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vol. 1 of 2
Reprint of the original, first published in 1876.
Vol. 1 of 2
The British South Africa Company and the irregularity of its financial and political operations are dealt with in detail. Keppel-Jones also discusses the development in the midst of the indigenous population of an alien white society and state, from their crude beginnings to their emergence in a form still recognizable today. The reader is led to conclude that by 1902 Southern Rhodesia was already set on the road that would lead to the upheavals of the second half of the twentieth-century. The author examines the racial consciousness and prejudice of the white society and addresses an important question: why did the imperial government grant a royal charter to the BSA Company? The facts show conclusively that the imperial government had little interest in Central Africa or care for its fate except when foreign competition appeared. Keppel-Jones also reveals the important role played by black troops employed by the Company in suppressing the rebellions of 1896-7. For opposite reasons, neither blacks nor whites have been willing to recognize this; on the other hand the habit of the 'men-on-the-spot' of making and carrying out decisions without regard to their superiors in London is a commonplace of imperial history. One of the main themes of the book is the tension between the unofficial imperialists, straining at the leash, and the Colonial Office, struggling to hold them back. Rhodes and Rhodesia is based on extensive use of public records, mainly in the Public Record Office, London, and the National Archives of Zimbabwe, of collections of private papers, and of contemporary published works.
"The Making of White American Identity traces the development of whiteness as a distinctive collective identification, from the early colonial period through to the January 6, 2021, assault on the Capitol Building in Washington, D.C. The theory of Cultural Trauma provides the framework for mapping and analyzing this process. The central argument is that whiteness is a mobilizing ideology, articulated and communicated over generations by individuals and carrier groups that make use of various means of mass media, from traditional print and visual media to the internet. In analyzing this transmission, hot and cold forms and thick and thin identification are distinguished. Hot forms carry clear ideological messages, cool forms are more subtle, such as genres of country music and novels and films. Memorials, like those to the Confederacy, lie somewhere in between. The conflict over their removal, such as occurred in Charlottesville in 2017, is a key event in this analysis. The final chapter sums up the argument and discusses the future of whiteness in the U.S., when those who identify as white no longer constitute the majority of the population"--
The negotiated transfer of power in apartheid South Africa was the last act in the dismantling of white supremacy on the African continent. While opening a new era for the whites in Africa, it closed an earlier one that contains some of the most colourful episodes in world history. In The White Africans, South African journalist and writer Gerald L'Ange gives a warts-and-all account of the European experience in Africa, from the explorations of the 15th-century Portuguese mariners to the presidential inauguration of Nelson Mandela in 1994. The story is traced through the Europeans' exploration and settlement, through their slavery and economic exploitation, their conquest and colonisation, through decolonisation and the liberation struggles in Kenya, Algeria, the Portuguese territories, Rhodesia and Namibia to the negotiation of democracy in South Africa. Avoiding both past falsities and recent distortions, the book seeks the truth of the European experience, examines the present situation of the white Africans and looks at what might lie ahead for them.
White Man's Conquest of the Dark Continent from 1876 to 1912
Apaches: A History and Culture Portrait, James L. Haley's dramatic saga of the Apaches' doomed guerrilla war against the whites, was a radical departure from the method followed by previous histories of white-native conflict. Arguing that "you cannot understand the history unless you understand the culture, " Haley first discusses the "life-way" of the Apaches - their mythology and folklore (including the famous Coyote series), religious customs, everyday life, and social mores. Haley then explores the tumultuous decades of trade and treaty and of betrayal and bloodshed that preceded the Apaches' final military defeat in 1886. He emphasizes figures who played a decisive role in the conflict; Mangas Coloradas, Cochise, and Geronimo on the one hand, and Royal Whitman, George Crook, and John Clum on the other. With a new preface that places the book in the context of contemporary scholarship, Apaches is a well-rounded one-volume overview of Apache history and culture.