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Bubbly, energetic first-year high school student Himari falls head over heels for her senpai Yori after hearing her band perform on the first day of school. Himari tells Yori she just loves her, and, to Himari’s surprise, Yori says she loves Himari back! But when Himari realizes that she and her senpai are feeling two different kinds of love, she begins to ask herself what “love” really means…
After Aki confesses that she is in love with Yori, Himari suddenly has a deadline to figure out how she feels about her senpai. Maybe her new friend Momoka can help? The more time Himari spends with Momoka at the cooking club, though, the more nervous Yori seems to get. Yori has new obligations of her own, too, now that she has to practice with the band. But when Yori’s feelings for Himari inspire her to do something she never thought she could, it might turn out to be the key that helps Himari unlock how she really feels about Yori.
Himari is starting to realize that she and Yori have two very different things in mind when they talk about being in love, and Yori can tell that things aren’t quite the same between them since she asked Himari out. But if they want to stay together, whether as friends or something more, they’ll have to hear each other out and see if they can get back in harmony. With band practice cutting into their time together and Himari making a new friend who tugs on Yori’s deepest insecurities, both girls start to wonder: how can one little word make everything so complicated?
From the author of The Latehomecomer, a powerful memoir of her father, a Hmong song poet who sacrificed his gift for his children's future in America In the Hmong tradition, the song poet recounts the story of his people, their history and tragedies, joys and losses; extemporizing or drawing on folk tales, he keeps the past alive, invokes the spirits and the homeland, and records courtships, births, weddings, and wishes. Following her award-winning book The Latehomecomer, Kao Kalia Yang now retells the life of her father Bee Yang, the song poet, a Hmong refugee in Minnesota, driven from the mountains of Laos by American's Secret War. Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until, one day, a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. But the songs fall away in the cold, bitter world of a Minneapolis housing project and on the factory floor until, with the death of Bee's mother, the songs leave him for good. But before they do, Bee, with his poetry, has polished a life of poverty for his children, burnished their grim reality so that they might shine. Written with the exquisite beauty for which Kao Kalia Yang is renowned, The Song Poet is a love story -- of a daughter for her father, a father for his children, a people for their land, their traditions, and all that they have lost.
In an all-woman planet of intelligent fungi, Arriala and Erriela get married! But a member of the royal mushroom family is smitten with Erriela and is willing to start a war over her. To rescue her wife, can Arriala traverse the wild and treacherous mushroom kingdom and hope to survive?
An Instant New York Times Bestseller! Winner of the Coretta Scott King - John Steptoe for New Talent Author Award Filled with mystery and an intriguingly rich magic system, Tracy Deonn’s YA contemporary fantasy reinvents the King Arthur legend and “braids together Southern folk traditions and Black Girl Magic into a searing modern tale of grief, power, and self-discovery” (Dhonielle Clayton, New York Times bestselling author of The Belles). After her mother dies in an accident, sixteen-year-old Bree Matthews wants nothing to do with her family memories or childhood home. A residential program for bright high schoolers at UNC–Chapel Hill seems like the perfect escape—until Bree witnesses a magical attack her very first night on campus. A flying demon feeding on human energies. A secret society of so called “Legendborn” students that hunt the creatures down. And a mysterious teenage mage who calls himself a “Merlin” and who attempts—and fails—to wipe Bree’s memory of everything she saw. The mage’s failure unlocks Bree’s own unique magic and a buried memory with a hidden connection: the night her mother died, another Merlin was at the hospital. Now that Bree knows there’s more to her mother’s death than what’s on the police report, she’ll do whatever it takes to find out the truth, even if that means infiltrating the Legendborn as one of their initiates. She recruits Nick, a self-exiled Legendborn with his own grudge against the group, and their reluctant partnership pulls them deeper into the society’s secrets—and closer to each other. But when the Legendborn reveal themselves as the descendants of King Arthur’s knights and explain that a magical war is coming, Bree has to decide how far she’ll go for the truth and whether she should use her magic to take the society down—or join the fight.
A lonely monster, dwelling in seclusion in the forest, wishes she could live among humans despite her frightening appearance. Everything changes when she meets a blind human girl who loves the stories her mysterious forest friend tells her. As the monster and the girl grow closer in their secluded world, their love proves that beauty is in the eye of the beholder.
Meet Reiji Yoshida: a yuri otaku that loves yuri more than anything else in the world. All he wants is to enjoy his hobby in peace, but trouble ensues when he crosses paths with Mitsuru Hoshina, a fujoshi who is obsessed with boys’ love. Hijinks ensue, and a vengeful ghost residing in their school’s manga club swaps their bodies! Polar opposites in both personalities and hobbies clash in this exciting first volume—follow the adventures of their comedic body swap experiences!
OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.
Yuzu is pumped to go on a summer trip with her friends but she also wants to spend time alone with Mei. As Mei and Yuzu try and find an excuse to slip away from the main group, their friends start to suspect that there's something going on between the two step-sisters.