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What transpires when Classical Pentecostals pray for God to intervene within their suffering, but God does not? Traditionally, Classical Pentecostals center on encountering God as demonstrated through the relating of testimonies of their experiences with God. In seeking to contribute to a theology of suffering for Pentecostals, Pam Engelbert lifts up the stories of eight Classical Pentecostals to discover how they experienced God and others amidst their extended suffering even when God did not intervene as they had prayed. By valuing each story, this qualitative practical theology work embraces a Pentecostal hermeneutic of experience combined with Scripture, namely the Gospel of John. As a Pentecostal practical theological project it offers a praxis (theology of action) of suffering and healing during times when we experience the apparent absence of God. It invites the reader to enter into the space of the other’s suffering by way of empathy, and thereby participate in God’s act of ministry to humanity through God’s expression of empathy in the very person of Jesus.
These poems are done by 17th-century writers who devised a new form of poetry full of wit, intellect and grace, which we now call Metaphysical poetry. They wrote about their deepest religious feelings and their carnal pleasures in a way that was radically new and challenging to their readers. Their work was largely misunderstood or ignored for two centuries, until 20th-century critics rediscovered it.
Winner of the 2012 National Translation Award “What Sinan [Antoon] has done with In the Presence of Absence is a kind of miraculous work of dedication and love. Reading this volume is sheer enjoyment and sublimity.” —Saadi Yousef “There are two maps of Palestine that politicians will never manage to forfeit: the one kept in the memories of Palestinian refugees, and that which is drawn by Darwish’s poetry.” —Anton Shammas One of the most transcendent poets of his generation, Darwish composed this remarkable elegy at the apex of his creativity, but with the full knowledge that his death was imminent. Thinking it might be his final work, he summoned all his poetic genius to create a luminous work that defies categorization. In stunning language, Darwish’s self-elegy inhabits a rare space where opposites bleed and blend into each other. Prose and poetry, life and death, home and exile are all sung by the poet and his other. On the threshold of im/mortality, the poet looks back at his own existence, intertwined with that of his people. Through these lyrical meditations on love, longing, Palestine, history, friendship, family, and the ongoing conversation between life and death, the poet bids himself and his readers a poignant farewell.
Safeguarding the distinction between God and world has always been a basic interest of negative theology. But sometimes it has overemphasized divine transcendence in a way that made it difficult to account for the sense of God's present activity and experienced actuality. Criticisms of the Western metaphysics of presence have made this even more difficult to conceive. On the other hand, there has been a widespread attempt in recent years to base all theology on (religious) experience; the Christian church celebrates God's presence in its central sacraments of baptism and Eucharist; process thought has re-conceptualized God's presence in panentheistic terms; and some have argued that God might be poly-present, not omnipresent. But what does it mean to say that God is present or absent? For Jews, Christians, and Moslems alike God is not an inference, an absentee entity of which we can detect only faint traces in our world. On the contrary, God is present reality, indeed the most present of all realities. However, belief in God's presence cannot ignore the widespread experience of God's absence. Moreover, there is little sense in speaking of God's absence if it cannot be distinguished from God's non-presence or non-existence. So how are we to understand the sense of divine presence and absence in religious and everyday life? This is what the essays in this volume explore in the biblical traditions, in Jewish and Christian theology and philosophy, and in contemporary philosophy of religion.
Nobel Prize winner Pablo Neruda wrote often about the natural world and the beloved objects he surrounded himself with. In this beautiful printing of Poirot’s classic work—featuring new scans from newly made prints—we come to know the poet’s magical world through his poems, his houses, the wonderful things he collected, and his friends.
How is Yahweh to be differentiated from other deities? What is Yahweh's relationship to Israel in exile?".
This volume collects research and critical explorations of the performing body by scholars and practitioners in visual and performing arts, textile, fashion and experimental design research, scenography and costume design, dance and performance history. Authors examine performativity of the body, its materiality, immateriality, and virtuality, and investigate experiences of embodiment. They reenvision the body as a site for representation, exploring the absent body in performance and as performance through time and space. Contributors bring a broad variety of contemporary approaches, from live performance to mediated performance, from installation art to performance art, and from experimental fashion to theatre and dance. They discuss issues of process and meaning-making and practices from concept and interpretation to creative production and reception. The volume expands possibilities for the role of the body in performance, while also challenging roles and hierarchies of existing performance practice.
In the biblical canon, two books lack any explicit reference to the name of God: Song of Songs and Esther. What is the nature of God as revealed in texts that don't use his name? Exploring the often overlooked theological connections between these two Old Testament books, Chloe T. Sun takes on the challenges of God's absence and explores how we think of God when he is perceived to be silent.
Olafson develops Heidegger's philosophy and yields a distinctive new alternative in the philosophy of mind.