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Americans often forget that, just as they watch the world through U.S. media, they are also being watched. Foreign correspondents based in the United States report news and provide context to events that are often unfamiliar or confusing to their readers back home. Unfortunately, there has been too little thoughtful examination of the foreign press in America and its role in the world media. Through Their Eyes fills this void in the unmistakable voice of Stephen Hess, who has been reporting on reporting for over a quarter century. Globalization is shrinking the planet, making it more important than ever to know what is going on in the world and how those events are being interpreted elsewhere. September 11 was a chilling reminder that how others perceive us does matter, like it or not. Hess seeks to answer three basic yet essential journalistic questions: Who are these U.S.-based foreign correspondents? How do they operate? And perhaps most important, what do they report, and how? Informed by scores of interviews and armed with original survey research, Hess reveals the mindset of foreign correspondents from a broad sample of countries. He examines how reporting from abroad has changed over the past twenty years and addresses the daunting challenges facing these journalists, ranging from home-office politics to national stereotypes. Unique among works on the subject, this book provides an engaging and humanizing "Day in the Life?" section, illustrating how foreign correspondents conduct their daily activities. This book continues the author's comprehensive Newswork series on the nexus of media, government, and politics. These five books, starting with The Washington Reporters (Brookings, 1981), have become valuable reference materials for all who seek to understand this intersection of journalism and government. Through Their Eyes furthers that rich tradition, making it essential and enjoyable reading.
A chronicle of the massive transformation in Hollywood since the turn of the century and the huge changes yet to come, drawing on interviews with key players, as well as documents from the 2014 Sony hack
About The Book Lily Gladstone's Journey to the Golden Globe takes you behind the scenes of a groundbreaking Hollywood moment. Join us on a captivating exploration of Lily Gladstone's extraordinary path to becoming the first Indigenous actress to win a Golden Globe for Best Actress in a Drama. Discover the compelling story of Gladstone's life, from her roots in the Amskapi Pikuni (Blackfeet) and Nez Perce tribes to her early career in independent cinema. Uncover the roles that shaped her trajectory, leading to the historic night at the Golden Globes. The book provides an in-depth analysis of Gladstone's powerful performance as Mollie Burkhart in "Killers of the Flower Moon," unraveling the impact of her portrayal on the film's narrative. Journey with Gladstone through her acceptance speech, where she defies norms by speaking in the Blackfeet language, underscoring the cultural pride that fuels her artistry. Explore her dedication of the award to Indigenous youth, unraveling the profound importance of representation and storytelling for marginalized communities. As we go further into Gladstone's collaborations with Hollywood icons Martin Scorsese and Leonardo DiCaprio, witness the dynamics on set and gain insights into her experiences working alongside these renowned figures. Beyond the glitz of red carpet events, the book delves into Gladstone's family and cultural influences, showcasing the roots that ground her in her Blackfeet Nation heritage. We explore the reactions from the Osage Nation to the film and Gladstone's performance, emphasizing the role of community support in her success. The journey doesn't end at the Golden Globes; we navigate the potential Oscar prospects for Gladstone and reflect on her contributions to breaking stereotypes in Hollywood. From her commitment to environmental activism to her personal insights, this book provides an intimate portrait of Lily Gladstone, celebrating her impact on the industry and paving the way for the future of Native representation in Hollywood. This book is not just a story about an actress; it's a narrative of resilience, cultural pride, and the transformative power of representation in shaping the future of cinema. Scroll Up and Click the Buy Button Now to Order.
A portrait of a woman, an era, and a profession: the first thoroughly researched biography of Meryl Streep that explores her beginnings as a young woman of the 1970s grappling with love, feminism, and her astonishing talent In 1975 Meryl Streep, a promising young graduate of the Yale School of Drama, was finding her place in the New York theater scene. Burning with talent and ambition, she was like dozens of aspiring actors of the time—a twenty-something beauty who rode her bike everywhere, kept a diary, napped before performances, and stayed out late “talking about acting with actors in actors’ bars.” Yet Meryl stood apart from her peers. In her first season in New York, she won attention-getting parts in back-to-back Broadway plays, a Tony Award nomination, and two roles in Shakespeare in the Park productions. Even then, people said, “Her. Again.” Her Again is an intimate look at the artistic coming-of-age of the greatest actress of her generation, from the homecoming float at her suburban New Jersey high school, through her early days on the stage at Vassar College and the Yale School of Drama during its golden years, to her star-making roles in The Deer Hunter, Manhattan, and Kramer vs. Kramer.New Yorker contributor Michael Schulman brings into focus Meryl’s heady rise to stardom on the New York stage; her passionate, tragically short-lived love affair with fellow actor John Cazale; her marriage to sculptor Don Gummer; and her evolution as a young woman of the 1970s wrestling with changing ideas of feminism, marriage, love, and sacrifice. Featuring eight pages of black-and-white photos, this captivating story of the making of one of the most revered artistic careers of our time reveals a gifted young woman coming into her extraordinary talents at a time of immense transformation, offering a rare glimpse into the life of the actress long before she became an icon.
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
A recipe for success or a design for disaster? Although they’re sisters, Paige and Erin Forrester are like oil and water, night and day, denim and silk. Paige is an outgoing fashionista who loves to be the center of attention, while Erin is more comfortable sporting vintage garb and recording the action around her. When a near disaster turns into the opportunity of a lifetime, these two very-different sisters are given the chance to star in their own fashion-TV show. A guest spot on a hot teen-reality series and their first big red-carpet assignment give this unlikely partnership plenty of room for success—and even more for failure.
Studios have been gaming the Oscar nominationsfor years - it's time the Academy took action! "Category fraud," Guy Lodge wrote in Variety, is"the practice of campaigning a leading performance in a supportingcategory (or, more rarely, vice versa) to increase an actor's chances ofa nomination or win - and, in some cases, to avoid competition." There have been instances of category fraud ever since the Academy introduced the Best Supporting Actor and Best Supporting Actress categories in 1936to honour the work of character actors and featured players without themhaving to compete at the Oscars with famous movie stars. In recent years, however, as awards season campaigns have becomea ruthless and expensive business, category fraud has become more commonand egregious. With publicists taking any opportunity to secure nominationsfor their famous clients, many lesser-known performers are missing outon well-deserved recognition at the Oscars. Supporting performersare being pushed aside by famous stars in co-lead roles, backedby powerful studios and well-funded 'for your consideration' campaigns. When studios first began promoting established stars in co-lead roles for the supporting categories in the1950s, influential figures in the Screen Actors Guild protested and the Academy was forced to change its rules. Once the controversy subsided, however, the reform was repealed.Half a century later the practice is back: bigger and uglier than ever. Category Fraud charts the controversial history of this betrayal ofthe original reason for the introduction of the supporting categoriesand argues that it's once again time the Academy took action."
What you're reading right now is known as the "cover copy," or “flap copy.” This is where the 84,951 words of my latest book are cooked down to 350 words or less to capture your imagination/download. I pondered how to do that. Should I cut to the chase and reveal pivotal plot points like the one at the end of the book where the little girl on crutches points an accusing finger and shouts, "the killer is Mr. Porter"? No. I have too much respect for you as an intelligent consumer to attempt such an obvious ruse. But let's not play games here. You clicked your way to this page, so you either: A. Know who I am. B. Like the cool smoking jacket I'm wearing on the cover. Or: C. Thought this was a secret link to Ashley Madison. Is it a sequel to my autobiography If Chins Could Kill: Confessions of a B Movie Actor? Sadly, no, which made it much harder to write. Is it an "autobiographical novel"? Yes. I am the lead character in the story (coincidentally an actor), and I am a real person, and everything in the book actually happened - except for the stuff that didn't. The action revolves around my preparations for a pivotal role in the A-list relationship film, Let's Make Love! My Homeric attempt to break through the glass ceiling of B-grade genre fair is hampered by a vengeful studio executive and a production that becomes infected by something called the "B-movie virus" - symptoms of which include excessive use of cheesy special effects, slapstick, and projectile vomiting. From a violent fistfight with a Buddhist to a life-altering stint in federal prison, this novel has it all. And if the 84,951 words are too time-consuming, there are lots and lots of cool graphics – all of which have been upgraded to vibrant color since the first publication. I hope you enjoy the book – and if you learn anything at all about making love, please share it with me! Regards, Bruce "Go Ahead and Call Me Ash" Campbell
In this six-eBook bind-up of the complete On the Runway series from bestselling author Melody Carlson, sisters Paige and Erin Forrester find themselves traveling the world for their fashion TV show … but their very different personalities often make each episode an adventure in itself. Contains: Premiere: Paige has always been outgoing and fashion-obsessed, while her sister, Erin, would rather stay behind a camera in comfy jeans and a tee. But after Paige’s fashion “helps” find their way onto the local news, the sisters’ passions collide when they are offered their own fashion TV show. It soon becomes clear this unlikely partnership has plenty of room for success—and even more for failure. Catwalk: The high ratings of the sisters’ On the Runway show lands them a ticket to New York Fashion Week. Paige is determined to get the attention of top designers, but her newfound fame threatens to go to her head. Meanwhile, Erin wants to help promote the work of eco designers, but struggles to be taken seriously. Rendezvous: Paige and Erin are ready to take their show on location to Paris. Unfortunately, it doesn’t take long for their intentions to get lost in translation. An unplanned week of filming at a model’s family estate leads to romance, jealousy, and surprises. Spotlight: When Paige and Erin head to London, both get a reception to remember. Bombarded by crazed fans and the interrogations of the infamous British paparazzi, the sisters know that their lives have changed—big time. Star treatment has its perks, but before long both girls are stretched to a breaking point. Glamour: Paige’s engagement to designer Dylan Marceau shocks the fashion world. Although Paige appears to be happy, Erin wonders if it’s really just a desire for attention and publicity. At the same time, Erin is feeling pressure from her ex, Blake, to take their friendship to a romantic level. As the sisters prepare to film in the Bahamas, they also must deal with growing turmoil on set. Ciao: A trip to Milan might be the break both Paige and Erin need, but things only seem to get more complicated once they land in Italy. Paige’s on-again, off-again romance with Dylan, combined with a new director for On the Runway, leaves Erin with more work on the show. Just when Erin can’t take any more, she discovers a secret that could crush Paige. And doing the right thing could not only hurt her sister, it might end their show for good.