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An eye-opening look at how the top media covers world news. Explores the pack mentality that drives reporters and how it distorts what we know about global news, economics, wars, human rights and more. Vividly illustrated with incisive anecdotes, it argues that while individual reporting is at its peak, the system is less reliable than ever. Analyzes coverage of recent hot spots such as Iran, Somalia and Eastern Europe. Features interviews with media stars.
Pulitzer Prize winner Hedrick Smith’s new book is an extraordinary achievement, an eye-opening account of how, over the past four decades, the American Dream has been dismantled and we became two Americas. In his bestselling The Russians, Smith took millions of readers inside the Soviet Union. In The Power Game, he took us inside Washington’s corridors of power. Now Smith takes us across America to show how seismic changes, sparked by a sequence of landmark political and economic decisions, have transformed America. As only a veteran reporter can, Smith fits the puzzle together, starting with Lewis Powell’s provocative memo that triggered a political rebellion that dramatically altered the landscape of power from then until today. This is a book full of surprises and revelations—the accidental beginnings of the 401(k) plan, with disastrous economic consequences for many; the major policy changes that began under Jimmy Carter; how the New Economy disrupted America’s engine of shared prosperity, the “virtuous circle” of growth, and how America lost the title of “Land of Opportunity.” Smith documents the transfer of $6 trillion in middle-class wealth from homeowners to banks even before the housing boom went bust, and how the U.S. policy tilt favoring the rich is stunting America’s economic growth. This book is essential reading for all of us who want to understand America today, or why average Americans are struggling to keep afloat. Smith reveals how pivotal laws and policies were altered while the public wasn’t looking, how Congress often ignores public opinion, why moderate politicians got shoved to the sidelines, and how Wall Street often wins politically by hiring over 1,400 former government officials as lobbyists. Smith talks to a wide range of people, telling the stories of Americans high and low. From political leaders such as Bill Clinton, Newt Gingrich, and Martin Luther King, Jr., to CEOs such as Al Dunlap, Bob Galvin, and Andy Grove, to heartland Middle Americans such as airline mechanic Pat O’Neill, software systems manager Kristine Serrano, small businessman John Terboss, and subcontractor Eliseo Guardado, Smith puts a human face on how middle-class America and the American Dream have been undermined. This magnificent work of history and reportage is filled with the penetrating insights, provocative discoveries, and the great empathy of a master journalist. Finally, Smith offers ideas for restoring America’s great promise and reclaiming the American Dream. Praise for Who Stole the American Dream? “[A] sweeping, authoritative examination of the last four decades of the American economic experience.”—The Huffington Post “Some fine work has been done in explaining the mess we’re in. . . . But no book goes to the headwaters with the precision, detail and accessibility of Smith.”—The Seattle Times “Sweeping in scope . . . [Smith] posits some steps that could alleviate the problems of the United States.”—USA Today “Brilliant . . . [a] remarkably comprehensive and coherent analysis of and prescriptions for America’s contemporary economic malaise.”—Kirkus Reviews (starred review) “Smith enlivens his narrative with portraits of the people caught up in events, humanizing complex subjects often rendered sterile in economic analysis. . . . The human face of the story is inseparable from the history.”—Reuters
Including interviews with leading correspondents, Rosenblum goes behind the scenes of recent hot spots like Somalia and Eastern Europe and explores the mentality that drives reporters, showing how it distorts what we know about the world. A fascinating consumer guide to tracking and analyzing world events.
Of the 200,000 years homo sapiens has been wandering this planet, this has to be the most absurd and challenging time to be a man... How can you hunt and gather in an open-plan office? Is monogamy fighting a losing battle against testes size? Why do men make up 95% of FTSE CEOs yet 95% of the prison population? Trapped in bodies barely changed since caveman days, males are now contending with corporate culture, lifelong commitment, rampant depression and crazy expectations to be a success at work and home. Enter award-winning BBC broadcaster and journalist Tim Samuels with Who Stole My Spear? - which stops at nothing to explore how men should actually be living these days. From relationships, religion, and the rise of ISIS, to porn, fatherhood and the oppression of office life. Nothing is taboo: Is it less serious when a man has an affair? Why don’t new parents want boys? Who Stole My Spear? is an inspiring rallying call for men and ‘good masculinity’ which cannot be ignored – that will leave you rethinking much about life’s big questions. And for women who wonder what’s on a man’s mind, this is the book that offers the entertainingly explosive answer.
A seemingly fragile beauty, Zelda Rawle is anything but the pliant heiress the Faircombe family expected. Once her wedding to the heir is over, she intends to carry out her own plans. They don't include the towering enigma that is the estate's shepherd. Lord Geoffrey Eliot will play his sheep-herding part as long as it takes to learn Miss Rawle's secrets. The laughing, peculiar Miss Rawle would make a poor lady of Faircombe, and he's made an unbreakable promise to protect his family. The closer the mismatched pair become, the greater the danger that Zelda will miss her chance at her lifelong dream - and that Geoffrey will shatter his family by falling in love with the woman intended for his brother. A sweet and sensual romance of two people who had to meet to find the world at their feet. *** He Stole the Lady is a historical regency romance novel with steamy moments and sweet ones, of about 430 pages. It features a big man with an even bigger heart, a woman who loves whiskey and saying what she thinks, an estate full of animals and the icy spring of 1814. No cliffhanger, and a Happily Ever After! He Stole the Lady is a standalone book! But fans of the series will appreciate seeing old friends again. Lord Geoffrey makes a very large Cinderella. Enjoy a good English country estate? Follow up He Stole the Lady with Letty and Michael's love story in Not Like a Lady!
“Reminds readers that the history of lynching and racial violence in the United States is not a closed book, but an ever-relevant story.” —Criminal Law and Criminal Justice Books Before daybreak on February 17, 1947, twenty-four-year-old Willie Earle, an African American man arrested for the murder of a Greenville, South Carolina, taxi driver named T. W. Brown, was abducted from his jail cell by a mob, and then beaten, stabbed, and shot to death. An investigation produced thirty-one suspects, most of them cabbies seeking revenge for one of their own. The police and FBI obtained twenty-six confessions, but, after a nine-day trial in May that attracted national press attention, the defendants were acquitted by an all-white jury. In They Stole Him Out of Jail, William B. Gravely presents the most comprehensive account of the Earle lynching ever written, exploring it from background to aftermath and from multiple perspectives. Among his sources are contemporary press accounts (there was no trial transcript), extensive interviews and archival documents, and the “Greenville notebook” kept by Rebecca West, the well-known British writer who covered the trial for the New Yorker magazine. Gravely meticulously recreates the case’s details, analyzing the flaws in the investigation and prosecution that led in part to the acquittals. Vivid portraits emerge of key figures in the story, including both Earle and Brown, Solicitor Robert T. Ashmore, Governor Strom Thurmond, and West, whose article “Opera in Greenville” is masterful journalism but marred by errors owing to her short stay in the area. Gravely also probes problems with memory that resulted in varying interpretations of Willie Earle’s character and conflicting narratives about the lynching itself.
The extraordinary life and crimes of heiress-turned-revolutionary Rose Dugdale, who in 1974 became the only woman to pull off a major art heist. In the world of crime, there exists an unusual commonality between those who steal art and those who repeatedly kill: they are almost exclusively male. But, as with all things, there is always an outlier—someone who bucks the trend, defying the reliable profiles and leaving investigators and researchers scratching their heads. In the history of major art heists, that outlier is Rose Dugdale. Dugdale’s life is singularly notorious. Born into extreme wealth, she abandoned her life as an Oxford-trained PhD and heiress to join the cause of Irish Republicanism. While on the surface she appears to be the British version of Patricia Hearst, she is anything but. Dugdale ran head-first towards the action, spearheading the first aerial terrorist attack in British history and pulling off the biggest art theft of her time. In 1974, she led a gang into the opulent Russborough House in Ireland and made off with millions in prized paintings, including works by Goya, Gainsborough, and Rubens, as well as Lady Writing a Letter with her Maid by the mysterious master Johannes Vermeer. Dugdale thus became—to this day—the only woman to pull off a major art heist. And as Anthony Amore explores in The Woman Who Stole Vermeer, it’s likely that this was not her only such heist. The Woman Who Stole Vermeer is Rose Dugdale’s story, from her idyllic upbringing in Devonshire and her presentation to Elizabeth II as a debutante to her university years and her eventual radical lifestyle. Her life of crime and activism is at turns unbelievable and awe-inspiring, and sure to engross readers.
The Holy Family is set upon by roadside thieves when Jesus is a boy. The leader of the gang is the Bad Thief; among them is a young Dismas, the Good Thief. Remembering his own mother and family, Dismas is moved with compassion and persuades the leader to let them go. While on the cross many years later, Dismas is caught in the entrancing gaze of Mother Mary from down below, and suddenly realizes that the man next to him was the captivating boy from that fateful day long ago. He asks Jesus for forgiveness. Knowing exactly who he is, Jesus forgives him and assures him of Paradise that very day.
Christmas is just around the corner for three friends Clara, Kate and Ariel. Clara's family is organizing a Christmas party for all her friends, relatives and neighbours. The most rousing part is that the centerpiece of the party is the million dollar Christmas cake but, before these three friends could even celebrate, someone steals the Christmas cake. The girls are in a terrible soup and must catch the thief. Soon they embark upon a trail left out by bizarre characters and clues leading to a puzzling turn of events. Will they be able to catch hold of the thief or will this million dollar cake mystery remain unrevealed? Who Stole the Christmas cake? is a charming thriller mystery book for young readers. Let’s solve the mystery with these friends in their exciting quest!
Television came to Pittsburgh in 1949 when WDTV (the forerunner of KDKA-TV) went on the air. Whereas many television stations in the United States began reading news on the air only to comply with FCC requirements, WDTV treated news seriously from day one with its first regular program, a local news show called "Pitt Parade." Today KDKA is still highly regarded among journalists for its news programming. Although television news may seem familiar to us, it was anything but familiar to the men and women of early television. Hinds shows how they borrowed liberally from newspapers, radio, motion picture newsreels, theater, and even magazines to create, by trial and error, suitable ways to present the news. Rather than instantly replacing radio, television news moved slowly from the "rip and read" radio-style format, which simply duplicated what came over the wire services and was in the newspapers, to the conventions of local newscasts we take for granted today--live remotes, lead and feature stories, sports and weather, all brought together by an in-studio anchor. Pittsburghers will recognize many familiar names in Hinds's account--Bill Burns, Paul Long, Florence Sando, Eleanor Schano, and others--veterans of Pittsburgh broadcasting whom Hinds has interviewed for this book. The story they tell is the story of dozens of other stations across the country. In the process, they tell us much about the early history of television in America. Lynn Boyd Hinds spent over twenty years in Pittsburgh television and radio before moving to Penn State University where he was an affiliate producer for WPSX-TV, the public broadcasting station in Central Pennsylvania. There he created and hosted the popular quiz show, "The Pennsylvania Game." Today he is Associate Professor of Broadcast News in the Perley Isaac Reed School of Journalism at West Virginia University.