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Drawing on theories from stylistics, pragmatics and narratology, this study explores the linguistic/literary interface of Joyce's 'Ulysses', focusing on the author's orchestration of different textual cues for presenting characters and secondary characters as miniature examples of human complexity.
A princess and a warrior battle deities in this “ambitious fantasy series . . . full of ghosts, gods, magic, and mischief” from a New York Times–bestselling author (Kirkus Reviews). Weaving a “richly detailed tapestry, steeped in American Indian myth and lore” (Booklist) as well as sword and sorcery, New York Times–bestselling author Greg Keyes has created an unforgettable “epic fantasy world of myth and magic reminiscent of Terry Brooks’ work” (Library Journal). The Waterborn: The destinies of a young princess with magical power and a barbarian warrior from another land armed with an enchanted sword come together as they battle a vengeful River god. “A satisfyingly robust, impressive debut that offers genuine surprises” (Publishers Weekly). The Blackgod: Fleeing for their lives, the princess Hezhi and the warrior Perkar find refuge in the domain of the River god’s brother, the trickster known as Blackgod. Caught between two warring deities, Hezhi must master her power—before all is lost in this “richly developed page-turner” (Booklist).
Four strangersnew beginnings at work and in loveand secrets that could ruin all their lives. When Nicoles secret is put on the Internet, it could mean the end of her and Sean. Will they be able to fix what the Internet has destroyed? Find out in this sizzling modern drama by first-time novelist Yolaunda Vaughn-McLain.
A beaut story about one very ugly kid. Robert Hoge was born with a tumour in the middle of his face, and legs that weren't much use. There wasn't another baby like him in the whole of Australia, let alone Brisbane. But the rest of his life wasn't so unusual: he had a mum and a dad, brothers and sisters, friends at school and in his street. He had childhood scrapes and days at the beach; fights with his family and trouble with his teachers. He had doctors, too: lots of doctors who, when he was still very young, removed that tumour from his face and operated on his legs, then stitched him back together. He still looked different, though. He still looked ... ugly. UGLY is the true story of how an extraordinary boy grew up to have an ordinary life, and how that became his greatest achievement of all.
Mel By: Daniella Castro It is not James’s year. His girlfriend broke up with him and cleaned out his apartment. His family is the epitome of happiness. With an empty apartment awaiting him, he is looking at days of sadness and loneliness. But when James sees his crazy neighbor locked out of her apartment, he has no idea his life is about to change forever. One simple request turns his life upside down, and he’ll realize that growing up has its own set of challenges.
Edward Bond Plays:8 brings together recent work by the writer of the classic stage plays Saved, Lear, The Pope's Wedding, and Early Morning. The volume comprises five new plays and two prose essays: Two Cups: introductory essay Born: the third play in the Colline Tetralogy (the first two of which appear in Edward Bond Plays:7); premiering at the Avignon Festival in July 2006. People: the fourth play in the Colline Tetralogy Chair: first broadcast on BBC Radio 4 in April 2000. Existence: first broadcast on BBC Radio 4 in April 2002. The Under Room: first staged by Big Brum in October 2005; 'an intricate puzzle that is compelling in both its intellectual and emotional intensity'5 stars (Guardian) Freedom and Drama: an extended disquisition on the relationship of drama to the self and society in which Bond argues that drama alone can create human meaning.