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A complete guide to what clergy wear, including the various cloths, a brief history, and theology of each liturgical garment. Vestments—the robes, stoles or other items worn by clergy, or cloths used at the altar—not only add beauty to a worship service, but are visual clues to the liturgical season and to the tone of a particular service. The most beautiful and meaningful vestments are often those made for a particular priest, serving in a specific sanctuary. But many shy away from trying to sew vestments, which seem too complicated and difficult to make. In Vestments for All Seasons, Barbara Baumgarten demystifies the making of vestments—from designing and fitting patterns, to fabric and color selection, to putting on the finishing touches. She provides patterns and directions for producing special vestments for Advent and Lent, Easter, and Pentecost, and general instructions for designing and making vestments completely from scratch. A history of the development of vestments from Roman times to the present is included, as well as a full glossary describing the various vestments worn by clergy, bishops, deacons, and choir.
Transnational Belonging and Female Agency in the Arts interrogates the politics of space expressed via womxn's artistic practices, which prioritise solidarity and collaboration across borders, imagining attentive geographies of difference. It considers belonging as a manifestation of processes of becoming that traverse borders and generate new spaces and forms of difference. In doing so, the book aims to catalyse mutual social relations founded upon responsibility and response-ability to each other. The transnational framework activates concerns around belonging at a time of intensified divisions, partitioning global narratives, unequal trajectories and increasing violence against bodies of the most vulnerable, largely founded on Eurocentric paradigms of political, economic and cultural superiority. The contributors engage in a conversation signalling transversal thinking and artmaking in order to articulate and activate 'in-between' spaces. This is to welcome co-affective models of belonging that question versatile embodiments of subjectivity as both agentic and as interrelational. Organised around the triangulation of modes of belonging: spatial, affective and collective, overarched by a transnational lens that acknowledges non-hierarchical, local and socially relevant genealogies against universalising politics of globalisation, these essays consider afresh ways in which female agency disrupts borders and activates concerns around different forms of belonging, citizenship and transnationalisms. Cover Image credit: Keren Anavy, Garden of Living Images (2018), general installation view (detail). Courtesy of the artist and Wave Hill. Photographer: Stefan Hagen
How did Sir Isaac Newton, the most important figure of the Scientific Revolution, believe in literal fulfillment of the biblical prophecies on the end-times? What did he say about the foretold Antichrist? What Paul really taught in 2 Thessalonians 2:3 on the revelation of the man of lawlessness? Will Rapture precede that or vice versa? How and why did Princess Diana think that her husband Charles, the Prince of Wales, was a murderer? How and why did she think that there was a conspiracy against her and that he would murder also her in a staged "car accident"? How does this relate to the biblical prophecies on the foretold Antichrist? Why so many students of the Bible prophecy have taught since the early 1980s that Prince Charles could be actually the foretold Antichrist? To many of us he seems superficially the most unlikely candidate for this role. But is he, in fact, the most likely candidate, based on the number of biblical prophecies on that man what Charles can fulfill more literally than any other presumed Antichrist candiate? How there is hardly any biblical prophecy on that man's foretold attributes that Charles cannot already fulfill one way or another? How has he taken lately a more prominent and visible political role? Why Joe Biden and many other world leaders follow the post-pandemic agenda called "Build Back Better" that Prince Charles launched in January 2020 at Davos together with the founder of World Economic Forum Klaus Schwab? Why does its expert Justin Haskins think it "represents the most significant threat to capitalism and individual liberty in more than a half-century." Why Prince Charles has been compared already with such bloodthirsty tyrants as Pol Pot, like Michael Rubin did in his op-ed in the Washington Examiner, an American conservative news website and weekly magazine? How Charles himself likes to compare himself with the cruel tyrants of the past centuries like Henry VIII? How the Book of Daniel foretold the whole world history of the last twenty-five centuries? How it relates to Prince Charles? Did Daniel see the history of the British Empire and its monarchy? Did he see something epoch-making to happen in 2023? What about the mysterious relic of the Middle Ages, called True Cross? And so much more in this book that one reader characterized as "revolutionary".