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In Whitman East and West, fifteen prominent scholars track the surprising ways in which Whitman's poetry and prose continue to be meaningful at the beginning of the twenty-first century. Covering a broad range of issues—from ecology to children's literature, gay identity to China's May 4th Movement, nineteenth-century New York politics to the emerging field of normality studies, Mao Zedong to American film—each original essay opens a previously unexplored field of study, and each yields new insights by demonstrating how emerging methodologies and approaches intersect with and illuminate Whitman's ideas about democracy, sexuality, America, and the importance of literature. Confirming the growing international spirit of American studies, the essays in Whitman East and West developed out of a landmark conference in Beijing, the first major conference in China to focus on an American poet. Scholars from Asia, Europe, and North America set out to track the ways in which Whitman's poetry has become part of China's cultural landscape as well as the literary landscapes of other countries. By describing his assimilation into other cultures and his resulting transformation into a hybrid poet, these essayists celebrate Whitman's multiple manifestations in other languages and contexts.
Walt Whitman, Where the Future Becomes Present invigorates Whitman studies by garnering insights from a diverse group of writers and intellectuals. Writing from the perspectives of art history, political theory, creative writing, and literary criticism, the contributors place Whitman in the center of both world literature and American public life. The volume is especially notable for being the best example yet published of what the editors call the New Textuality in Whitman studies, an emergent mode of criticism that focuses on the different editions of Whitman’s poems as independent works of art.
In Whitman East and West, fifteen prominent scholars track the surprising ways in which Whitman's poetry and prose continue to be meaningful at the beginning of the twenty-first century. Covering a broad range of issues—from ecology to children's literature, gay identity to China's May 4th Movement, nineteenth-century New York politics to the emerging field of normality studies, Mao Zedong to American film—each original essay opens a previously unexplored field of study, and each yields new insights by demonstrating how emerging methodologies and approaches intersect with and illuminate Whitman's ideas about democracy, sexuality, America, and the importance of literature. Confirming the growing international spirit of American studies, the essays in Whitman East and West developed out of a landmark conference in Beijing, the first major conference in China to focus on an American poet. Scholars from Asia, Europe, and North America set out to track the ways in which Whitman's poetry has become part of China's cultural landscape as well as the literary landscapes of other countries. By describing his assimilation into other cultures and his resulting transformation into a hybrid poet, these essayists celebrate Whitman's multiple manifestations in other languages and contexts.
One of the Greatest Poems in American Literature Walt Whitman (1819-1892) was considered by many to be one of the most important American poets of all time. He had a profound influence on all those who came after him. “Song of Myself”, a portion of Whitman’s monumental poetry collection “Leaves of Grass”, is one of his most beloved poems. It was through this moving piece that Whitman first made himself known to the world. One of the most acclaimed of all American poems, it is written in Whitman’s signature free verse style, without a regular form, meter, or rhythm. His lines have a mesmerizing chant-like quality, as he sought to make poetry more appealing. Few poems are as fun to read aloud as this one. Considered to be the core of his poetic vision, this poem is an optimistic and inspirational look at the world in 1855. It is exhilarating, epic, and fresh in its brilliant and fascinating diction and wordplay as it tries to capture the unique meaning of words of the day, while also embracing the rapidly evolving vocabularies of the sciences and the streets. Far ahead of its time, it was considered by many social conservatives to be scandalous and obscene for its depiction of sexuality and desire, while at the same time, critics hailed the poem as a modern masterpiece. This first version of “Song of Myself” is far superior to the later versions and will delight readers with the playfulness of its diction as it glorifies the self, body, and soul. “I am large, I contain multitudes,”
This book offers the most comprehensive and detailed reading to date of Song of Myself. One of the most distinguished critics in Whitman Studies, Ed Folsom, and one of the nation’s most prominent writers and literary figures, Christopher Merrill, carry on a dialog with Whitman, and with each other, section by section, as they invite readers to enter into the conversation about how the poem develops, moves, improvises, and surprises. Instead of picking and choosing particular passages to support a reading of the poem, Folsom and Merrill take Whitman at his word and interact with “every atom” of his work. The book presents Whitman’s final version of the poem, arranged in fifty-two sections; each section is followed by Folsom’s detailed critical examination of the passage, and then Merrill offers a poet’s perspective, suggesting broader contexts for thinking about both the passage in question and the entire poem.
Walt Whitman is widely regarded as one of the masters of American poetry. Here are collected his finest poems, a perfect companion for any fan of Whitman's work.
In 1879, when Walt Whitman was sixty, he made a trip to the West—first to Kansas to attend the quarter-centennial celebration of Kansas settlement, then on to Denver and the Rockies. Biographers have only briefly reported this trip, if they have dealt with it at all; here for the first time is a thorough reconstruction of Whitman’s western experience. From his own extensive research in newspapers of the period, as well as from Whitman’s recently published daybooks and notebooks and his collected correspondence. Walter H. Eitner is able to piece together a fairly well detailed itinerary, and to compare the record of the actual journey with Whitman’s imaginative account in Specimen Days. This study in part constitutes a criticism of the sections of Specimen Days dealing with the West by examining the ways in which Whitman reordered his experiences to have them support a bardic pose he wished to maintain. For the first time Whitman’s three journalist traveling companions—whom Whitman did not even mention in Specimen Days—are fully on record. This account also shows Whitman very much his own press agent, engaging in a wide range of self-promoting activities such as writing his own interviews and sending back to the press in the East accounts of his whereabouts, his health, and his plans.
Walt Whitman's poem was first published in the 1856 collection Leaves of Grass.
It was more than coincidence—indeed, it was all but fate—that the lives and thoughts of Abraham Lincoln and Walt Whitman should converge during the terrible years of the Civil War. Kindred spirits despite their profound differences in position and circumstance, Lincoln and Whitman shared a vision of the democratic character that sprang from the deepest part of their being. They had read or listened to each other’s words at crucial turning points in their lives. Both were utterly transformed by the tragedy of the war. In this radiant book, poet and biographer Daniel Mark Epstein tracks the parallel lives of these two titans from the day that Lincoln first read Leaves of Grass to the elegy Whitman composed after Lincoln’s assassination in 1865. Drawing on the rich trove of personal and newspaper accounts, diary records, and lore that has accumulated around both the president and the poet, Epstein structures his double portrait in a series of dramatic, atmospheric scenes. Whitman, though initially skeptical of the Illinois Republican, became enthralled when Lincoln stopped in New York on the way to his first inauguration. During the war years, after Whitman moved to Washington to minister to wounded soldiers, the poet’s devotion to the president developed into a passion bordering on obsession. “Lincoln is particularly my man, and by the same token, I am Lincoln’s man.” As Epstein shows, the influence and reverence flowed both ways. Lincoln had been deeply immersed in Whitman’s verse when he wrote his incendiary “House Divided” speech, and Whitman remained an influence during the darkest years of the war. But their mutual impact went beyond the intellectual. Epstein brings to life the many friends and contacts his heroes shared—Lincoln’s debonair private secretary John Hay, the fiery abolitionist senator Charles Sumner, the mysterious and possibly dangerous Polish Count Gurowski—as he unfolds the story of their legendary encounters in New York City and especially Washington during the war years. Blending history, biography, and a deeply informed appreciation of Whitman’s verse and Lincoln’s rhetoric, Epstein has written a masterful and original portrait of two great men and the era they shaped through the vision they held in common.