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One of School Library Journal's Best Fiction Books of 2011 Some secrets are better left buried; some secrets are so frightening they might make angels weep and the devil crow. Thought provoking as well as intensely scary, Marcus Sedgwick's White Crow unfolds in three voices. There's Rebecca, who has come to a small, seaside village to spend the summer, and there's Ferelith, who offers to show Rebecca the secrets of the town...but at a price. Finally, there's a priest whose descent into darkness illuminates the girls' frightening story. White Crow is as beautifully written as it is horrifically gripping. This title has Common Core connections.
Private Thomas Dowding, a 37-year-old British soldier, was killed on the battlefield in WWI. On March 12, 1917, he began communicating through the mediumship of Wellesley Tudor Pole. After floundering in the ethers, not even realizing he was dead for a time, as time goes on that side, he was met by his brother, William, who had died three years earlier, and began his orientation. "Hell is a thought region," Thomas Dowding communicated on March 17, 1917. "Evil dwells there and works out its purposes. The forces used to hold mankind down in the darkness of ignorance are generated in hell! It is not a place; it is a condition. The human race has created the condition." Those who enter it are led to believe that the only realities are the sense passions and the beliefs of the human 'I'. This hell consists in believing the unreal to be real. It consists in the lure of the senses without the possibility of gratifying them...Hell, apparently, or that part of it we are speaking about, depends for its existence on human thoughts and feelings." Purgatory and hell, Dowding learned, are different states. He was in purgatory. "We all must needs pass through a purging, purifying process after leaving the earth life. I am still in purgatory. Some day I shall rise above it. The majority who come over here rise above or rather through purgatory into higher conditions. A minority refuse to relinquish their thoughts and beliefs in the pleasures of sin and the reality of the sense life. They sink by the weight of their own thoughts. No outside power can attract a man against his own will. A man sinks or rises through the action of a spiritual law of gravity." And so it was that his brother and the angel failed in their rescue mission. "He would not come away," Dowding communicated. "They had to leave him there. Fear held him. He said his existence was awful, but he was afraid to move for fear worse conditions befell. Fear chained him. No outside power can unchain that man. Release will come from within some day." Dowding returned to the Hall of Silence to ponder what he had just witnessed, determined not to return.
Based on material from the newly opened Russian archives, this is the first biography of Nicholas Mikhailovich Romanov (1859-1919), the only intellectual in the Russian Imperial Family. This unique study provides insight into the last six decades of tsarist Russia through the experiences of the odd ball member of the clan. An historian and a biologist, the Grand Duke made major contributions in both these fields. A political liberal, he fought tirelessly for reform from within the system. His reformist views made him a pariah within his own family, and contemporary recognition of his accomplishments came more from abroad than at home. Entering the military, as all Romanovs did, the Grand Duke eventually became hostile toward it and was in fact the only family member ever to formally leave military service. He received honorary doctorates from the Universities of Berlin and Moscow and even won election to the French Academy—one of only two Russians to do so. As the political situation in Russia worsened, he urged the tsar to implement reforms, and he even participated in discussions of a palace coup. Exiled to Vologda after the Communist seizure of power, he was later imprisoned by the police and shot in January 1919.
Step into the freedom of nature with this collection of nineteen haiku written by J. Patrick Lewis and the vibrant woodcuts by Christopher Manson accompanying each poem. Escape the pages of this book into the magic of the outdoors through the haiku and woodcut illustrations that fill the pages of Black Swan/White Crow. With themes of nature and the outdoors in each poem, young readers will feel as if they are watching bison during winter storms, crows resting on a phone wire, and grizzly bears fishing in a stream with their own eyes.
White southerners recognized that the perpetuation of segregation required whites of all ages to uphold a strict social order -- especially the young members of the next generation. White children rested at the core of the system of segregation between 1890 and 1939 because their participation was crucial to ensuring the future of white supremacy. Their socialization in the segregated South offers an examination of white supremacy from the inside, showcasing the culture's efforts to preserve itself by teaching its beliefs to the next generation. In Raising Racists: The Socialization of White Children in the Jim Crow South, author Kristina DuRocher reveals how white adults in the late nineteenth and early twentieth centuries continually reinforced race and gender roles to maintain white supremacy. DuRocher examines the practices, mores, and traditions that trained white children to fear, dehumanize, and disdain their black neighbors. Raising Racists combines an analysis of the remembered experiences of a racist society, how that society influenced children, and, most important, how racial violence and brutality shaped growing up in the early-twentieth-century South.
The White Crow, one-time Soldier-Scholar of the Invisible College and a practioner of Hermetic science and magic, and Baltazar Casaubon, architect and lover, a man not too particular about his personal hygiene, are two of Mary Gentle¿s finest creations. The worlds they stride across range from the Renaissance city where aristocratic rats rule the human servant class, to a near-future London where chaos is come again. They are two of the most powerful players in the games of magic and politics, and the most colourful. This volume brings together three brilliantly imaginative, powerful and disturbing tales - Rats and Gargoyles, The Architecture of Desire and Left to His Own Devices - and the linked short fiction and confirms Mary Gentle as one of the foremost writers of dark and visionary fantasy.
Tracing the erosion of white elite paternalism in Jim Crow Virginia, Douglas Smith reveals a surprising fluidity in southern racial politics in the decades between World War I and the Supreme Court's 1954 Brown v. Board of Education decision. Smith draws on official records, private correspondence, and letters to newspapers from otherwise anonymous Virginians to capture a wide and varied range of black and white voices. African Americans emerge as central characters in the narrative, as Smith chronicles their efforts to obtain access to public schools and libraries, protection under the law, and the equitable distribution of municipal resources. This acceleration of black resistance to white supremacy in the years before World War II precipitated a crisis of confidence among white Virginians, who, despite their overwhelming electoral dominance, felt increasingly insecure about their ability to manage the color line on their own terms. Exploring the everyday power struggles that accompanied the erosion of white authority in the political, economic, and educational arenas, Smith uncovers the seeds of white Virginians' resistance to civil rights activism in the second half of the twentieth century.
Glenda Gilmore recovers the rich nuances of southern political history by placing black women at its center. She explores the pivotal and interconnected roles played by gender and race in North Carolina politics from the period immediately preceding the disfranchisement of black men in 1900 to the time black and white women gained the vote in 1920. Gender and Jim Crow argues that the ideology of white supremacy embodied in the Jim Crow laws of the turn of the century profoundly reordered society and that within this environment, black women crafted an enduring tradition of political activism. According to Gilmore, a generation of educated African American women emerged in the 1890s to become, in effect, diplomats to the white community after the disfranchisement of their husbands, brothers, and fathers. Using the lives of African American women to tell the larger story, Gilmore chronicles black women's political strategies, their feminism, and their efforts to forge political ties with white women. Her analysis highlights the active role played by women of both races in the political process and in the emergence of southern progressivism. In addition, Gilmore illuminates the manipulation of concepts of gender by white supremacists and shows how this rhetoric changed once women, black and white, gained the vote.
This multilayered study of the representation of black masculinity in musical and cultural performance takes aim at the reduction of African American male culture to stereotypes of deviance, misogyny, and excess. Broadening the significance of hip-hop culture by linking it to other expressive forms within popular culture, Miles White examines how these representations have both encouraged the demonization of young black males in the United States and abroad and contributed to the construction of their identities. From Jim Crow to Jay-Z traces black male representations to chattel slavery and American minstrelsy as early examples of fetishization and commodification of black male subjectivity. Continuing with diverse discussions including black action films, heavyweight prizefighting, Elvis Presley's performance of blackness, and white rappers such as Vanilla Ice and Eminem, White establishes a sophisticated framework for interpreting and critiquing black masculinity in hip-hop music and culture. Arguing that black music has undeniably shaped American popular culture and that hip-hop tropes have exerted a defining influence on young male aspirations and behavior, White draws a critical link between the body, musical sound, and the construction of identity.