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Witches, Ghosts, and Signs: Folklore of the Southern Appalachians by the renowned West Virginia folklorist and former West Virginia University English professor Patrick W. Gainer not only highlights stories that both amuse and raise goosebumps, but also begins with a description of the people and culture of the state. Based on material Gainer collected from over fifty years of field research in West Virginia and the region, Witches, Ghosts, and Signs presents the rich heritage of the southern Appalachians in a way that has never been equaled. Strange and supernatural tales of ghosts, witches, hauntings, disappearances, and unexplained murders that have been passed down from generation to generation from as far back as the earliest settlers in the region are included in this collection that will send chills down the spine.
A rich, authoritative look at a material that plays an essential role in human culture Wood has been a central part of human life throughout the world for thousands of years. In an intoxicating mix of science, history, and practical information, historian and woodworker Harvey Green considers this vital material's place on the planet. What makes one wood hard and one soft? How did we find it, tame it? Where does it fit into the histories of technology, architecture, and industrialization, of empire, exploration, and settlement? Spanning the surprising histories of the log cabin and Windsor chair, the deep truth about veneer, the role of wood in the American Revolution, the disappearance of the rain forests, the botany behind the baseball bat, and much more, Wood is a deep and satisfying look at one of our most treasured resources.
Richard Drake has skillfully woven together the various strands of the Appalachian experience into a sweeping whole. Touching upon folk traditions, health care, the environment, higher education, the role of blacks and women, and much more, Drake offers a compelling social history of a unique American region. The Appalachian region, extending from Alabama in the South up to the Allegheny highlands of Pennsylvania, has historically been characterized by its largely rural populations, rich natural resources that have fueled industry in other parts of the country, and the strong and wild, undeveloped land. The rugged geography of the region allowed Native American societies, especially the Cherokee, to flourish. Early white settlers tended to favor a self-sufficient approach to farming, contrary to the land grabbing and plantation building going on elsewhere in the South. The growth of a market economy and competition from other agricultural areas of the country sparked an economic decline of the region's rural population at least as early as 1830. The Civil War and the sometimes hostile legislation of Reconstruction made life even more difficult for rural Appalachians. Recent history of the region is marked by the corporate exploitation of resources. Regional oil, gas, and coal had attracted some industry even before the Civil War, but the postwar years saw an immense expansion of American industry, nearly all of which relied heavily on Appalachian fossil fuels, particularly coal. What was initially a boon to the region eventually brought financial disaster to many mountain people as unsafe working conditions and strip mining ravaged the land and its inhabitants. A History of Appalachia also examines pockets of urbanization in Appalachia. Chemical, textile, and other industries have encouraged the development of urban areas. At the same time, radio, television, and the internet provide residents direct links to cultures from all over the world. The author looks at the process of urbanization as it belies commonly held notions about the region's rural character.
The Beautiful Music All Around Us presents the extraordinarily rich backstories of thirteen performances captured on Library of Congress field recordings between 1934 and 1942 in locations reaching from Southern Appalachia to the Mississippi Delta and the Great Plains. Including the children's play song "Shortenin' Bread," the fiddle tune "Bonaparte's Retreat," the blues "Another Man Done Gone," and the spiritual "Ain't No Grave Can Hold My Body Down," these performances were recorded in kitchens and churches, on porches and in prisons, in hotel rooms and school auditoriums. Documented during the golden age of the Library of Congress recordings, they capture not only the words and tunes of traditional songs but also the sounds of life in which the performances were embedded: children laugh, neighbors comment, trucks pass by. Musician and researcher Stephen Wade sought out the performers on these recordings, their families, fellow musicians, and others who remembered them. He reconstructs the sights and sounds of the recording sessions themselves and how the music worked in all their lives. Some of these performers developed musical reputations beyond these field recordings, but for many, these tracks represent their only appearances on record: prisoners at the Arkansas State Penitentiary jumping on "the Library's recording machine" in a rendering of "Rock Island Line"; Ora Dell Graham being called away from the schoolyard to sing the jump-rope rhyme "Pullin' the Skiff"; Luther Strong shaking off a hungover night in jail and borrowing a fiddle to rip into "Glory in the Meetinghouse." Alongside loving and expert profiles of these performers and their locales and communities, Wade also untangles the histories of these iconic songs and tunes, tracing them through slave songs and spirituals, British and homegrown ballads, fiddle contests, gospel quartets, and labor laments. By exploring how these singers and instrumentalists exerted their own creativity on inherited forms, "amplifying tradition's gifts," Wade shows how a single artist can make a difference within a democracy. Reflecting decades of research and detective work, the profiles and abundant photos in The Beautiful Music All Around Us bring to life largely unheralded individuals--domestics, farm laborers, state prisoners, schoolchildren, cowboys, housewives and mothers, loggers and miners--whose music has become part of the wider American musical soundscape. The hardcover edition also includes an accompanying CD that presents these thirteen performances, songs and sounds of America in the 1930s and '40s.
Old-Time Mountain Song There’s a place in Tennessee, just across the line, No one ever goes up there, it’s too rough a climb, You won’t find the name or place wrote on any map, Folks down here ’round Shelton’s Trace calls it White Oak Flats. Hazel Taylor was my wife, and I loved her so, We was married on Shelton’s Trace, fifteen years ago, Now I lie here all alone, wonderin’ on the past, Wonderin’ why she left our home to go to White Oak Flats. I don’t know how he looked at her, I don’t know what he said, I don’t know what he could have done, to turn poor Hazel’s head, Never in her darkest hour, could she imagine that, She’d agree to go with him, up to White Oak Flats. I can see the rocky trail up the mountain side, I can see poor Hazel, now, lying by his side, Folks down here still talks about how it come to pass, Nothing but the silence now, up on White Oak Flats. Hazel Tighrow is a woman born far back in the Appalachian Mountains, in the early decades of the Twentieth Century, who explodes all the stereotypes. Where she “should” be an unlettered drudge, ready to marry young, and produce ten children, she is, instead, a reflective, self-taught, well-read, and sensitive young woman, who desperately wants the freedom to grow into herself. Still, because she is so aware, she knows whence she comes, and tries to fit-in as best she can. She eventually marries a caring young man, George Taylor, and does what she can to settle-in to the life of the mountains. Listen to the author’s recording of the White Oak Flats song played on a fretless gourd-banjo, in the old two-finger style on YouTube.
Four important factors have shaped the forests of Great Smoky Mountains National Park, the world's stellar example of southern Appalachian forests. These factors are elevation, landform, forest succession and exotic tree pests. This book explains how to identify and understand the Park's forests based these factors. Elevation and landform are defined and summarized in the Forest Finder, a graphical representation of the 15 major southern Appalachian forest types found in the Park. You can use the Forest Finder to identify forests when you visit Great Smoky Mountains National Park and surrounding national forests. Each forest type is described in detail, as are most of the major trees of the southern Appalachians. Also included are instructions on downloading and interpreting free topographic maps that contain the elevation and land shape information used as inputs to the Forest Finder. Southern Appalachian forest succession is clearly explained, and the reader is shown how to interpret changes in forest succession brought about by land clearing and logging operations in the Park. The associated tree table shows shade tolerance ratings, canopy position and moisture preference for major southern Appalachian trees and shrubs. Important exotic tree pests are described, including the chestnut blight and the hemlock wooly adelgid, as well as their drastic effect on the Park's forests. Along the way the reader learns how to sample the forest using skills like pacing, measuring tree diameter, estimating tree age, determining successional stage and identifying major southern Appalachian tree species. The book directs readers to a web site where free large scale, full color versions of all maps and graphs in the book can be downloaded.