rose flooded the night-time capital with police officers in plain clothes, and women police officers dressed as prostitutes to carry out dangerous decoy patrols. Of the 1,7000 potential suspects interviewed, the number was whittled down to twenty-six, and eventually to one. But before Du Rose could interview him, the mean committed suicide and the case was closed down. Was this man 'Jack the Stripper'? Dick Kirby, a former Flying Squad detective, has used his vast experience and contacts at Scotland Yard to re-examine the case, more commonly known as 'The Nude Murders', fifty years on.
Frank Sinatra, The Beatles, and The Who were all performing in the Queensway and Shepherd's Bush areas of London in 1964-65, but in those same areas during the early hours a meticulous serial killer was stalking local prostitutes, dumping their naked bodies on the streets. While London was famed for its trendy boutiques, groundbreaking movies, and its Carnaby Street vibe, the reality included a huge street prostitution scene, a violent world that filled the magistrate's courts but rarely made headlines. Seven, possibly eight, women fell victim--making this killer more prolific than Jack the Ripper, 77 years previously. His grim spree sparked the biggest police manhunt in history. But why did such a massive hunt fail? And why has such a traumatic case been largely forgotten today? With shocking conclusions, one detective makes the astonishing new claim that all the original evidence from the crime scenes has been destroyed. Using secret police papers, crime reconstructions, and interviews with contemporary police experts along with insights from the world's leading geographical profiler, Hunt for the 60's Ripper revisits this chilling case. What do modern experts say about the case today? And why did the leading detective, John du Rose, claim to know all along who the killer was? With links to figures from the vicious world of the Kray twins and the Profumo Affair, the case exposes the depraved underbelly of British society in the Swinging Sixties. An evocative and thought-provoking reinvestigation into perhaps the most shocking unsolved mass murder in modern British history.
A dark and deep dive into the “Jack the Stripper” murders that “rips open sixties London and leaves her swinging from a lamp-post for all to finally see” (David Peace, author of the Red Riding Quartet). Between 1959 and 1965, eight prostitutes were murdered in West London by a serial killer. The killer’s motive and identity were the subject of endless speculation by the media, who dubbed him “Jack the Stripper.” Links to the Profumo scandal, boxer Freddie Mills and the notorious Kray twins were rumored. By the time the body of the eighth victim was found in February 1965, a massive police operation was underway to catch the killer. The whole country waited to see what would happen next. The police had staked everything on the murderer striking again. But he didn’t . . . David Seabrook, the author of All the Devils Are Here, interviewed surviving police officers, witnesses and associates of the victims and examined the evidence, the rumors and the half-truths. He reconstructs every detail of the investigation and recreates the dark, brutal world of prostitutes and pimps in 1960s West London. He questions the theory that the police’s prime suspect was Jack the Stripper and confronts the disturbing possibility that the killer is still at large. “Seabrook taps away at the darker recesses of the metropolitan mind, relishing the fact that his subject is so heroically unglamorous.”—The Guardian “The genius of this one is how it teases horror from the banal . . . A terrifying portrait of the dark side of Notting Hill and Shepherd’s Bush at the time, with its stew of sex, drugs, immigration, violence, and a residual white working-class.”—The Telegraph
The unadorned language of Jack the Stripper ranges from the bitter comedy of monologues like 'His Story' to the touching pathos of the elegy 'Gone Below' and the vision of lost pastoral in 'Mud and Sun', taking in, en route, a hilarious skit of Arthur Conan Doyle. The speaker in these poems spares no-one - least of all himself - and presents a vision of contemporary life in which "literature had vanished, but the causes grew." In an age of competing orthodoxies, each sure of its rightness, we need what these poems offer; a contrariness, a refusal to say the right thing, a finely-judged deployment of irony and satire. Paul Sutton is an essential poet. - Alan Baker I'm not sure if any poet evokes the spiritual emptiness, the underlying soul-sapping blandness of life, and the sense of loss (but loss of what?) in contemporary Britain better than Paul Sutton. It's not about diversity, ethnicity, gender orientation, or any of the undeniably important issues that fashion demands the writer address at the moment to the point of predictability; Sutton is a writer who sees beyond fashion to the more difficult matter of how we are in the broadest sense. - Martin Stannard Paul Sutton is an unfashionably straight-talking and cynical poet, an antidote to woolly-minded liberalism, egotistical confession and right-on propaganda. Whilst I may not always agree with the content or politics of his writing, Sutton is a clear-minded and astute wordsmith with a great sense of characterisation, wit and perceptive eye. I welcome his sly commentary and outspoken interventions, indeed any and every addition to his oeuvre. - Rupert Loydell
A crime and a six-decade cover-up: the death of a fashion designer in the cesspit of vice and violence that was 1950s London. In 1954, Jean Mary Townsend was strangled with her own scarf and stripped of her underwear but not sexually assaulted. The subsequent police investigation was bungled, leading to a six-decade cover-up, ensuring that this twenty-one-year-old fashion designer was effectively killed twice: first bodily, and then as her significance and her memory were erased. Fred Vermorel's forensic, troubling (and trouble-making) investigation digs deep into Jean Townsend's life and times, and her transgressive bohemian milieu. It disentangles the lies and bluffs that have obscured this puzzling case for over half a century and offers a compelling solution to her murder and the official secrecy surrounding it. More than just a true crime story, Vermorel's investigation deploys Townsend's death as a wild card methodology for probing the 1950s: a cesspit of vice and violence, from coprophiles to bombsite gangs and flick knives in the cinema. Densely illustrated with archival material, Dead Fashion Girl is a heavily researched, darkly curious exposé of London's 1950s society that touches on celebrity, royalty, the postwar establishment, and ultimately, tragedy.
Colorful characters with murderous motives populate this illustrated mystery in which the heated rivalry between a pair of cartoonists ends in homicide and a stripper-turned-detective and her stepson-partner seek the killer. "Great fun." — Mystery Scene.
A gripping crime novel inspired by the "Jack the Stripper" killings in 1960s London. Bad Penny Blues is the latest gripping crime fiction from Cathi Unsworth, London's undisputed queen of noir. Set in late 1950s and early 1960s London, it is loosely based on the West London "Jack the Stripper" killings that rocked the city. The narrative follows police officer Pete Bradley, who investigates the serial killings of a series of prostitutes, and, in a parallel story, Stella, part of the art and fashion worlds of 1960s "Swinging London," who is haunted by visions of the murdered women.
Twenty years ago, in a series of mysterious, incandescent writings, David Seabrook told of the places he knew best: the declining resort towns of the Kent coast. The pieces were no advert for the local tourist board. Here, the ghosts of murderers and mad artists crawl the streets. Septuagenarian rent boys recall the good old days and Carry On stars go to seed. Clandestine fascist networks emerge. And all the time, there is Seabrook himself - desperate perhaps, and in danger. Dark, strange and immediate, this is a classic work of sui generis British literature. There are devils here, and the reader will remember them.
killer's true identity." "In Saucy Jack the authors follow the grim homicidal trails that have permeated popular culture since the Whitechapel murders of 1888, including: the stories of the victims; the evolution of the Ripper archetype; an analysis of the most often cited latter-day suspects for the crimes; the conspiracy theories; and the short stories, novels, films, comic books and even video games, all inspired by the murders of 1888. And finally, the modern forensic view of the Ripper murders as sex crimes, with reference to disturbing modern cases such as that of the 'Plumstead Ripper'." --Book Jacket.