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“A twisty, captivating, edge-of-your-seat read.” —Megan Miranda, bestselling author of All the Missing Girls “Creepy and oh so clever!” —Alice Feeney, bestselling author of Sometimes I Lie A woman is forced to question her own identity in this riveting and emotionally charged thriller by the blockbuster bestselling author of The Good Girl, Mary Kubica Jessie Sloane is on the path to rebuilding her life after years of caring for her ailing mother. She rents a new apartment and applies for college. But when the college informs her that her social security number has raised a red flag, Jessie discovers a shocking detail that causes her to doubt everything she’s ever known. Finding herself suddenly at the center of a bizarre mystery, Jessie tumbles down a rabbit hole, which is only exacerbated by grief and a relentless lack of sleep. As days pass and the insomnia worsens, it plays with Jessie’s mind. Her judgment is blurred, her thoughts are hampered by fatigue. Jessie begins to see things until she can no longer tell the difference between what’s real and what she’s only imagined. Meanwhile, twenty years earlier and two hundred and fifty miles away, another woman’s split-second decision may hold the key to Jessie’s secret past. Has Jessie’s whole life been a lie or have her delusions gotten the best of her? Don't miss Mary Kubica's chilling upcoming novel, She's Not Sorry, where an ICU nurse accidentally uncovers a patient's frightening past... Look for these other edge-of-your-seat thrillers by New York Times bestselling author Mary Kubica: The Good Girl Pretty Baby Don’t You Cry Every Last Lie The Other Mrs. Local Woman Missing Just The Nicest Couple She's Not Sorry
Save Australia, Save the World. Three weeks after the outbreak, most nations have collapsed. An ever-increasing number of refugees flee, by boat and air, to the perceived safety of the remote Pacific nations. In Australia, every able body is conscripted, local and newcomer alike. The lucky few are put to work in the new factories, farms, and mines. The unlucky many are given tools for weapons, put aboard cruise-ships and cargo freighters, and returned to the ever-moving frontline. But even though the death toll rises, victory is still within reach. The recordings made in North America by Pete and Corrie Guinn contained more than the siblings realised. The footage from Canada and Michigan is further confirmation the outbreak was no accident. The Canadian scientist, Dr Avalon, can prove it. As Commissioner Tess Qwong takes justice to the increasingly lawless outback, Anna Dodson brings order to the chaos of Parliament House, and Dr Avalon works on a weapon to finally destroy the undead. But no plans can survive the impact of a nuclear bomb. From a lawless natural gas refinery in Queensland to the once golden coast of New South Wales. Behind the barricaded streets of Canberra and in the bunker beneath Parliament House, there is still hope for Australia, the Pacific, the world, as long as the lights remain on.
A number of the movies she reviews have gay characters, and quite a number of the actors (Rock Hudson, Sir John Gielgud) are gay.--P. Thorslev.
A thunderstorm! The lights go out! An agonized voice! A pistol shot! The lights come up! A blonde in black lace stands over the dead man holding a bloody dagger! The detective examines the body and announces, 'Hes been strangled!' This is but the opening of one of the most astounding and hilarious murder mysteries ever staged. Every clue is a lulu and the plot twists furiously. The final solution involves the most bizarre motive ever conceived. The delightful evening of mayhem gallops madly about the stage and will leave your audience breathless with surprise and laughter. The mystery is top-notch, the characters marvelous, and the comedy explosive!
The children go home, the library closes, the lights go out... and the adventure begins!
Wry, intimate, and startlingly imaginative, the stories in this debut bring a sharpness, and a strangeness, to the everyday.
Blackouts—whether they result from military planning, network failure, human error, or terrorism—offer snapshots of electricity's increasingly central role in American society. Where were you when the lights went out? At home during a thunderstorm? During the Great Northeastern Blackout of 1965? In California when rolling blackouts hit in 2000? In 2003, when a cascading power failure left fifty million people without electricity? We often remember vividly our time in the dark. In When the Lights Went Out, David Nye views power outages in America from 1935 to the present not simply as technical failures but variously as military tactic, social disruption, crisis in the networked city, outcome of political and economic decisions, sudden encounter with sublimity, and memories enshrined in photographs. Our electrically lit-up life is so natural to us that when the lights go off, the darkness seems abnormal. Nye looks at America's development of its electrical grid, which made large-scale power failures possible and a series of blackouts from military blackouts to the “greenout” (exemplified by the new tradition of “Earth Hour”), a voluntary reduction organized by environmental organizations. Blackouts, writes Nye, are breaks in the flow of social time that reveal much about the trajectory of American history. Each time one occurs, Americans confront their essential condition—not as isolated individuals, but as a community that increasingly binds itself together with electrical wires and signals.
In the follow-up to Abbi Glines’s #1 New York Times bestseller Until Friday Night—which bestselling author Kami Garcia called “tender, honest, and achingly real”—three teens from a small southern town are caught in a dramatic love triangle. Willa can’t erase the bad decisions of her past that led her down the path she’s on now. But she can fight for forgiveness from her family. And she can protect herself by refusing to let anyone else get close to her. High school quarterback and town golden boy Brady used to be the best of friends with Willa—she even had a crush on him when they were kids. But that’s all changed now: her life choices have made her a different person from the girl he used to know. Gunner used to be friends with Willa and Brady, too. He too is larger than life and a high school football star—not to mention that his family basically owns the town of Lawton. He loves his life, and doesn’t care about anyone except himself. But Willa is the exception—and he understands the girl she’s become in a way no one else can. As secrets come to light and hearts are broken, these former childhood friends must face the truth about growing up and falling in love…even if it means losing each other forever.
In October 2003, I became a victim of traumatic brain injury. Thats when I was hit and dragged by a pickup truck while riding a Big Wheel trike at a friends party. Emergency brain surgery saved my life, but I lost a portion of the back part of my brain. At the age of ten, I had to learn how to breathe, swallow, talk, eat, stand, sit, walkeverything all over again. Traumatic brain injury is one of the leading causes of disability among children, yet, because of the complexity of the brain, experts still have much to learn about how to treat TBI. In When the Lights Go Out, I describe my therapieswhats worked, what hasnt, and whyand share how I learned to cope with the emotional and psychological challenges. In the process, I have discovered the critical roles that faith in God, love of family, the healing power of friends, and the inherent goodness of people all played in my ability to triumph over overwhelming odds. I have also learned that a horrific accident has given me an amazing gift. When the Lights Go Out is an expression of that gift.
Through the eyes of a killer… Rachel de Luca has found incredible success writing self-help books. But her own blindness and the fact that her troubled brother has gone missing have convinced her that positive thinking is nothing but bull. Her cynicism wavers when a cornea transplant restores her sight. The new eyes seem to give her new life, until they prove too good to be true and she starts seeing terrifying visions of brutal murders—crimes she soon learns are all too real. Detective Mason Brown's own brother recently died, leaving behind a horrific secret. In atonement, Mason donated his brother's organs, though he's kept the fact quiet. Now he wants to help Rachel find her brother, but when he discovers the shocking connection between her visions and his own brother, he suddenly has to do everything in his power to save her from a predator who is somehow still hunting from beyond the grave. www.MaggieShayne.com