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Linguistics, or the science of language, emerged as an independent field of study in the nineteenth century, amid the religious and scientific ferment of the Victorian era. William Dwight Whitney, one of that period's most eminent language scholars, argued that his field should be classed among the social sciences, thus laying a theoretical foundation for modern sociolinguistics. William Dwight Whitney and the Science of Language offers a full-length study of America's pioneer professional linguist, the founder and first president of the American Philological Association and a renowned Orientalist. In recounting Whitney's remarkable career, Stephen G. Alter examines the intricate linguistic debates of that period as well as the politics of establishing language study as a full-fledged science. Whitney's influence, Alter argues, extended to the German Neogrammarian movement and the semiotic theory of Ferdinand de Saussure. This exploration of an early phase of scientific language study provides readers with a unique perspective on Victorian intellectual life as well as on the transatlantic roots of modern linguistic theory.
The selections in this book (covering the years 1861-1892) represent William Dwight Whitney's pioneer work in linguistics.
The work is intended especially as a supplement to the author's Sanskrit Grammar giving a fullness of detail that was not there practicable, nor admissible as part of the grammar itself, all the quotable roots of the language, with the tense and conjugation-systems made from them and with the noun and adjective (infinitival and participial) formation that attach themselves most closely to the verb and further with the other derivative noun and adjective-stems usually classed as primary. Everything given is dated with such accuracy as the information thus far in hand allows. In the indexes of stems given at the end of the volume, a classification is adopted which is intended to facilitate the historical comprehension of the language, by distinguishing what belongs respectively to its older and to its later periods from that which forms a part of it through the whole history.
What is ‘American’ about American linguistics? Is Jakobson, who spent half his life in America, part of it? What became of Whitney’s genuinely American conception of language as a democracy? And how did developments in 20th-century American linguistics relate to broader cultural trends?This book brings together 15 years of research by John E. Joseph, including his discovery of the meeting between Whitney and Saussure, his ground-breaking work on the origins of the ‘Sapir-Whorf Hypothesis’ and of American sociolinguistics, and his seminal examination of Bloomfield and Chomsky as readers of Saussure. Among the original findings and arguments contained herein: • why ‘American structuralism’ does not end with Chomsky, but begins with him; • how Bloomfield managed to read Saussure as a behaviourist avant la lettre; • why in the long run Skinner has emerged victorious over Chomsky; • how Whorf was directly influenced by the mystical writings of Madame Blavatsky; • how the Whitney–Max Müller debates in the 19th century connect to the intellectual disparity between Chomsky’s linguistic and political writings.
Originally published in 1899. Author: F. Max Muller, K.M. Language: English Keywords: Language Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Obscure Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
A vibrant, edgy, fresh new YA voice for fans of More Happy Than Not and Simon vs. the Homo Sapiens Agenda, packed with interior graffiti. Winner of the Schneider Family Book Award! When Julia finds a slur about her best friend scrawled across the back of the Kingston School for the Deaf, she covers it up with a beautiful (albeit illegal) graffiti mural. Her supposed best friend snitches, the principal expels her, and her two mothers set Julia up with a one-way ticket to a “mainstream” school in the suburbs, where she’s treated like an outcast as the only deaf student. The last thing she has left is her art, and not even Banksy himself could convince her to give that up. Out in the ’burbs, Julia paints anywhere she can, eager to claim some turf of her own. But Julia soon learns that she might not be the only vandal in town. Someone is adding to her tags, making them better, showing off—and showing Julia up in the process. She expected her art might get painted over by cops. But she never imagined getting dragged into a full-blown graffiti war. Told with wit and grit by debut author Whitney Gardner, who also provides gorgeous interior illustrations of Julia’s graffiti tags, You’re Welcome, Universe introduces audiences to a one-of-a-kind protagonist who is unabashedly herself no matter what life throws in her way. "[A] spectacular debut...a moving, beautifully written contemporary novel full of quirky art and complicated friendships...this book is a gift to be thankful for."—BookRiot
The aim of this book is to provide a fresh view of the history of nineteenth-century language study by focusing on the writings of three linguists (Whitney, Bréal and Wegener) in three countries (the United States, France and Germany).