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New essays by top international Schiller scholars on the reception of the great German writer and dramatist, emphasizing his realist aspects. The works of Friedrich Schiller (1759-1805) -- an innovative and resonant tragedian and an important poet, essayist, historian, and aesthetic theorist -- are among the best known of German and world literature. Schiller's explosive original artistry and feel for timely and enduring personal tragedy embedded in timeless sociohistorical conflicts remain the topic of lively academic debate. The essays in this volume address the many flashpoints and canonicalshifts in the cyclically polarized reception of Schiller and his works, in pursuit of historical and contemporary answers to Samuel Taylor Coleridge's expression of frightened admiration in 1794: "Who is this Schiller?" The responses demonstrate pronounced shifts from widespread twentieth-century understandings of Schiller: the overwhelming emphasis here is on Schiller the cosmopolitan realist, and little or no trace is left of the ultimately untenable view of Schiller as an abstract idealist who turned his back on politics. Contributors: Ehrhard Bahr, Matthew Bell, Frederick Burwick, Jennifer Driscoll Colosimo, Bernd Fischer, Gail K. Hart, Fritz Heuer, Hans H. Hiebel, Jeffrey L. High, Walter Hinderer, Paul E. Kerry, Erik B. Knoedler, Elisabeth Krimmer, Maria del Rosario Acosta López, Laura Anna Macor, Dennis F. Mahoney, Nicholas Martin, John A. McCarthy, Yvonne Nilges, Norbert Oellers, Peter Pabisch, David Pugh, T. J. Reed, Wolfgang Riedel, Jörg Robert, Ritchie Robertson, Jeffrey L. Sammons, Henrik Sponsel. Jeffrey L. High is Associate Professor of German Studies at California State University Long Beach, Nicholas Martin is Reader in European Intellectual History at the University of Birmingham, and Norbert Oellers is Professor Emeritus of German Literature at the University of Bonn.
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Fred Beiser, renowned as one of the world's leading historians of German philosophy, presents a brilliant new study of Friedrich von Schiller (1759-1805), rehabilitating him as a philosopher worthy of serious attention. Beiser shows, in particular, that Schiller's engagement with Kant is far more subtle and rewarding than is often portrayed. Promising to be a landmark in the study of German thought, Schiller as Philosopher will be compulsory reading for any philosopher, historian, or literary scholar engaged with the key developments of this fertile period.
‘The primary task of this book is to build a bridge to a deeper understanding of Schiller himself who, along with Goethe and Novalis, was one of the great spiritual forerunners and trailblazers of anthroposophy.’ – Sergei O. Prokofieff Planned as the second volume in a trilogy on Novalis, Schiller and Goethe, Friedrich Schiller and the Future of Freedom is much more than a conventional biography. Prokofieff shines new light on Schiller’s character and destiny, helping to establish his position as a crucial antecedent to Rudolf Steiner in the spiritual history of humanity. He also defines Schiller’s task in the context of the achievements of Goethe and Novalis at the end of the eighteenth century, an extraordinary period that saw a seminal transformation in the philosophical and artistic landscape. Following the recent publication of The Riddle of Dmitri – which explores Schiller’s unfinished drama Demetrius – Prokofieff returns here to the theme in the framework of Schiller’s life and extensive body of work. In timely fashion, he conveys Schiller’s mediating role between Central and Eastern Europe, indicating how he came ‘near to the soul of the Russian people through an idealism imbued with his entirely self-created moral power and his fiery enthusiasm for everything in the world that is true, beautiful and good’.