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Buddhism teaches that enlightenment is our natural state; the problem is that we do not recognize this state, owing to the mind's confusion about its true nature. Thinley Norbu presents the Buddhist view in a way meant to clear up misconceptions and awaken the reader's innate wisdom. Thinley Norbu is a distinguished teacher of the Nyingma lineage of Tibetan Buddhism and the author of The Small Golden Key and Magic Dance.
Many Americans in the Early Republic era saw the seas as another field for national aggrandizement. With a merchant marine that competed against Britain for commercial supremacy and a whaling fleet that circled the globe, the United States sought a maritime empire to complement its territorial ambitions in North America. In With Sails Whitening Every Sea, Brian Rouleau argues that because of their ubiquity in foreign ports, American sailors were the principal agents of overseas foreign relations in the early republic. Their everyday encounters and more problematic interactions—barroom brawling, sexual escapades in port-city bordellos, and the performance of blackface minstrel shows—shaped how the United States was perceived overseas.Rouleau details both the mariners' "working-class diplomacy" and the anxieties such interactions inspired among federal authorities and missionary communities, who saw the behavior of American sailors as mere debauchery. Indiscriminate violence and licentious conduct, they feared, threatened both mercantile profit margins and the nation's reputation overseas. As Rouleau chronicles, the world's oceans and seaport spaces soon became a battleground over the terms by which American citizens would introduce themselves to the world. But by the end of the Civil War, seamen were no longer the nation's principal ambassadors. Hordes of wealthy tourists had replaced seafarers, and those privileged travelers moved through a world characterized by consolidated state and corporate authority. Expanding nineteenth-century America's master narrative beyond the water's edge, With Sails Whitening Every Sea reveals the maritime networks that bound the Early Republic to the wider world.
With Clavis Music we embrace the power of reading and the power of listening. We explore a new world: that of books and the music. Will you explore it with us? PIPPA the puffin is going sailing. Maybe a friend wants to sail along . . . Pippa asks the dolphin, the penguin, the seal . . . But they're too busy to join her. And you? Will you look and listen too? A sweet and charming music book for little Arctic adventurers ages 2 and up.
A novel which conveys the invigorating spirit that has been infused into the life of Russia by her first Revolution.
Few Americans, black or white, recognize the degree to which early African American history is a maritime history. W. Jeffrey Bolster shatters the myth that black seafaring in the age of sail was limited to the Middle Passage. Seafaring was one of the most significant occupations among both enslaved and free black men between 1740 and 1865. Tens of thousands of black seamen sailed on lofty clippers and modest coasters. They sailed in whalers, warships, and privateers. Some were slaves, forced to work at sea, but by 1800 most were free men, seeking liberty and economic opportunity aboard ship.Bolster brings an intimate understanding of the sea to this extraordinary chapter in the formation of black America. Because of their unusual mobility, sailors were the eyes and ears to worlds beyond the limited horizon of black communities ashore. Sometimes helping to smuggle slaves to freedom, they were more often a unique conduit for news and information of concern to blacks.But for all its opportunities, life at sea was difficult. Blacks actively contributed to the Atlantic maritime culture shared by all seamen, but were often outsiders within it. Capturing that tension, Black Jacks examines not only how common experiences drew black and white sailors together--even as deeply internalized prejudices drove them apart--but also how the meaning of race aboard ship changed with time. Bolster traces the story to the end of the Civil War, when emancipated blacks began to be systematically excluded from maritime work. Rescuing African American seamen from obscurity, this stirring account reveals the critical role sailors played in helping forge new identities for black people in America.An epic tale of the rise and fall of black seafaring, Black Jacks is African Americans' freedom story presented from a fresh perspective.
Legend every thousand years on the purple dust continent will appear a very powerful evil soul every time the evil soul appears will set off a bloody storm countless people on the continent are in the process of fighting with the evil soul fall the last time evil soul appears it is in ancient forest numerous day soul person is black soul person all fall down again even pass through everybody hard battle 300 days evil soul just is defeated but when all people think that the evil soul has died but no one noticed a trace of evil soul yuan soul quietly fell on the ground to hide after a thousand years the evil soul that contained a thousand years will appear again what appear at the same time also has before that a trace of evil soul yuan soul
A master of literary transformation, the Pulitzer Prize-winning author of Martin Dressler turns his attention to the transformations of love in these three hypnotic novellas. • “No one alive writes better about yearning and heartbreak…. Before such mastery, a reader can do nothing but bow his head.” —The Washington Post Book World While ostensibly showing her home to a prospective buyer, the narrator of “Revenge” unfolds an origami-like narrative of betrayal and psychic violence. In “An Adventure of Don Juan” the legendary seducer seeks out new diversion on an English country estate with devastating results. And the title novella retells the story of Tristan and Ysolt from the agonized perspective of King Mark, a husband who compulsively looks for evidence of his wife’s adultery yet compulsively denies what he finds. Combining enchantment as ancient as Sheherezade’s with up-to-the-minute acuity and unease, The King in the Tree is Millhauser at his best.