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Religion, Modernity, and the Global Afterlives of Colonialism examines the tenacious, lingering impact of European colonial ideology on religion and politics around the world. Even though the formal structures of colonialism have crumbled, with a few notable exceptions, European colonial ideology continues to operate across the globe, resulting in limited, nationalistic conceptualizations of religion and politics. Religion, Modernity, and the Global Afterlives of Colonialism shows convincingly that not only has colonialism had a devastating impact on the colonized, but its reach has turned inward to erode the colonizer’s own social and political systems. By examining the colonial violence constitutive of liberal political ideology, the continued oppression of Muslims in Europe in the name of security, and the way neoliberal economics bends religious hermeneutics to its will, the authors of Religion, Modernity, and the Global Afterlives of Colonialism call attention to the threats that face our world today. They also point to potential sites of hope—for example, the work of a priest in the Balkans who seeks to build solidarity across religious differences; groups in Africa who are constructing decolonial religious imaginaries; and the Islamo-futurism of Dune, which haltingly imagines a form of modernity beyond the West. Contributors: Atalia Omer, Joshua Lupo, Santiago Slabodsky, Nadia Fadil, S. Sayyid, Luca Mavelli, Edmund Frettingham, Cecelia Lynch, Slavica Jakelić, and Gil Anidjar
While challenging traditional postcolonial accounts, Gabay places racial anxiety at the heart of imaginaries of Africa and international order.
Explores the ethical tensions impacting Christian practice in international politics from early missions to contemporary humanitarianism.
Return migration has received growing levels of attention in both academic and policy circles in recent years, as the African diaspora's role in contributing to the development of their country of origin has become apparent. However, little is known about the lived experiences of those who come back, and even less about the ways in which their return shapes socio-political dynamics on the ground. This book aims to unpack the complexities of migrant transnational experiences as situated in global political and economic processes. In particular, the book takes the case of the return of skilled and educated Somalis from Western Europe and North America, in an attempt to recast the idea of diaspora return and transnational ethnography in a more political light, and to show how these returnees are both subject to and generative of important political conditions that are transforming Somaliland society. Overall, the book captures the complexities of the migrant's position, showing that "return" is rarely permanent, and that success comes from perpetuating the transnational stance. This book will appeal to scholars of migration, diaspora, development and African studies, as well as to those interested in the Somali case specifically, the third biggest community of refugees in the world.
The book presents a critical reflection on how the presence of «culture» in theory and practice of international relations is reflected in IR as a research field. The book consists of three parts: The culture in International Relations scholarship, culture in the practice of International Relations and culture in International Law.
What does it mean to be a child in Africa? In the detached Western media, narratives of penury, wickedness and death have dominated portrayals of African childhood. The hegemonic lens of the West has failed to take into account the intricacies of not only what it means to be an African child in local and culturally specific contexts, but also African childhood in general. Challenging colonial discourses, this edited volume guides the reader through different comprehensions and perspectives of childhood in Africa. Using a blend of theory, empiricism and history, the contributors to this volume offer studies from a range of fields including African literature, Afro-centric psychology and sociology. Importantly, in its eclectic geographical coverage of Africa, this book unashamedly presents the good, the bad and the ugly of African childhood. The resilience, creativity, pains and triumphs of African childhood are skilfully woven together to present the myriad of lived experiences and aspirations of children from across Africa. As an important contribution to African childhood studies, this book has the potential to be used by policymakers to shape, sustain or change socio-cultural, economic and education systems that accommodate African childhood dynamics and experiences at different levels.
Mediating Violence from Africa explores how African and non-African Francophone authors, filmmakers, editors, and scholars have packaged, interpreted, and filmed the violent histories of post-Cold War Francophone Africa. This violence, much of which unfolded in front of Western television cameras, included the use of child soldiers facilitated by the Soviet Union's castoff Kalashnikov rifles, the rise of Islamist terrorism in West Africa, and the horrific genocide against the Tutsi in Rwanda. Through close readings of fictionalized child-soldier narratives, cinematic representations of Islamist militants, genocide survivor testimony, and Western scholarship, George S. MacLeod analyzes the ways Francophone African authors and filmmakers, as well as their editors and scholarly critics, negotiate the aesthetic, political, cultural, and ethical implications of making these traumatic stories visible. MacLeod argues for the need to periodize these productions within a "post-Cold War" framework to emphasize how shifts in post-1989 political discourse are echoed, contested, or subverted by contemporary Francophone authors, filmmakers, and Western scholars. The questions raised in Mediating Violence from Africa are of vital importance today. How the world engages with and responds to stories of recent violence and loss from Africa has profound implications for the affected communities and individuals. More broadly, in an era in which stories and images of violence, from terror attacks to school shootings to police brutality, are disseminated almost instantly and with minimal context, these theoretical questions have implications for debates surrounding the ethics of representing trauma, the politicization of memory, and Africa's place in a global (as opposed to a postcolonial or Euro-African) economic and political landscape.
The international humanitarian intervention in Somalia was one of the most challenging operations ever conducted by US and UN military forces. Until Somalia, the UN had never run a Chapter VII exercise with large numbers of troops operating under a fighting mandate. It became a deadly test of the UN’s ability carry out a peace operation using force against an adversary determined to sabotage the intervention. Humanitarianism Under Fire is a candid, detailed historical and political narrative of this remarkably complicated intervention that was one of the first cases of multilateral action in the post-Cold War era. Rutherford presents new information gleaned from interviews and intensive research in five countries. His evidence shows how Somalia became a turning point in the relationship between the UN and US and how policy and strategy decisions in military operations continue to refer back to this singular event, even today.
“Remarkable. . . . Iweala never wavers from a gripping, pulsing narrative voice. . . . He captures the horror of ethnic violence in all its brutality and the vulnerability of youth in all its innocence.” —Entertainment Weekly (A) The harrowing, utterly original debut novel by Uzodinma Iweala about the life of a child soldier in a war-torn African country As civil war rages in an unnamed West-African nation, Agu, the school-aged protagonist of this stunning novel, is recruited into a unit of guerilla fighters. Haunted by his father’s own death at the hands of militants, which he fled just before witnessing, Agu is vulnerable to the dangerous yet paternal nature of his new commander. While the war rages on, Agu becomes increasingly divorced from the life he had known before the conflict started—a life of school friends, church services, and time with his family, still intact. As he vividly recalls these sunnier times, his daily reality continues to spin further downward into inexplicable brutality, primal fear, and loss of selfhood. In a powerful, strikingly original voice, Uzodinma Iweala leads the reader through the random travels, betrayals, and violence that mark Agu’s new community. Electrifying and engrossing, Beasts of No Nation announces the arrival of an extraordinary writer.