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"This compendium lists alphabetically every performer who sang on Broadway in the role of a named character. Covering the period of 1866 to 1996, it is a guide to performances by the well known and the obscure, the career stage performers as well as the one-timers whose names never again graced a playbill"--Provided by publisher.
"This compendium lists alphabetically every performer who sang on Broadway in the role of a named character. Covering the period of 1866 to 1996, it is a guide to performances by the well known and the obscure, the career stage performers as well as the one-timers whose names never again graced a playbill"--Provided by publisher.
"This compendium lists alphabetically every performer who sang on Broadway in the role of a named character. Covering the period of 1866 to 1996, it is a guide to performances by the well known and the obscure, the career stage performers as well as the one-timers whose names never again graced a playbill"--Provided by publisher.
"This compendium lists alphabetically every performer who sang on Broadway in the role of a named character. Covering the period of 1866 to 1996, it is a guide to performances by the well known and the obscure, the career stage performers as well as the one-timers whose names never again graced a playbill"--Provided by publisher.
"A volume of Adorno is equivalent to a whole shelf of books on literature." Susan Sontag
The Encyclopedia of Vaudeville provides a unique record of what was once America's preeminent form of popular entertainment from the late 1800s through the early 1930s. It includes entries not only on the entertainers themselves, but also on those who worked behind the scenes, the theatres, genres, and historical terms. Entries on individual vaudevillians include biographical information, samplings of routines and, often, commentary by the performers. Many former vaudevillians were interviewed for the book, including Milton Berle, Block and Sully, Kitty Doner, Fifi D'Orsay, Nick Lucas, Ken Murray, Fayard Nicholas, Olga Petrova, Rose Marie, Arthur Tracy, and Rudy Vallee. Where appropriate, entries also include bibliographies. The volume concludes with a guide to vaudeville resources and a general bibliography. Aside from its reference value, with its more than five hundred entries, The Encyclopedia of Vaudeville discusses the careers of the famous and the forgotten. Many of the vaudevillians here, including Jack Benny, George Burns and Gracie Allen, Jimmy Durante, W. C. Fields, Bert Lahr, and Mae West, are familiar names today, thanks to their continuing careers on screen. At the same time, and given equal coverage, are forgotten acts: legendary female impersonators Bert Savoy and Jay Brennan, the vulgar Eva Tanguay with her billing as “The I Don't Care Girl,” male impersonator Kitty Doner, and a host of “freak” acts.
New National Theatre, Washington, D.C., W.H. Rapley, manager, W.H. Fowler, acting manager, C.D. Jacobson, treasurer, R.E. Long, press prepresentative. Aborn Opera Company (direction of Milton and Sargent Aborn) in the musical play "Florodora," book by Owen Hall, music by Leslie Stuart.
This comprehensive two-volume set brings together all aspects of the blues from performers and musical styles to record labels and cultural issues, including regional evolution and history. Organized in an accessible A-to-Z format, the Encyclopedia of the Blues is an essential reference resource for information on this unique American music genre. For a full list of entries, contributors, and more, visit the Encyclopedia of the Blues website.