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The first fifteen years of my life were spent in the Dakota Territory. The great West mothered me during the shaping of my boyhood ambitions and ideals. Therefore, I know by personal experience much of the actual life of our frontier days. Let me relate a few unusual stories of early environment which will show why a man brought up in the West never forgets its history, traditions and life. While boys of my age in the East were playing baseball, football and the various school games, I was forced through environment to play the more primitive games of the Indian. I lived on the frontier. White settlers were scarce. Naturally, I had but a few boy companions of my own race. A boy is a boy no matter what race or country; therefore, we played with the Indian youths. In this way, I learned to ride Indian-style as well as with the saddle; I learned to shoot accurately with rifle or six-gun; I learned to hunt and track with the wisdom of my red friends; and I learned to play the rugged, body-building games of the native Americans, which called for the greatest endurance and best sportsmanship. In short, I was a Western boy...
Mickey Rooney is a cinematic icon whose career lasted from the silent era into the twenty-first century. From the shorts he made as Mickey McGuire to supporting roles in such films as Night at the Museum, Rooney had more than 300 film appearances to his credit. Mickey Rooney was not just a movie star, he was the most popular film performer for several years in a row in the 1930s. In addition to his four Academy Award nominations, Rooney received two special Oscars, including an honorary award for his variety of memorable performances spanning several decades. In The Essential Mickey Rooney, James L. Neibaur examines more than sixty feature films in which the actor appeared, from starring roles in Boys Town, Babes in Arms, and The Human Comedy to acclaimed supporting performances in The Bold and the Brave and The Black Stallion. In addition to familiar works like the Andy Hardy comedies or musicals opposite Judy Garland, lesser known films like Quicksand and Drive a Crooked Road are discussed as examples of the masterful performances he offered again and again. An actor of rare talent and unrestrained exuberance, Rooney appeared so often on film that it probably is impossible to view every performance of his career—one that lasted longer than any other actor in Hollywood. While minor roles are not discussed here, all of his vintage works are, making The Essential Mickey Rooney an indispensable resource for anyone wanting to learn more about the best work of this film icon.
Will boys be boys? What are little boys made of? Kenneth B. Kidd responds to these familiar questions with a thorough review of boy culture in America since the late nineteenth century. From the "boy work" promoted by character-building organizations such as Scouting and 4-H to current therapeutic and pop psychological obsessions with children's self-esteem, Kidd presents the great variety of cultural influences on the changing notion of boyhood.Kidd finds that the education and supervision of boys in the United States have been shaped by the collaboration of two seemingly conflictive approaches. In 1916, Henry William Gibson, a leader of the YMCA, created the term boyology, which came to refer to professional writing about the biological and social development of boys. At the same time, the feral tale, with its roots in myth and folklore, emphasized boys' wild nature, epitomized by such classic protagonists as Mowgli in The Jungle Books and Huck Finn. From the tension between these two perspectives evolved society's perception of what makes a "good boy": from the responsible son asserting his independence from his father in the late 1800s, to the idealized, sexually confident, and psychologically healthy youth of today. The image of the savage child, raised by wolves, has been tamed and transformed into a model of white, middle-class masculinity.Analyzing icons of boyhood and maleness from Father Flanagan's Boys Town and Max in Where the Wild Things Are to Elin Gonzlez and even Michael Jackson, Kidd surveys films, psychoanalytic case studies, parenting manuals, historical accounts of the discoveries of "wolf-boys," and self-help books to provide a rigorous history of what it has meant to be an all-American boy.Kenneth B. Kidd is assistant professor of English at the University of Florida and associate director of the Center for Children's Literature and Culture.
From the bestselling authors of Black Mass comes the definitive biography of Whitey Bulger, the most brutal and sadistic crime boss since Al Capone. Drawing on a trove of sealed files and previously classified material, Whitey digs deep into the mind of James J. “Whitey” Bulger, the crime boss and killer who brought the FBI to its knees. He is an American original --a psychopath who fostered a following with a frightening mix of terror, deadly intimidation and the deft touch of a politician who often helped a family in need meet their monthly rent. But the history shows that despite the early false myths portraying him as a Robin Hood figure, Whitey was a supreme narcissist, and everything--every interaction with family and his politician brother Bill Bulger, with underworld cohorts, with law enforcement, with his South Boston neighbors, and with his victims--was always about him. In an Irish-American neighborhood where loyalty has always been rule one, the Bulger brand was loyalty to oneself. Whitey deconstructs Bulger's insatiable hunger for power and control. Building on their years of reporting and uncovering new Bulger family records, letters and prison files, Dick Lehr and Gerard O'Neill examine and reveal the factors and forces that created the monster. It's a deeply rendered portrait of evil that spans nearly a century, taking Whitey from the streets of his boyhood Southie in the 1940s to his cell in Alcatraz in the 1950s to his cunning, corrupt pact with the FBI in the 1970s and, finally, to Santa Monica, California where for fifteen years he was hiding in plain sight as one of the FBI's Ten Most Wanted. In a lifetime of crime and murder that ended with his arrest in June 2011, Whitey Bulger became one of the most powerful and deadly crime bosses of the twentieth century. This is his story.
Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.
Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.
The 1982 St. Louis Cardinals played an entertaining style of baseball built on speed and defense. The roster was constructed and piloted by Whitey Herzog, a baseball visionary who tailored his team for the AstroTurf and spacious dimensions of Busch Stadium. Herzog traded for closer Bruce Sutter, speedsters Lonnie Smith and Willie McGee, and defensive wizard Ozzie Smith, adding to a talented roster that included the likes of Bob Forsch, Keith Hernandez, and George Hendrick. The result was an exhilarating season filled with winning streaks, numerous obstacles, and one unforgettable steal of home. The Cardinals won the National League pennant despite hitting the fewest home runs in the major leagues, then overcame baseball’s most powerful team—the Milwaukee Brewers—in the World Series. This exhaustive account chronicles the Cardinals from Herzog’s rebuild to the final out of the Fall Classic. Hundreds of sources, including original interviews, were compiled to revisit a championship season and tell the backstories of an eclectic group of players who reached baseball’s pinnacle.
As Lou Brock was chasing 3000 career hits late in the 1979 season--his last after 18 years in the majors--the St. Louis Cardinals were looking for a new identity. Brock's departure represented the final link to the team's glory years of the 1960s, and a parade of new players now came in from the minor leagues. With the Cardinals mired in last place by the following June, owner August A. Busch, Jr., hired Whitey Herzog as field manager, and shortly handed him the general manager's position, too. Herzog was given free rein to rebuild the club in order to embrace the new running game trend in the majors. With an aggressive style of play and an unconventional approach to personnel moves, he catapulted the Cardinals back into prominence and defined a new age of baseball in St. Louis.