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Betty Shanks was brutally murdered 70 years ago. This book’s third edition reveals Betty’s secret life as documented in an ASIO file, which states that: - Betty was in an ‘intimate association’ with a young married man who was a member of the Communist Party of Australia. - Betty’s best friend from schooldays at Brisbane Girls Grammar School and at the University of Queensland, Winifred Cowin, worked for ASIO before committing suicide in 1958. - An ASIO officer arrived in Brisbane on Sunday 21 September 1952 to recruit Betty, only to be told that she had been murdered the previous Friday night. Ted Duhs alleges that Betty was killed by a man she met at the Grange tram terminus as she returned home from a night class at Brisbane’s Central Tech. This man, referred to as ‘the man in the brown suit’, was seen by four witnesses, including Marie Patton who is still alive. Minutes before Betty was attacked, Marie saw him 30 yards from the murder scene. Evidence suggests he was Eric Sterry. His daughter, Desche, is still alive, and in 1999 her story “My Dad Killed Betty Shanks” was published in The Courier Mail, after her earlier attempts to persuade the police were unsuccessful.
Miombo woodlands and their use: overview and key issues. The ecology of miombo woodlands. Population biology of miombo tree. Miombo woodlands in the wider context: macro-economic and inter-sectoral influences. Rural households and miombo woodlands: use, value and management. Trade in woodland products from the miombo region. Managing miombo woodland. Institutional arrangements governing the use and the management of miombo woodlands. Miombo woodlands and rural livelihoods: options and opportunities.
Mystery crime fiction written in the Golden Age of Murder "An absorbing head-scratcher." —Booklist In the seeming tranquility of Regency Square in Cheltenham live the diverse inhabitants of its ten houses. One summer's evening, the square's rivalries and allegiances are disrupted by a sudden and unusual death—an arrow to the head, shot through an open window at no. 6. Unfortunately for the murderer, an invitation to visit had just been sent by the crime writer Aldous Barnet, staying with his sister at no. 8, to his friend Superintendent Meredith. Three days after his arrival, Meredith finds himself investigating the shocking murder two doors down. Six of the square's inhabitants are keen members of the Wellington Archery Club, but if Meredith thought that the case was going to be easy to solve, he was wrong... The Cheltenham Square Murder is a classic example of how John Bude builds a drama within a very specific location. Here the Regency splendour of Cheltenham provides the perfect setting for a story in which appearances are certainly deceiving.
From three-time Newbery Honor-winning author Gary Paulsen comes a beloved follow-up to his award-winning classic Hatchet that asks: What if Brian hadn't been rescued and had to face his deadliest enemy yet--winter? In the Newbery Honor-winning Hatchet, thirteen-year-old Brian Robeson learned to survive alone in the Canadian wilderness, armed only with his hatchet. As millions of readers know, he was rescued at the end of the summer. But what if that hadn't happened? What if Brian had been left to face his deadliest enemy--winter? Brian Paulsen raises the stakes for survival in this riveting and inspiring story as one boy confronts the ultimate adventure. “Paulsen picks Hatchet’s story up in midstream; read together, the two books make his finest tale of survival yet.” —Kirkus Reviews, Starred “Breathtaking descriptions of nature . . . Paulsen fans will not be disappointed.” —School Library Journal Read all the Hatchet Adventures! Brian's Winter The River Brian's Return Brian's Hunt
“This book exhorts the reader to embrace the materiality of archaeology by recognizing how every step in the discipline’s scientific processes involves interaction with myriad physical artifacts, ranging from the camel-hair brush to profile drawings to virtual reality imaging. At the same time, the reader is taken on a phenomenological journey into various pasts, immersed in the lives of peoples from other times, compelled to engage their senses with the sights, smells, and noises of the publics and places whose remains they study. This is a refreshingly original and provocative look at the meaning of the material culture that lies at the foundation of the archaeological discipline.”—Michael Brian Schiffer, author of The Material Life of Human Beings “This volume is a radical call to fundamentally rethink the ontology, profession, and practice of archaeology. The authors present a closely reasoned, epistemologically sound argument for why archaeology should be considered the discipline of things, rather than its more commonplace definition as the study of the human past through material traces. All scholars and students of archaeology will need to read and contemplate this thought-provoking book.”—Wendy Ashmore, Professor of Anthropology, UC Riverside "A broad, illuminating, and well-researched overview of theoretical problems pertaining to archaeology. The authors make a calm defense of the role of objects against tedious claims of 'fetishism.'"—Graham Harman, author of The Quadruple Object
In the 1960s he exhorted students at Columbia University to burn their college to the ground. Today he’s chair of their School of the Arts film division. Jamal Joseph’s personal odyssey—from the streets of Harlem to Riker’s Island and Leavenworth to the halls of Columbia—is as gripping as it is inspiring.Eddie Joseph was a high school honor student, slated to graduate early and begin college. But this was the late 1960s in Bronx’s black ghetto, and fifteen-year-old Eddie was introduced to the tenets of the Black Panther Party, which was just gaining a national foothold. By sixteen, his devotion to the cause landed him in prison on the infamous Rikers Island—charged with conspiracy as one of the Panther 21 in one of the most emblematic criminal cases of the sixties. When exonerated, Eddie—now called Jamal—became the youngest spokesperson and leader of the Panthers’ New York chapter.He joined the “revolutionary underground,” later landing back in prison. Sentenced to more than twelve years in Leavenworth, he earned three degrees there and found a new calling. He is now chair of Columbia University’s School of the Arts film division—the very school he exhorted students to burn down during one of his most famous speeches as a Panther.In raw, powerful prose, Jamal Joseph helps us understand what it meant to be a soldier inside the militant Black Panther movement. He recounts a harrowing, sometimes deadly imprisonment as he charts his path to manhood in a book filled with equal parts rage, despair, and hope.
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn