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From the author of The Last Garden in England and The Light Over London comes a “gripping tale by a writer at the top of her game” (Fiona Davis, author of The Chelsea Girls) following three friends who struggle to remain loyal as one of them is threatened with internment by the British government at the start of World War II. In August of 1939, as Britain watches the headlines in fear of another devastating war with Germany, three childhood companions must choose between friendship and country. Erstwhile socialite Nora is determined to find her place in the Home Office’s Air Raid Precautions Department, matchmaker Hazel tries to mask two closely guarded secrets with irrepressible optimism, and German expat Marie worries that she and her family might face imprisonment in an internment camp if war is declared. When Germany invades Poland and tensions on the home front rise, Marie is labeled an enemy alien, and the three friends find themselves fighting together to keep her free at any cost. Featuring Julia Kelly’s signature “intricate, tender, and convincing” (Publishers Weekly) prose, The Whispers of War is a moving and unforgettable tale of the power of friendship and womanhood in the midst of conflict.
In the summer of 1812, as rumours of a looming war become a reality, Susanna, her mother and sister are surviving as best they can while the men are fighting. As news of various battles reaches them, Susanna becomes even more concerned for the safety and well-being of her beloved brother and father. She is also torn between the loyalties of her best friend and her mother -- both Americans living in Upper Canada -- and her father's and brother's allegiance to General Brock and the King. But the night of the Battle of Queenston Heights, Susanna's main concern is for survival.
Memoirs of a Marine grunt's view of his service in the Vietnam War.
Ani, a 12-year-old Basque girl, and Mathias, a 14-year-old German Jew, become friends and then spies in the weeks leading up to the bombing of Guernica in April 1937.
Reminiscent of Martha Hall Kelly’s Lilac Girls and Kristin Hannah’s The Nightingale, this entrancing story “is a poignant reminder that there is no limit to what women can do. A nostalgic, engrossing read” (Julia London, New York Times bestselling author). It’s easier for Cara Hargraves to bury herself in the past than to deal with the present, which is why working for a gruff but brilliant antiques dealer is perfect. While clearing out an estate, she pries open an old tin that holds the relics of a lost relationship: an unfinished diary from World War II and a photo of a young woman in uniform. Captivated by the hauntingly beautiful diary, Cara begins her search for the author, never guessing that it might reveal her own family’s wartime secrets. In 1941, nineteen-year-old Louise Keene feels trapped in her Cornish village, waiting for a wealthy suitor her mother has chosen for her to return from the war. But when Louise meets Flight Lieutenant Paul Bolton, a dashing RAF pilot stationed at a local base, everything changes. And changes again when Paul’s unit is deployed without warning. Desperate for a larger life, Louise joins the women’s auxiliary branch of the British Army in the anti-aircraft gun unit as a gunner girl. As bombs fall on London, she and the other gunner girls show their bravery and resilience while performing their duties during deadly air raids. The only thing that gets Louise through those dark, bullet-filled nights is knowing that she and Paul will be together when the war is over. But when a bundle of her letters to him is returned unopened, she learns that wartime romance can have a much darker side. “Sweeping, stirring, and heartrending in all the best ways, this tale of one of WWII’s courageous, colorful, and enigmatic gunner girls will take your breath away” (Kristin Harmel, bestselling author of The Room on Rue Amelie).
War. An alien war. The catlike alien asked the humans to fight in an alien war. Can you believe that? An alien ship crashed on Earth 5,000 years ago, throwing our solar system into a temporal bubble. No time has passed outside our solar system. It is now 2030, ten years after a government shutdown that never ended. A jackal-like alien almost killed Terry Chang. Now he and his friends must venture out into the unknown, where multiple alien races are on the verge of war. Turns out mythology is not so mythical after all. If you liked Ender's Game, Stargate, the Expeditionary Force Series, and the Earthrise series, you'll like this.
Beginning with his debut masterpiece, The Naked and the Dead, Norman Mailer has repeatedly told the truth about war. Why Are We at War? returns Mailer to the gravity of the battlefield and the grand hubris of the politicians who send soldiers there to die. First published in the early days of the Iraq War, Why Are We at War? is an explosive argument about the American quest for empire that still carries weight today. Scrutinizing the Bush administration’s words and actions, Mailer unleashes his trademark moral rigor: “Because democracy is noble, it is always endangered. . . . To assume blithely that we can export democracy into any country we choose can serve paradoxically to encourage more fascism at home and abroad.” Praise for Why Are We at War? “We’re overloaded with information these days, some of it possibly true. Mailer offers a provocative—and persuasive—cultural and intellectual frame.”—Newsweek “[Mailer] still has the stamina to churn out hard-hitting criticism.”—Los Angeles Times “Penetrating . . . There’s plenty of irreverent wit and fresh thinking on display.”—San Francisco Chronicle “Eloquent . . . thoughtful . . . Why Are We at War? pulls no punches.”—Fort Worth Star-Telegram Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post
“[An] exceptionally raw look at the Vietnam War . . . an excellent tribute to the generation that fought, laughed, and died in Southeast Asia.” —New York Journal of Books This is the second volume of a Green Beret’s riveting memoir of his time serving in Recon Teams Habu and Crusader, CNN, part of Military Assistance Command, Vietnam—Studies and Observations Group (MACV-SOG). Picking up where We Few left off, Whispers in the Tall Grass opens as the war moves into a new phase. The enemy are using special formations to hunt recon teams and missions are now rarely accomplished without heavy contact. Despite the teams’ careful prep, losses are mounting. More and more missions are extracted by Bright Lights until eventually classic recon missions are almost impossible, and the teams briefly trial HALO insertion. Finally, as the US prepares to withdraw, the teams undertake back-to-back missions directing air strikes and disrupting supply lines to ease the pressure on the ARVN. Broken by the pace, but desperate not to leave the Yards, Brokhausen is ordered to out-process, his request for extension denied, and is forced to leave his friends—his brothers—behind. Written in the same vivid, immediate style that made We Few a cult classic, Whispers in the Tall Grass follows Habu, Crusader and other teams as they undertake missions in this new, deadlier phase of the war. The narrative veers from hair-raising to tragic and back as the teams insert into hot targets, act as Bright Light for stricken teams, and play hard in between missions to diffuse the ever-rising tension. “Brokhausen tells all in a masterfully gonzo style of reporting and recollection shaped by clever gallows humor.” —Booklist
Provides interviews with twenty-three young Iraqi children who have moved away from their homeland and tells of their fears, challenges, and struggles to rebuild their lives in foreign lands as refugees of war.
Previously published as Echoes of War 'Blanchard at her breathtaking best. Rich in every sight, taste and smell.' Australian Women’s Weekly _________________ Set in Mussolini’s Italy amid great upheaval, this is the story of one woman’s determination to find her place in a world that men are threatening to tear apart. Another heart-rending novel inspired by a true story from Australia's bestselling author of The Girl from Munich. Calabria, Italy, 1936 In a remote farming village nestled in the mountains that descend into the sparkling Ionian Sea, young and spirited Giulia Tallariti longs for something more. While she loves her home and her lively family, she would much rather follow in her nonna’s footsteps and pursue her dream of becoming a healer. But as Mussolini’s focus shifts to the war in Europe, civil unrest looms. Whispers of war are at every corner and her beloved village, once safe from the fascist agenda of the North, is now in very real danger. Caught between her desire to forge her own path and her duty to her family, Giulia must draw on the passion in her heart and the strength of her conviction. Can she find a way to fulfill her dreams without sacrificing all she holds dear? _________________ ‘Richly imagined, heartbreaking and utterly captivating ... yet another outstanding piece of historical fiction from Blanchard, cementing her place at the top of this genre.’ Better Reading ‘This is emotional reading for anyone born of immigrant stock as it explores the pain of leaving your homeland and your family to find opportunity elsewhere … an entertaining tale of fiction that will make your heart melt and sing and shatter.’ Glam Adelaide ‘A powerful novel about powerful women … a powerful evocation of a time, a place and a cultural vision which provided a significant boost to Australia’s population and its development as a multi-cultural destination of choice for refugees – both voluntary and choiceless.’ Carpe Librum