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The Pet Thief is a dystopian fable of science, rebellion, humankind's inhumanity, and the struggle for identity and survival in a post-human world.
This new and expanded Third Edition analyzes blindness within the context of two overlapping theoretical constructs: the development of self-esteem and the process of adjusting to social and/or physical trauma. The book is divided into four sections. The first section provides an overview of blindness and the essential background for subsequent discussions. Section II explores the general theoretical model for the development of self-esteem common to all persons and analyzes the impact that blindness imposes upon this model. Section III explores the process of coping with social and physical traumas or crises. Section IV is addressed primarily to members of the blind person�s support team and provides suggestions for creating a climate for optimum development. Factors that may influence the adjustment process, descriptions of external and internal sources of self-esteem, activities for stimulating affective growth, and guidelines for professionals who work with the blind are included. Personal impacts and psychosocial implications of blindness are discussed in-depth and illustrated with biographical and autobiographical statements by more than 50 blind men and women. This book will serve as an excellent review and refresher for experienced practitioners and administrators working in the field of blindness. Professionals in education, social work, vocational counseling, rehabilitation, recreation therapy, ophthalmology, and optometry will find this comprehensive resource to be an invaluable addition to their libraries.
"There's nothing more dangerous than someone who wants to make the world a better place."—Banksy He's a genius with a plan to change the world forever. Tarkentower has created a vast machine that can control time itself. He puts the whole earth into a loop, repeating the same day over and over again. Each day his machine lets a few people go forward in time, escaping the loop, living on a future planet that is not so overcrowded. It sounds like the perfect solution, except that his machine is driving everyone living inside the loop insane.
Kass is truly on the brink of madness now; she can feel it taking control. She screams as loud as she possibly can, “What do you want from me?” Something touches her ankle, and she shrieks and pulls her leg away. She looks down, or at least what she feels is down. She sees her feet dangling in the black nothingness, and that rush of vertigo hits her once again. She can’t see anything except her own extremities. She is touched again, this time on her right arm. Again, she can see nothing. She feels hot breath on her nape. Her nostrils are infiltrated with that pungent odor of dead, rotting meat. It is the smell of the thing that visited her in that small bedroom in the cabin in the woods. She whirls around—nothing is there. Kass begins to cry out from all the fright that engulfs all her senses. The light above her winks out. Total blackness befalls her. The darkness breathes in, and it breathes out.
AUTODAFE is a collection of reports, interviews, correspondence, narratives, and stories from around the world. The review aims to be a place for debate and experimentation, a place where writers, silenced by censorship join voices with world-renowned writers. The contributors are all members of the International Parliament of Writers; the pieces are original to Autodafe. The journal's common themes are the reflection of social and political realities of the world, censorship, the interdict of language, and the effects of globablization among others.