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“Things Near and Far” was is the second part of Arthur Machen's autobiography. The first part is contained in “Far Off Things” (1922) and the third in “The London Adventure” (1924). Arthur Machen (1863 – 1947) was a Welsh author and renowned mystic during the 1890s and early 20th century who garnered literary acclaim for his contributions to the supernatural, horror, and fantasy fiction genres. His seminal novella “The Great God Pan” (1890) has become a classic of horror fiction, with Stephen King describing it as one of the best horror stories ever written in the English language. Other notable fans of his gruesome tales include William Butler Yeats and Arthur Conan Doyle; and his work has been compared to that of Robert Louis Stevenson, Bram Stoker, and Oscar Wilde. “The Glorious Mystery” is not to be missed by those with an interest in the life and work of this seminal writer. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
While playing in the city park, little Hugo wonders, "Who put these buildings here?" Hugo's mother leads him on a whirlwind trip through the city, the country, and everything in-between to explain the answer. An easy introduction to the world of urban planning, and illustrates that "every building has its place."
An accessible introduction to astronomy for readers of all ages.
In The Small Heart of Things, Julian Hoffman intimately examines the myriad ways in which connections to the natural world can be deepened through an equality of perception, whether it’s a caterpillar carrying its house of leaves, transhumant shepherds ranging high mountain pastures, a quail taking cover on an empty steppe, or a Turkmen family emigrating from Afghanistan to Istanbul. The narrative spans the common—and often contested—ground that supports human and natural communities alike, seeking the unsung stories that sustain us. Guided by the belief of Rainer Maria Rilke that “everything beckons us to perceive it,” Hoffman explores the area around the Prespa Lakes, the first transboundary park in the Balkans, shared by Greece, Albania, and the former Yugoslav Republic of Macedonia. From there he travels widely to regions rarely written about, exploring the idea that home is wherever we happen to be if we accord that place our close and patient attention. The Small Heart of Things is a book about looking and listening. It incorporates travel and natural history writing that interweaves human stories with those of wild creatures. Distinguished by Hoffman’s belief that through awareness, curiosity, and openness we have the potential to forge abiding relationships with a range of places, it illuminates how these many connections can teach us to be at home in the world.
This book is an introduction to three questions on love according to St. Thomas Aquinas (Summa Theologiae I-II, qq. 26-28). These three questions reflect on the nature of love (q. 26), the causes of love (q. 27), and the effects of love (q. 28). It is thus an introduction to the entire phenomenon of love, both as a bodily passion and an act of the will. The purpose is to present the Thomistic and broadly scholastic account of human and divine love from a philosophical and theological perspective. It aims to be a theological and philosophical study of the topic, useful both for a graduate/professional audience, as part of an undergraduate or graduate course, and perhaps for the educated reader. The thesis of the book is that, contrary to contemporary conceptions, not all loves are created equal. Some loves perfect us and some loves corrupt us. The worth of a love depends on its object and end. St. Thomas thus presents an objective and teleological account of human and divine love that is of philosophical and theological interest. The method is broadly exegetical, presenting a careful reading of the text and supplying the philosophical and theological background which the text of Aquinas assumes. The scope of the work is limited to three questions (ST I-II, qq. 26-28). References to interpretative disputes of Aquinas and references to further resources in the secondary literature will be mostly limited to the footnotes, making the body of the text accessible to more readers.
This space is a powerful place located deep inside of you, where anything is possible, and nothing is certain.
Something pushed out from the body there on the floor, and stretched forth a slimy, wavering tentacle... Perhaps no figure better embodies the transition from the Gothic tradition to modern horror than Arthur Machen. In the final decade of the nineteenth century, the Welsh writer produced a seminal body of tales of occult horror, spiritual and physical corruption, and malignant survivals from the primeval past which horrified and scandalised-late-Victorian readers. Machen's 'weird fiction' has influenced generations of storytellers, from H. P. Lovecraft to Guillermo Del Toro-and it remains no less unsettling today. This new collection, which includes the complete novel The Three Impostors as well as such celebrated tales as The Great God Pan and The White People, constitutes the most comprehensive critical edition of Machen yet to appear. In addition to the core late-Victorian horror classics, a selection of lesser-known prose poems and later tales helps to present a fuller picture of the development of Machen's weird vision. The edition's introduction and notes contextualise the life and work of this foundational figure in the history of horror.