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An exploration of the history of African American musicians in Chicago during the mid-20th century
Winner of the 2016 Miles Franklin Literary Award A powerful debut novel about two refugees starting over after losing everything Jovan and Suzana have fled war-torn Sarajevo. They have lost their children, their standing as public intellectuals, and their connection to each other. Now working as cleaners in a suburb of Melbourne, they struggle to rebuild their lives under the painful hardships of immigrant life. During a hot Melbourne summer Jovan's janitorial work at a hospital is disrupted by mysterious acts of vandalism. But as the attacks become more violent and racially charged, he feels increasingly targeted, and taunted to interpret their meaning. Under tremendous pressure the couple struggle to keep their marriage together, but fear that they may never find peace from the ravages of war . . . Black Rock White City is an essential story of displacement and immediate threat—the new reality of suburban life—and the deeply personal responses of two refugees seeking redemption.
An award-winning Scandinavian novel of one woman’s struggle to pull herself and her daughter from the grasp of a criminal past. “A literary tour de force” (Mystery Scene). A celebrated bestseller in Sweden, and the winner of the prestigious Per Olov Enquist Literary Prize, The White City is an arresting story of betrayal and empowerment as a criminal’s girlfriend is left behind to pick up the pieces of her imploded existence. Karin knew what she was getting herself into when she fell for John, a high-flying wheeler-dealer. But she never imagined things would turn out like this: John is gone and the coke-filled parties, seemingly endless flow of money, and high social status have been replaced by cut telephone lines, cut heat, and cut cash. All that remains of Karin’s former life is the mansion he bought for her—and his daughter, the child Karin once swore she would never bring into their dangerous world. Now she is on her own with baby Dream. As the authorities zero in on organized crime, John’s shady legacy is catching up with her. Over the course of a few days, Karin is forced to take drastic measures to claim what she considers rightfully hers . . . “The ghostly Scandinavian setting and [protagonist] Karin’s closely narrated sense of impending doom . . . make Swedish star Ramqvist’s English-language debut an atmospheric and suspenseful read.” —Booklist
'An irresistible page-turner that reads like the most compelling, sleep defying fiction' TIME OUT One was an architect. The other a serial killer. This is the incredible story of these two men and their realization of the Chicago World's Fair of 1893, and its amazing 'White City'; one of the wonders of the world. The architect was Daniel H. Burnham, the driving force behind the White City, the massive, visionary landscape of white buildings set in a wonderland of canals and gardens. The killer was H. H. Holmes, a handsome doctor with striking blue eyes. He used the attraction of the great fair - and his own devilish charms - to lure scores of young women to their deaths. While Burnham overcame politics, infighting, personality clashes and Chicago's infamous weather to transform the swamps of Jackson Park into the greatest show on Earth, Holmes built his own edifice just west of the fairground. He called it the World's Fair Hotel. In reality it was a torture palace, a gas chamber, a crematorium. These two disparate but driven men are brought to life in this mesmerizing, murderous tale of the legendary Fair that transformed America and set it on course for the twentieth century . . .
"You’ll want to race through The Silence of the White City, but it’s best to slow down and savor the full effect of the volatile, intoxicating universe Sáenz has created. This is the first novel of the White City trilogy to be translated into English—the second can’t come fast enough." —AirMail HOW DO YOU STOP A KILLER WHO'S ALWAYS TWO STEPS AHEAD? A madman is holding Vitoria hostage, killing its citizens in brutal ways and staging the bodies. The city's only hope is a brilliant detective struggling to battle his own demons. Inspector Unai López de Ayala, known as "Kraken," is charged with investigating a series of ritualistic murders. The killings are eerily similar to ones that terrorized the citizens of Vitoria twenty years earlier. But back then, police were sure they had discovered the killer, a prestigious archaeologist who is currently in jail. Now Kraken must race to determine whether the killer had an accomplice or if the wrong man has been incarcerated for two decades. This fast-paced, unrelenting thriller weaves in and out of the mythology and legends of the Basque country as it hurtles to its shocking conclusion.
Winner of the 2020 Zócalo Public Square Book Prize “Clear-eyed and meticulous...While depicting the terrors of Jim Crow, [Sturkey] also shows how Hattiesburg’s black residents, forced to forge their own communal institutions, laid the organizational groundwork for the civil rights movement of the ’50s and ’60s.” —New York Times “Sturkey’s magnificent portrait reminds us that Mississippi is no anachronism. It is the dark heart of American modernity.” —Robin D. G. Kelley, author of Thelonious Monk If you really want to understand Jim Crow—what it was and how African Americans rose up to defeat it—you should start by visiting Mobile Street in Hattiesburg, Mississippi, the heart of the historic black downtown. There you can see remnants of the shops and churches where, amid the violence and humiliation of segregation, men and women gathered to build a remarkable community. William Sturkey introduces us to both old-timers and newcomers who arrived in search of economic opportunities promised by the railroads, sawmills, and factories of the New South. And he takes us across town into the homes of white Hattiesburgers to show how their lives were shaped by the changing fortunes of the Jim Crow South.
From the depths of the seediest brothels to the pristine enclaves of the elite, The White City is a strange, beguiling first novel by Alec Michod, a thriller that masterfully blends fact and fiction. An exhilarating voyeur's glimpse at Chicago in all its glory, it also probes the dark side that was never far from its core. It is the year of our lord, 1893. The crackle of electricity's first sparks, the mechanical whine of Ferris's wheel, the tinkling of crystal from the majestic city atop the hill--the sounds of a new era pervade the air as the century's last World's Fair commences in Chicago. But darkness lurks beneath the metropolis so austere it has been dubbed the White City. Strikes loom on the horizon, racism runs rampant, and a murderer unlike any America has ever seen before is on the loose, terrorizing the city. His crimes are so brutal, newspapers have christened him the Husker. Hiding behind the cloak of a city in chaos, he taunts his pursuers, littering the grounds of the fair with the corpses of children as he slips through the shadows. Dr. Elizabeth Handley, the first forensic psychologist of her kind, has been called in to capture the killer, but when the son of prominent architect William Rockland goes missing, the case takes on an entirely new urgency. In this city of bombastic politics and cutthroat egos, everyone has his own agenda, but time is running out. As she races to save the boy, Dr. Handley fights to maintain her sanity as the line between captor and quarry blurs, and violence casts its spell.
The Black History of the White House presents the untold history, racial politics, and shifting significance of the White House as experienced by African Americans, from the generations of enslaved people who helped to build it or were forced to work there to its first black First Family, the Obamas. Clarence Lusane juxtaposes significant events in White House history with the ongoing struggle for democratic, civil, and human rights by black Americans and demonstrates that only during crises have presidents used their authority to advance racial justice. He describes how in 1901 the building was officially named the “White House” amidst a furious backlash against President Roosevelt for inviting Booker T. Washington to dinner, and how that same year that saw the consolidation of white power with the departure of the last black Congressmember elected after the Civil War. Lusane explores how, from its construction in 1792 to its becoming the home of the first black president, the White House has been a prism through which to view the progress and struggles of black Americans seeking full citizenship and justice. “Clarence Lusane is one of America’s most thoughtful and critical thinkers on issues of race, class and power.”—Manning Marable "Barack Obama may be the first black president in the White House, but he's far from the first black person to work in it. In this fascinating history of all the enslaved people, workers and entertainers who spent time in the president's official residence over the years, Clarence Lusane restores the White House to its true colors."—Barbara Ehrenreich "Reading The Black History of the White House shows us how much we DON'T know about our history, politics, and culture. In a very accessible and polished style, Clarence Lusane takes us inside the key national events of the American past and present. He reveals new dimensions of the black presence in the US from revolutionary days to the Obama campaign. Yes, 'black hands built the White House'—enslaved black hands—but they also built this country's economy, political system, and culture, in ways Lusane shows us in great detail. A particularly important feature of this book its personal storytelling: we see black political history through the experiences and insights of little-known participants in great American events. The detailed lives of Washington's slaves seeking freedom, or the complexities of Duke Ellington's relationships with the Truman and Eisenhower White House, show us American racism, and also black America's fierce hunger for freedom, in brand new and very exciting ways. This book would be a great addition to many courses in history, sociology, or ethnic studies courses. Highly recommended!"—Howard Winant "The White House was built with slave labor and at least six US presidents owned slaves during their time in office. With these facts, Clarence Lusane, a political science professor at American University, opens The Black History of the White House(City Lights), a fascinating story of race relations that plays out both on the domestic front and the international stage. As Lusane writes, 'The Lincoln White House resolved the issue of slavery, but not that of racism.' Along with the political calculations surrounding who gets invited to the White House are matters of musical tastes and opinionated first ladies, ingredients that make for good storytelling."—Boston Globe Dr. Clarence Lusane has published in The Washington Post, The Miami Herald, The Baltimore Sun, Oakland Tribune, Black Scholar, and Race and Class. He often appears on PBS, BET, C-SPAN, and other national media.
This “extraordinary history” of the influential black newspaper is “deeply researched, elegantly written [and] a towering achievement” (Brent Staples, New York Times Book Review). In 1905, Robert S. Abbott started printing The Chicago Defender, a newspaper dedicated to condemning Jim Crow and encouraging African Americans living in the South to join the Great Migration. Smuggling hundreds of thousands of copies into the most isolated communities in the segregated South, Abbott gave voice to the voiceless, galvanized the electoral power of black America, and became one of the first black millionaires in the process. His successor wielded the newspaper’s clout to elect mayors and presidents, including Harry S. Truman and John F. Kennedy, who would have lost in 1960 if not for The Defender’s support. Drawing on dozens of interviews and extensive archival research, Ethan Michaeli constructs a revelatory narrative of journalism and race in America, bringing to life the reporters who braved lynch mobs and policemen’s clubs to do their jobs, from the age of Teddy Roosevelt to the age of Barack Obama. “[This] epic, meticulously detailed account not only reminds its readers that newspapers matter, but so do black lives, past and present.” —USA Today